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Edward Weston
2S Shell

1927

$12,000
£9,272.08
€10,719.40
CA$16,956.87
A$19,018.25
CHF 9,959.57
MX$231,090.34
NOK 126,469.80
SEK 119,902.28
DKK 80,014.72

About the Item

Weston created 2S after his return to America from two extended stays in Mexico between 1923 and 1927. Throughout 1927 he took twenty-six still life images of shells, including Nautilus 1927 (Museum of Modern Art, New York). His interest in nautilus shells was prompted by a 1927 meeting with the Californian painter Henrietta Shore, for whom Weston was a sitter at the time and who often featured shells in her paintings. Weston wrote in his diary of seeing these shells in her studio, stating that that he ‘never saw a Chambered Nautilus before. If I had, my response would have been immediate!’ (Weston 1966, p.21). Several months later he wrote of how his subsequent exploration of these forms had begun to consume his practice: I worked all Sunday with the shells – literally all day. Only three negatives made and two of them were done as records of movement to repeat again when I can find suitable backgrounds. I wore myself out trying every conceivable texture and tone for grounds: glass, tin, cardboard – wool, velvet, even my rubber coat! (Weston 1966, p.21.) His shells are an example of the ‘pure’ or ‘straight’ style that characterized Weston’s still life photographs. These terms first emerged in the 1880s to refer to a photographic approach that prioritized high contrast, sharp focus and an emphasis on the formal qualities of the subject, as opposed to the pictorialist tradition, in which subjects were photographically manipulated through soft focus, cropping and composite image techniques. - Tate Modern
  • Creator:
    Edward Weston (1886-1958, American)
  • Creation Year:
    1927
  • Dimensions:
    Height: 9.25 in (23.5 cm)Width: 7.25 in (18.42 cm)
  • Medium:
  • Period:
  • Condition:
    Printed later by Cole Weston from original neg. 1/2" scratch lower left. Acquired through Camera Obscura Denver in the 1980s.
  • Gallery Location:
    Carmel-by-the-Sea, CA
  • Reference Number:
    Seller: 53-00111stDibs: LU11513780262

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2S Shell
By Edward Weston
Located in Carmel-by-the-Sea, CA
Weston created 2S after his return to America from two extended stays in Mexico between 1923 and 1927. Throughout 1927 he took twenty-six still life images of shells, including Nauti...
Category

1920s Black and White Photography

Materials

Silver Gelatin

1S Shell
By Edward Weston
Located in Carmel-by-the-Sea, CA
The most iconic of the Weston shells, throughout 1927 he took twenty-six still life images of shells, including Nautilus 1927 (Museum of Modern Art, New York). His interest in nautil...
Category

Early 20th Century Black and White Photography

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Silver Gelatin

14S ~ Two Shells
By Edward Weston
Located in Carmel-by-the-Sea, CA
Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Edward's son, Cole Weston.
Category

1920s Black and White Photography

Materials

Silver Gelatin

Kelp ~ 12K
By Edward Weston
Located in Carmel-by-the-Sea, CA
Titled and dated with artists reference number and stamped on the back of the mount. Printed and signed by Cole Weston.
Category

1930s Still-life Photography

Materials

Silver Gelatin

NM-A-N2G
By Edward Weston
Located in Carmel-by-the-Sea, CA
Printed by Cole Weston from the original negative now housed at the Center for Creative Photography in Tuscon, Arizona, retired. The Weston Gallery is owned by Matthew (grandson of Edward Weston) and his wife Davi Weston and we've been dealing in fine art photography since 1975! Edward Weston (1886 – 1958) was an American photographer, and co-founder of Group f/64. Most of his work was done using an 8 by 10 inch view camera. In 1902, he received his first camera for his sixteenth birthday, a Kodak Bull's-Eye #2, and began taking photographs in parks in Chicago and at his aunt's farm. The young Weston met with quick success, and his photographs were already being exhibited at the Chicago Art Institute merely a year later, in 1903. Weston worked mainly with nudes, still life - his shells and vegetable studies were especially important - and landscape subjects. After a few exhibitions of his works in New York, he went on to found Group f/64 in 1932 with fellow photographers Ansel Adams, Willard van Dyke...
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Equivalents
By Alfred Stieglitz
Located in Carmel-by-the-Sea, CA
Alfred Stieglitz made the Equivalents cloud studies between 1925 and 1934. They are often recognized as the first photographs free of literal subject matter and considered some of th...
Category

Early 20th Century Black and White Photography

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Silver Gelatin

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