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Fernando Natalici
SoHo Fire Escapes, New York, 1984

Printed later

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NYC Subway Voyeur photograph (NY street photography)
By Fernando Natalici
Located in NEW YORK, NY
Fernando Natalici, "MTA Subway Voyeur" photograph, New York City, 2015: An artful and secretly explorative composition of everyday city life by heralded NY underground photographer, ...
Category

21st Century and Contemporary Street Art Black and White Photography

Materials

Inkjet

BASQUIAT photograph 1979 (Basquiat Gray photograph Nicholas Taylor)
By Nicholas Taylor
Located in NEW YORK, NY
Basquiat and Gray at Hurrah's: New York, 1979 by Nicholas Taylor: A rare, intimate look at Jean-Michel Basquiat's history as a musician - this work was one of four Taylor photo's chosen for exhibit at the much noted, Basquiat: Boom For Real exhibition at London's Barbican Centre. This work has been featured in numerous major publications on Basquiat. Archival Inkjet Print. 16 x 20 inches (dimensions include a an approx 2 inch border). Hand signed & numbered from an Edition of 10 (+ 5 APs). Excellent condition. Provided directly by Nicholas Taylor (represented by listing dealer Lot 180 Gallery NY). Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the No Wave band “Gray” before Taylor launched a successful career as a DJ famous for track-looping (named DJ High Priest by Basquiat). His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Exhibitions: Basquiat: Boom For Real at the Barbican Centre, London (9/21/17- Present) Literature/Catalog Raisonne: Basquiat: Boom For Real (Show catalog; Eleanor Nairne/Dieter Buchart) Jean-Michel Basquiat: King For A Decade (Taka Kawachi) Jean-Michel Basquiat: 1981, Studio of The Street (Diego Cortez) For further history on Basquiat's and Gray please see: "Gray Matters...
Category

1980s Contemporary Black and White Photography

Materials

Inkjet

BASQUIAT photograph 1979 (Basquiat Gray photograph Nicholas Taylor)
By Nicholas Taylor
Located in NEW YORK, NY
"Basquiat knew funk, jazz and what was up. How many people were equally versed in Miles Davis and Funkadelic, Charlie Parker and Bootsy Collins, Thelonious Monk and the JBs?" (Glenn O'Brien, 'Gray Matters...
Category

1980s Pop Art Black and White Photography

Materials

Inkjet

PRINCE Photograph Detroit 1980 (Prince Dez Dickerson)
By Leni Sinclair
Located in NEW YORK, NY
Prince & The Revolution Photograph 1980 by Leni Sinclair: Prince alongside his first guitarist Dez Dickerson shot by Leni Sinclair, 2016's Kresge Foundation's Eminent Artist (See The Guardian UK Photo Section, Jan. 28, 2016). Archival inkjet print. 11 x 14 inches. Hand signed, titled & dated in ink across the margins. Some minor corner bending; in otherwise very good overall condition. Obtained directly from artist. Lot 180 is an authorized dealer rep of photographer Leni Sinclair. About Leni Sinclair: Sinclair is a recognized leader of the 1960s-70s counter cultural movement in Detroit, which she amply documented through vivid and dramatic photography. But she may be best known for capturing the raucous rock n’ roll scene of that era, including photographs of such rock legends as Jimi Hendrix and Janis Joplin, and jazz icons such as Miles Davis and Sun Ra...
Category

1980s Pop Art Black and White Photography

Materials

Inkjet

Marvin Gaye photograph Detroit 1976 (Leni Sinclair Marvin Gaye Detroit)
By Leni Sinclair
Located in NEW YORK, NY
Marvin Gaye Detroit 1976 by Leni Sinclair: Marvin Gaye photograph, Detroit, 1976, by the legendary & historic Detroit photographer Leni Sinclair; 2016's K...
Category

1970s Pop Art Black and White Photography

Materials

Inkjet

BASQUIAT Dancing at The Mudd Club, 1979 (Basquiat Mudd Club Boom for Real)
By Nicholas Taylor
Located in NEW YORK, NY
'Jean Michel Basquiat Dancing at The Mudd Club', New York City, 1979: This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. Archival inkjet print. 18 x 24 inches (including borders). Hand signed & numbered from an edition of 10. Provenance: Nick Taylor. Shipped flat using protective materials. Sold unframed. Lot 180 gallery is an authorized dealer rep of Nick Taylor. Taylor’s insightful photographs of a young Basquiat have been featured in numerous world renown publications, exhibits and documentaries surrounding Basquiat, among these: "How Music Powered Basquiat," The New York Times, 9/22/17 Sotheby's "Untitled, 1982;" catalog, May, 2017 Artnet, 9/18/17: Debunking Basquiat’s Myths The Mudd Club: Richard Boch, 2017 Jean-Michel Basquiat: 1981, The Studio of the Street; Diego Cortez King for a Decade: Jean Michel Basquiat; Taka Kawachi Recent Exhibitions featuring Taylor's work: Basquiat: Boom For Real, The Barbican, London, 2017/2018. New York, New Music 1980-86: Museum of the City of New York (2021). Nicholas Taylor: Further Background: Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the No Wave band “Gray” before Taylor launched a successful career as a DJ famous for track-looping. His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Circa 1981, Basquiat payed homage to Taylor by incorporating "Nick Taylor" and "DJ High Priest" (a title anointed him by Basquiat) into two separate drawings. While everyone else in the downtown tries to take credit, it was in fact Taylor who first introduced Jean-Michel to Madonna - at the Mudd Club - the very place this one of a kind image was captured. More on The Mudd Club: In the 1970s New York City, uptown had the glitz of Studio 54 and downtown had the Mudd Club: a legendary, downtown art scene venue known for pushing the boundaries of nightlife. The space became a natural collision of fashion, art, music, and literature. And the list of guests who walked through the front door reflected that scene: musicians like Grace Jones, Madonna, David Bowie, Mick Jagger, Debbie Harry, Fab Five Freddy, Marianne Faithfull, The Ramones, The Talking Heads, and Nico; fashion luminaries such as, Anna Sui, Betsey Johnson, and Gia Carangi...
Category

1980s Pop Art Black and White Photography

Materials

Inkjet

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