Gerald Berghammer

Morning Sun, Italy, black and white gelatin silver photography print, framed art

2012

Gerald Berghammer - Limited Edition 3/9 Silver Gelatin Prints, Selenium Toned, Printed 2019 Signed, numbered, dated by Artis. Handmade wood frame,...

© Gerald Berghammer - Limited Edition 2/20. Silver Gelatin Prints, Selenium Toned, Printed 2017 Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archi...

© Gerald Berghammer - Limited Edition 1/9. Silver Gelatin Prints, Selenium Toned, Printed 2017 Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archiv...

Gerald Berghammer - Limited Edition 2/9 Silver Gelatin Prints, Selenium Toned, Printed 2019 Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archival ...

Gerald Berghammer - Limited Edition 1/9 Silver Gelatin Prints, Selenium Toned, Printed 2017 Signed, numbered, dated by Artis. Handmade wood frame,...

Gerald Berghammer - Limited Edition 2/9 Silver Gelatin Prints, Selenium Toned, Printed 2019 Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archival ...

Original 1956 French silver gelatin double-weight photo for the film The Red Balloon (Le ballon rouge) directed by Albert Lamorisse with Pascal Lamo...

Lucien Clergue (FRENCH, 1934 - 2014) Gelatin silver photographic print depicting Pablo Picasso titled "Mougins". Jacqueline et Pablo Picasso écoutant Manitas de Plata, circa 1968. Hand signed by the artist with hand written description. Titled and dated lower left. Mounted in a silver painted wooden frame with mat behind acrylic screen. Paper measures approx. 9" height x 11 1/2" width to sight. Framed measures approx. 14 3/4" height x 17 1/4" width. Lucien Clergue (French: 1934 – 2014) was a French photographer. He was Chairman of the Academy of Fine Arts, Paris for 2013. Lucien Clergue was born in Arles, France. At the age of 7 he began learning to play the violin, and after several years of study his teacher admitted that he had nothing more to teach him. Clergue was from a family of shopkeepers and could not afford to pursue further studies in a college or university school of music, such as a conservatory. In 1949, he learned the basics of photography. Four years later, at a corrida in Arles, he showed his photographs to Spanish painter Pablo Picasso who, though subdued, asked to see more of his work. Within a year and a half, young Clergue worked on his photography with the goal of sending more images to Picasso. During this period, he worked on a series of photographs of travelling entertainers, acrobats and harlequins, the Saltimbanques. He also worked on a series whose subject was carrion. On 4 November 1955 Lucien Clergue visited Picasso in Cannes, France. Their friendship lasted nearly 30 years until Picasso's death. Clergue's autobiographical book, Picasso My Friend, looks back on important moments of their relationship. In 1968, and with his friend Michel Tournier, Clergue founded the Rencontres d’Arles photography festival which is held annually in July in Arles. He exhibited his work at the festival during the years 1971–1973, 1975, 1979, 1982–1986, 1989, 1991, 1993, 1994, 2000, 2003 and 2007. Clergue also illustrated books, among them a book by writer Yves Navarre. Clergue took many photographs of the gypsies of southern France, and was instrumental in propelling the guitarist Manitas de Plata to fame. Clergue is perhaps most remembered and respected for his vintage black-and-white studies of light, shadow, and form, featuring sinuous nude female bodies, zebra stripes of light, dynamic sand dunes, and seascapes extracted from the coast of the Camargue. Clergue's photographs are in the collections of numerous well-known museums and private collectors. His vintage photographs have been exhibited in over 100 solo exhibitions worldwide, with noted exhibitions such as in 1961, at the Museum of Modern Art New York, the last exhibition organized by Edward Steichen with Lucien Clergue, Bill Brandt and Yasuhiro Ishimoto. Museums with large collections of his work include The Fogg Museum at Harvard University and the Museum of Fine Arts, Boston. His work, Fontaines du Grand Palais (Fountains of the Grand Palais), is in Museo cantonale d'arte [de] of Lugano. His photographs of Jean Cocteau are on permanent display at the Jean Cocteau Museum in Menton, France. In the U.S., an exhibition of the Cocteau photographs was premiered at Westwood Gallery, New York City. In 2007, the city of Arles honored Lucien Clergue and dedicated a retrospective collection of 360 of his photographs dating from 1953 to 2007. He also received the 2007 Lucie Award. He was named Knight of the Légion d'honneur in 2003 and elected member of the Academy of Fine Arts of the Institute of France on 31 May 2006, at the same time as a new section dedicated to photography was created. Clergue was the first photographer to enter the Academy to a position devoted specifically to photography. He was Chairman of the Academy of Fine Arts for 2013. Lucien Clergue was married to the art curator Yolande Clergue, founder of The Fondation Vincent van Gogh Arles. He was the father of two daughters: Anne Clergue, a curator of contemporary art who has worked at Leo Castelli Gallery, and Olivia Clergue, a handbag fashion designer whose godfather was Pablo Picasso. Pablo Picasso (1881 –1973) was a Spanish painter, sculptor, printmaker, ceramic artist and theatre designer who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art. In 1897, his realism began to show a Symbolist influence, for example, in a series of landscape...

Lee Friedlander (American, b. 1934) "New York City, 1974" Silver Gelatin print. LF 7770 - C. Sight 7 3/8 X 11 in. Framed 14 x 17 1/2 in. It has not been examined out of frame. Provenance: Zabriskie Gallery, New York. The Members' Gallery, Albright-Knox Art Gallery, Buffalo, NY. The collection of Mr. & Mrs. Roy W. Doolittle, Jr., Buffalo, NY. This depicts a Manhattan interior with a piano and music notes overlooking a view of Central Park. Lee Friedlander (American, 1934-) is an American photographer and artist. In the 1960s and 1970s, Friedlander evolved an influential and often imitated visual language of urban "social landscape," with many of his photographs including fragments of store-front reflections, structures framed by fences, posters and street signs. Friedlander was born in Aberdeen, Washington on July 14, 1934 to Kaari Nurmi (Finnish descent) and Fritz (Fred) Friedlander (a German-Jewish émigré). His mother Kaari died of cancer when he was seven years old. Already earning pocket-money as a photographer since he was 14, he went on at the age of 18, to study photography at the Art Center College of Design in Pasadena, California. In 1956, he moved to New York City, where he photographed jazz musicians for record covers, over 100 record albums are graced by a Friedlander portrait, including the likes of Etta James, John Coltrane, Miles Davis and others. His early work was influenced by Eugene Atget, Robert Frank, and Walker Evans. In 1960, Friedlander was awarded a Guggenheim Fellowship to focus on his art, and was awarded subsequent grants in 1962 and 1977. Some of his most famous photographs appeared in the September 1985 Playboy, black and white nude photographs of Madonna from the late 1970s. A student at the time, she was paid $25 for her 1979 set. In 2009, one of the images fetched $37,500 at a Christie's Art House auction. Working primarily with hand-held Leica 35 mm cameras and black-and-white film, Friedlander's style focused on the "social landscape". His vintage photographs used detached images of urban life, storefront reflections, structures framed by fences, and posters and signs all combining to capture the look of modern life. In 1963, Nathan Lyons, Assistant Director and Curator of Photography at the International Museum of Photography at George Eastman House mounted Friedlander's first solo exhibition. Friedlander was then a key figure in curator John Szarkowski's 1967 "New Documents" exhibition, at the Museum of Modern Art in New York along with Garry Winogrand and Diane Arbus. In 1973, his work was honored at the Rencontres d'Arles festival in France with the screening "Soirée américaine : Judy Dater, Jack Welpott, Jerry Uelsmann, Lee Friedlander" presented by Jean-Claude Lemagny. In 1990, the MacArthur Foundation awarded Friedlander a MacArthur Fellowship. In 2005, the Museum of Modern Art presented a major retrospective of Friedlander's career, including nearly 400 vintage photographs from the 1950s to the present; it was presented again in 2008 at the San Francisco Museum of Modern Art. His later images are similar to those of Josef Sudek who also photographed the confines of his home and studio. Friedlander began photographing parks designed by Frederick Law Olmsted for a six-year commission from the Canadian Centre for Architecture in Montreal beginning in 1988. After completing the commission he continued to photograph Olmsted parks, for twenty years in total. His series includes New York City's Central Park; Brooklyn's Prospect Park; Manhattan's Morningside Park...

Framed 17 x 13. Image 12.5 x 8.5 John Benton-Harris (born 1939) is an American born British photographer and educator. Benton-Harris was born in the Bronx, New York City. He received a diploma in commercial photography. He worked as an industrial photographer with the Sinclair Oil...

Yves Saint Laurent (1962) - Silver Gelatin Fibre Print (Photo by John Minihan/Getty Images) Yves Saint Laurent, French designer with two fashion mode...

Swan In A Car (1936) - Silver Gelatin Fibre Print (Photo by Reg Lancaster/Getty Images) French actress and sex symbol Brigitte Bardot stage name of Camille Javal, dancing in a scen...

A little boy who just received a penicillin shot. signed on back with studio stamp. along with an old description label. this is mounted to wood and not framed or behind glass. it has some wear and surface soiling but it is a lovely charming piece and shows well. Peter Merom ( Hebrew : פטר מירום, born 1919 ) is an Israeli photographer born in Germany. He specializes in landscape photography and landscape detail. He was born in Lower Silesia and in 1934 emigrated from Germany to the British Mandate Palestine , where he settled four years later in the kibbutz Chulata . In 1935 he bought the first compact camera and began to amateur photography. After working as a fisherman in the kibbutz, he began to photograph Lake Chulus and then recorded his desiccation in 1951 to 1958. He gained his first artistic education as a self-taught specialist literature, international magazines and photographic anniversaries. In 1957 he studied photography in France . In Paris, he worked in a printing works where many photographers, such as Henri Cartier-Bresson and other photographers, printed their photographs. At that time, he made a series of photos of The Dying Lake , which he presented at the Telaviv Museum of Art . In 1974 he stopped working as a photographer and began to produce and sell photographs from his archive printed on plywood. In 2000 he received an award from the Israeli Museum for a lifetime work in the field of photography. In 2010, he received the Israel prize for a photograph taken every five years. Education 1957 Photography...

An original silver gelatin black and white photography by Wide World Photos - car race in France, circa 1920. Features: Original Silver Gelatin Print Photograph framed. Press Photogr...

Signed by the photographer. Additional sizes may be available upon request.

Hand signed by the artist on the back and certificate Format 40X50 cm inkjet print on baryta cardboard paper / 2021 Edition numbered /30 ex 1980 euros

The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25. Available in 4 siz...

"Wonderland Part 2, Great Falls Park, VA, 2008" Limited edition silver gelatin print - This copy is the 1st printing of the image in this 16x20 edition. (Image 1 of 15). Printed 2015...

Limited edition silver gelatin print - #2 of an edition of 15. Shot on true infrared film (Efke, RIP) in 2008, and originally printed on 11x14 Forte Polywarmtone Plus paper; this co...

"Entanglement #1 (Embrace)" - #2/15 Limited edition silver gelatin print; shot on true infrared film in Colorado, in 2002, printed 2016 (for a solo exhibition). [This image was shot...

"Entanglement #2" - #2/15 Limited edition silver gelatin print; shot on true infrared film in Colorado, in 2002, printed 2016 (for a solo exhibition). [This image was shot at night,...

Car Reflecting Theatre Bulbs, NYC, 1951 by Ernst Haas, is a 14” x 11” gelatin silver print. The photograph is authenticated by the estate with a stamp on verso (back of print) and si...