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Helmut Newton
Saddle I

1976

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Romy et Delon 1
By Bert Stern
Located in Saint Ouen, FR
Our gallery has the exclusive and unique private collection of Bert Stern photos. Exceptional photo by Romy Schneider and Alain Delon. During this ph...
Category

1960s Black and White Photography

Materials

Photographic Paper

Marilyn Monroe The last sitting Pearls 2 by Bert Stern .
By Bert Stern
Located in Saint Ouen, FR
Bert stern Marilyn Monroe The last sitting Pearls 2 Tirage inkjet 50 exemplaires 2011 33 x 48 cms Signé recto / verso Daté et signé au dos Certificat signé et daté de la main de ...
Category

21st Century and Contemporary Black and White Photography

Materials

Photographic Paper

Marilyn new black dress by Bert Stern
By Bert Stern
Located in Saint Ouen, FR
Exclusivity New photo recently released from the archives of Bert stern Marilyn new black dress 2009 draw 72 copies Signature on front and back Dated...
Category

Early 2000s Black and White Photography

Materials

Photographic Paper

Fritz monshouwer Mother and child 1986
Located in Saint Ouen, FR
Fritz monshouwer Mother and child Silver print signed and dated in the margin below the image 39 x 29 cms Bibliography: M.Rebbuzini Mirrors of the magic muse Book style editions. Mo...
Category

1980s Black and White Photography

Materials

Photographic Paper

Mannequins (Versace campaign) 1990
Located in Saint Ouen, FR
Sante d'orazio Mannequins (Versace campaign) 1990 Unique vintage silver print Titled Versace in pencil and photographer's stamp on the back. Image : 38,5 x 49,5 cms Sheet: 40.3 x 50...
Category

1990s Black and White Photography

Materials

Photographic Paper

Patrick Siccoli Le baiser de l’artiste (fiac 1977)
By Patrick Siccoli
Located in Saint Ouen, FR
Patrick Siccoli The artist's kiss (fiac 1977) Silver print Signed in white ink on the image Signed, annotated, dated and numbered 1/30 on the back. 51 x 37,5 cms 590 euros
Category

1970s Black and White Photography

Materials

Photographic Paper

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"Chief" American Indian Photographed in Wyoming Devil's Tower
By David Yarrow
Located in Greenwich, CT
"Chief" Wyoming, USA 2020 Large: 71" x 96” Edition of 12 Standard: 52" x 69" Edition of 12 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity Over the last few weeks we have quietly been photographing senior Native Americans against the backdrop of quintessential and emblematic American vistas.⁣⁣ ⁣⁣ Whilst we will be releasing some of the series in the run up to the Presidential Election, this is not an overtly political statement from us. We know that Native Americans have long had a leaning toward the Democratic Party, but we took this assignment on because it is relevant, not to be political.⁣⁣ ⁣⁣ There is wide recognition now that Christopher Columbus did not discover America in 1492 and the events in Minneapolis have accelerated the debate on the possibility of institutionalised racism in the teaching of American history. This is not a discussion we want to fully engage in - as we are ill equipped to add value, but I do want to celebrate some of the tribal elders I have had the fortune to encounter in the last month. Their pride, manners, grace and humility have been humbling. We have made new friends in the North.⁣⁣ ⁣⁣ For this project we worked with Chief John Spotted Tail, the great-great-grandson of the fabled Lakota chief Spotted Tail. We spent two days with him in Northern Wyoming and he was so excited to wear the headpiece that only the most senior Native American chiefs like him can wear. His attire was emphatically his decision not ours. Their heritage is integral to their souls.⁣⁣ ⁣⁣ The ground in front of Devils Tower...
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Arrival or Departure Photographic Series (After Hitchcock)
By Betty Hahn
Located in Soquel, CA
A series of five photographs by Betty Hahn titled, "Arrival or Departure (After Hitchcock), 1987, a series of five gelatin silver photographs" 17" by 24 each". A copy of the book included "Betty Hahn by Steve Yates. Gelatin silver photographic prints on paper mounted on foam board. Each has a sticker "BHC" with the letter indicating the print sequence "A-E". Following excerpt from the book "Betty Hahn "Photography Or Maybe Not" by Steve Yates, from the essay by Dana Asbury: "Instead of crime fiction and forensic photograph, the first filmic sequences have a moody raking light of film noir in the forties, and she titles Arrival or Departure (After Hitchcock) (plate 117). This series of 5 photographs (1987) shows the back of a man, unidentified, at a deserted train station, in late afternoon light. The rest is ambiguous. Is he coming or going? Is he moving away from him? Is there significance to the first close-up shot of a black duffel bag stuffed under his arm? It was of course Hitchcock's particular genius to explore the ominousness of everyday situations, and to show us that looking to long at anything makes it look suspicious. This series pays homage to Hitchcock's use of the tracking shot that conveys his terrifying message behind "Teddy Bear", that there is serious threat in ordinary objects. This series also fits in with the mood of "Appearance, Ehrlichman Surveillance", and many of the crime series-solitary male figure in an urban setting. There is a tough edge to these works." Unsigned, gallery receipt of purchase copy included with notation on verso . 5 framed images. Each image, 16.5"H x 23.5"L. The following biography is by Fumiko Koizumi at: The Visual Studies Workshop in association with the State University of New York at Brockport Betty Hahn was born Elizabeth Jean Okon on October 11, 1940 in Chicago, Illinois. In 1967, Betty Hahn moved to Rochester to pursue a job at Kodak or Xerox. While in Rochester, she participated in Nathan Lyons's Visual Studies Workshop from 1967 to 1968. Lyons lectured on "vernacular" and "snap shot" photography to workshop students, reinforcing Betty's interest in this "folk" tradition. During her time at the VSW she met Tom Barrow, Roger Mertin, and Alice Wells, and reconnected with Robert Fichter. She was encouraged by how their work was challenging the rules of what was common in fine-print photography. At age 10, her aunt Marcella Brown gave Betty her first camera, a Brownie #2. At this same time the Okon family moved to Indianapolis, Indiana. After graduating from Scecina Memorial Catholic High School in Indianapolis, she entered Indiana University in Bloomington, Indiana. She earned a four-year scholarship and studied fine arts. While she was experimenting with photographic image making her initial artistic experiences involved painting and drawing. She did not take photography seriously as a medium for her artistic expression during her undergraduate work. At age 23, Hahn graduated with a Bachelor of Arts degree and continued at Indiana University for graduate studies in the department of photography. At the suggestion of Henry Holmes Smith...
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1980s Realist Black and White Photography

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Young Lad ( haunting portrait of young boy on a crowded London street)
By Richard Sadler
Located in New Orleans, LA
Richard Sadler's "Young Boy" is a haunting portrait of a very serious young British lad amidst a crowd of other people. He is dressed very formally in hat, coat and tie. He clutche...
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The Young Callas - Vintage Original Photograph of Maria Callas - End of 1950-51
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Heart 04
By Kim Holtermand
Located in New York, NY
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The Harvest Season (Louisiana Sugar Mill Series - New Iberia, Louisiana)
By David Armentor
Located in New Orleans, LA
David Armentor says, "The Sugar Mill Sessions focuses on sugar production in Southwest Louisiana. It attempts to give a localized, romantic view of the industry by documenting harvest seasons of the sugar mills, Cajun Co-op, Louisiana Sugar Cane Co-op and Enterprise. With the sugar industry as a passive backdrop to my upbringing, it was natural for me use its distinctive characteristics as indicators of "home" even after relocating as an adult. Originally, this work began in 2004 with the intention of capturing these traits in a purely formal documentary fashion, following the discipline of "photograph what you know." I worked mostly at night during the harvesting season months of September through January, which gave way to a more expressive capture of the industry. This direction allowed me to give a unique perspective to an industry where sense of place is often viewed as burdensome or vexatious. Unique lighting conditions along with modernistic compositions allow the images more gentle, hushed qualities while remaining grounded in the innate industrial masculinity -- something easily overlooked by those familiar with the landscape. 'The Sugar Mill Sessions' is an ongoing body of work which has evolved going forward. Historically great artists have explored this complex industry that is ingrained in the Southern culture as it has a continual ability to serve as an umbrella for flavorful artistic expression, critique and research." Gulf coast native David Armentor is an artist who has been working in the photographic medium since 2002. He received a BA from Louisiana State University where he learned the craft of traditional photographic print making. After graduation he taught photography classes for the Baton Rouge Arts Council and worked as a freelance photographer until moving to Seattle, WA, where he continued his photographic endeavors with the Benham Gallery as the gallery manager and guest artist. He now resides in New Orleans, LA, and is the founder of St Veronica...
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