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Herb RittsRichard Gere, Close-Up, San Bernardino by Herb Ritts Vintage print1988 (printed 2012)
1988 (printed 2012)
About the Item
Richard Gere, Close-Up, San Bernardino 1988
by Herb Ritts
A close up shot with the iconic Richard Gere through the lens of Herb Ritts.
Unframed
Matted
Overall size : 11 x 14" inches / 28 x 36 cm
Image Size: 6.75" x 10'' inches / 17 x 26 cm
Printed 2012
Silver Gelatin Print
Mint condition
Certificate of authenticity
Framing option available
Shipped securely from London, England.
Richard Tiffany Gere (/ɡɪər/ GEER;[1][2] born August 31, 1949) is an American actor. He began in films in the 1970s, playing a supporting role in Looking for Mr. Goodbar (1977) and a starring role in Days of Heaven (1978). He came to prominence with his role in the film American Gigolo (1980), which established him as a leading man and a sex symbol.[3] He has starred in many films, including An Officer and a Gentleman (1982), The Cotton Club (1984), Pretty Woman (1990), Sommersby (1993), Primal Fear (1996), Runaway Bride (1999), I'm Not There (2007), Arbitrage (2012) and Norman: The Moderate Rise and Tragic Fall of a New York Fixer (2016). For portraying Billy Flynn in the musical Chicago (2002), he won a Golden Globe Award and a Screen Actors Guild Award as part of the cast.
- Creator:Herb Ritts (1952 - 2000, American)
- Creation Year:1988 (printed 2012)
- Dimensions:Height: 14 in (35.56 cm)Width: 11 in (27.94 cm)Depth: 0.2 in (5.08 mm)
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:London, GB
- Reference Number:
Herb Ritts
Herb Ritts Jr. fashioned himself into one of the top photographers to emerge from the 1980s.
Ritts's aesthetic incorporated facets of life in and around Los Angeles. He often made use of the bright California sunlight to produce bold contrasts, and his preference for outdoor locations such as the desert and the beach helped to separate his photography from that of his New York-based peers.
Ritts's intimate portraiture, his modern yet classical treatment of the nude, and his innovative approach to fashion brought him international acclaim and placed him securely within an American tradition of portrait and magazine photography that includes Richard Avedon, Robert Mapplethorpe and Irving Penn.
From the late 1970s until Ritts's untimely death from AIDS-related complications in 2002, his ability to create images that successfully bridged the gap between art and commerce was not only a testament to the power of his imagination and technical skill, but also marked the synergistic union between art, popular culture and business that followed in the wake of the Pop art movement of the 1960s and 1970s.
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