Herman Leonard

Billie Holiday, New York, 1949

1949

This is a beautiful early 2000’s print made by Herman Leonard in his New Orleans darkroom prior to its destruction by Hurricane Katrina in 2005. Herman’s formidable skills as a photo...

Silver Print, Printed: 03/22/1996

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

Terry O’Neill’s candid photojournalistic portraits of creative and political luminaries have included Brigitte Bardot, The Beatles, Audrey Hepburn, Nelson Mandela, and Frank Sinatra,...

Richard Kagan, born in Philadelphia, followed a circuitous path to become a photographer. Beginning with street photography using a meterless Asahi Pentax as a student at Temple Univ...

Terry O’Neill’s candid photojournalistic portraits of creative and political luminaries have included Brigitte Bardot, The Beatles, Audrey Hepburn, Nelson Mandela, and Frank Sinatra,...

Kate #9, 2002 by Leonard Freed is an 8” x 10” signed black and white photograph, stamped "vintage" by the Freed estate on verso (back of photo). Model, photographer, and yogini Kate ...

By photographer Burt Glinn a black-and-white vintage gelatin silver print of Editor-in-chief Hugh Hefner who wrote for his magazine, Playboy. An historical photo...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

This vintage print of the The Lagisza Power Station is extremely rare as it has been printed on warm tone paper giving a slight sepia effect. It is one of the last remaining vintage prints of this image available and it's a large print (40 x 58 cm) The Lagisza Power Station print is one of those most iconic industrial photographs...

© Gerald Berghammer - Limited Edition 2/20. Silver Gelatin Prints, Selenium Toned, Printed 2017 Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archi...

© Gerald Berghammer - Limited Edition 1/9. Silver Gelatin Prints, Selenium Toned, Printed 2017 Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archiv...