Howard Lewis

Limited Edition Black and White Photograph - "American Barn", 2022

2022

Limited Edition Black and White Photograph, Atlantic City Steel Pier This is the famous steel pier in Atlantic City past it's glory days but still well used. Photograph taken as a...

Limited Edition Black and White Photograph - "Anchors and Webs", 2022. Taken on a road trip through Nova Scotia, Canada. This is well known, Peggy's Cove in the fog. About Howard Le...

Limited Edition Black and White Photograph, Bulb and Cloud 2021 20 x 24. I enjoy exploring abandoned buildings and this one was ripe for a Sunday afternoon with a perfect cloud to ge...

Limited edition black and white photograph. This image is "Howling Sky" from the Aerials series. I’ve long been fascinated by weather and most recently climate change science. My de...

Limited Edition Black and White Photograph - " Lighthouse Fog " , 2022. Taken on a road trip through Nova Scotia, Canada. This is well known, Peggy's Cove in the fog. About Howard ...

Limited edition black and white photograph. This image is "Sea Clouds #4". I’ve long been fascinated by weather and most recently climate change science. My...

'Into the Beyond' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Painted pools of light dance across the richly layered mountainscape of t...

'Last Light' Limited Edition (1 of 25) Archival Photograph. Unframed. _________________ Dusk throws on her spotlights, casting deep silhouettes and revealing rich layers in the vast...

Foto fine art in Bianco e Nero di Manhatthan, New York scattata a Marzo 2008 dall'Empire States Building. Edizione Limitata di 10# Stampata in edizione limitata in una tiratura ...

Foto fine art in Bianco e Nero di Manhatthan, New York scattata a Marzo 2008 dall'Empire States Building. Edizione Limitata di 10# Stampata in edizione limitata in una tiratura ...

This photo was taken on March 1998 in New York and it printed on Hahnemühle Photo Rag 308 paper - 50x 50 . Black & White

A stand of spinous silver birch gather, shining white against the inky night... Over a three-year period, Goodall has visited areas of British forest and moorland to make images that he refers to as being 'more akin to fairytale than documentary'. There is indeed an unreal quality to the images, and this is perhaps a result of using artificial lighting; it reminds one of those spooky, unnaturally lit forests we see in the movies. In the absence of any natural illumination (save for a few that include the moon), scenes are lit as if they are in a studio setting. This results in imagery that feels eerily unfamiliar; transporting the viewer from the recognisable landscape into a kind of liminal netherworld - it's the landscape, but not as we are used to seeing it. Goodall responds to this observation by speaking about the possibility of the darkness being seen as a metaphor for the unconscious mind; the 'light' of consciousness illuminates the known forms of tree and rock, but beyond these certainties lies the unknown. When your eyes have little information, your imagination takes over and fills in the gaps." - Jasper Goodall...