
Hope Clark 1: Performance
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Howard SchatzHope Clark 1: Performance
About the Item
- Creator:Howard Schatz (1940, American)
- Dimensions:Height: 43.75 in (111.13 cm)Width: 40 in (101.6 cm)
- More Editions & Sizes:32.5 x 30, #4 of 8Price: $6,00054.7 x 50, #4 of 8Price: $8,500
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Lawrence, NY
- Reference Number:1stDibs: LU149729886312
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Ribbons
Located in San Francisco, CA
This photographic triptych Titled "Ribbons" 1998 is a gelatin silver print on paper by noted American/Canadian artist Carol Marino, born 1943. It is hand signed, dated 1998 and titled in dark red ink by the artist. The size of each photograph is 16 x 11 inches, sheet size is 16. 5 x 11.5 inches. The three together is 34.65 x 11.5 inches, framed is 29.25 x 43 inches. Framed in a silver and maple frame. The photographs are in excellent condition, the frame has some minor scratches and will be replaced by a similar or better new frame before shipping, which will make the overall condition excellent.
About the artist:
CAROL MARINO (Canadian, b. United States, 1943)
In reaction to the industrial landscape of Pittsburgh, where she grew up, Carol Marino responds to her present, comparatively untouched environment with a certain instinctive attachment to it. Photographing near and around her home in northern Ontario, she focuses on flora and fauna in their natural habitats.
For her, photography is a vehicle to express her concern for and engagement with her natural surroundings and her work often shows the influence of artists such as Edward Weston or Imogen Cunningham, particularly in its sensuality.
Marino generally makes only a single print from each negative, often grouping three or four images together to create assemblages. The occasional addition of patterned colour-pigmented
Select Solo Exhibitions
2006 Newfoundland, Corkin Shopland Gallery, Toronto
2001 New Work, Jane Corkin Gallery, Toronto
1999 Recent Work, Jane Corkin Gallery, Toronto
1996 Jane Corkin Gallery, Toronto
1993 Jane Corkin Gallery, Toronto
1991 The Koffler Gallery, Toronto
New Work, Jane Corkin Gallery
1988 Works in Colour, Jane Corkin Gallery
1986 Recent Work, Jane Corkin Gallery
1984 Jane Corkin Gallery, Toronto
1983 Kodak Gallery, Rochester, New York
1982 Jane Corkin Gallery
Kensington Fine Art Gallery, Calgary
1981 Marcuse Pfeifer Gallery, New York
1980 Jane Corkin Gallery
1978 The David Mirvish Gallery, Toronto
1976 The David Mirvish Gallery, Toronto
1973 The Baldwin Street Gallery, Toronto
Select Group Exhibitions
2002 Four Canadian Photographers, Samuel P. Harn Museum of Art, University of Florida
1997 Hot Art for Hot Days, Jane Corkin Gallery
1996 Gallery Artists, Jane Corkin Gallery
1995 Contemporary Animals, Jane Corkin Gallery
1994 15th Anniversary Exhibition, Jane Corkin Gallery
1992 Women on Women, Jane Corkin Gallery
1991 Four Canadians, Vision Gallery, San Francisco
1990 Is There Still Life in Still Life or is Nature Morte?, Watson de Nagy, Houston, Texas
1989 Contemporary Canadian Photography, Hotel La Citadelle, Montreal, PQ
1988 Figurative Force, The Gallery / Stratford, Ontario
1987 An Exhibition of Works in Colour, Jane Corkin Gallery
Summer Gardens – Summer Flowers, Jane Corkin Gallery
1986 Masterpieces from the Gallery Collection, Jane Corkin Gallery
Canadian Contemporary Photography, Watson de Nagy, Houston, Texas
1985-6 Retrospective, Jane Corkin Gallery
1985 Jane Corkin Gallery
1984 Santa Claus Exhibition, Jane Corkin Gallery
Summer Salon ’84, Jane Corkin Gallery
1983 Galerie Zur Stockeregg, Zurich, Switzerland
1981 Le Troisième Salon, Jane Corkin Gallery
1979 Canadian Images Conference, Trent University, Peterborough, ON
Opening Exhibition, Jane Corkin Gallery
1978 The Baldwin Street Gallery, Toronto
1975 National Film Board - International Women’s Year Exhibition
Select Solo Museum Exhibitions
1987 Life Forces, Agnes Etherington Art Centre, with Catalogue, Queen’s University, Kingston, ON
Select Group Museum Exhibitions
2009 Dancing While Driving, Corkin Gallery, Toronto
2000 From the Collection: Flowerpieces, Canadian Museum of Contemporary Photography
1995 The Hat My Father Wore, Agnes Etherington Art Centre, Kingston
1992-4 Flora Photographica: The Flower in Photography...
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Late 20th Century American Modern Black and White Photography
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Located in New York, NY
From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71)
Printed April 1974
Edition of 130
Credit stamp, verso
7 x 7.5 inches, image
15 x 12 inches, mount
This photograph is offered by ClampArt, located in New York City.
An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...
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Late 20th Century American Modern Figurative Photography
Materials
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Untitled (Figure and Wall Detail)
By Ralph Eugene Meatyard
Located in New York, NY
From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71)
Printed April 1974
Edition of 130
Credit stamp, verso
7 x 7.5 inches, image
15 x 12 inches, mount
This photograph is offered by ClampArt, located in New York City.
An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...
Category
Late 20th Century American Modern Figurative Photography
Materials
Silver Gelatin
Untitled (Figure and Boat)
By Ralph Eugene Meatyard
Located in New York, NY
From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71)
Printed April 1974
Edition of 130
Credit stamp, verso
7 x 7 inches, image
15 x 12 inches, mount
This photograph is offered by ClampArt, located in New York City.
An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...
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Late 20th Century American Modern Figurative Photography
Materials
Silver Gelatin
The Well-Dressed Leg: Dorian Leigh, New York
By Lillian Bassman
Located in New York, NY
Gelatin silver print
Signed in pencil, verso
14 x 11 inches, sheet size
11 x 10.25 inches, image size
This artwork is offered by ClampArt, located in New York City.
Lillian Bassma...
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1940s American Modern Figurative Photography
Materials
Silver Gelatin
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By Slim Aarons
Located in New York, NY
Slim Aarons
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Chromogenic Lambda print
Mrs Hans Estin watches her children digging for clams at low...
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