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Kirsten Thys van den Audenaerde
Synchronicity - Polaroid, Black and White, Women, 21st Century, Nude

2020

About the Item

Synchronicity - 2020 50x50cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-934. Not mounted. Kirsten Thys van den Audenaerde is a self-taught photographer based in Brussels, whose work is a testament to the beauty of imperfection and the transient nature of time. Drawn early to art nude photography, she has spent years exploring the human body in its purest form, capturing its vulnerability and strength with a rare, unfiltered honesty. In 2016, frustrated by the clinical precision of digital photography, she stumbled upon a camera that would change everything: The Impossible Project’s I-1. Unaware of TIP at the time, she describes her first Polaroid as an instant love affair—one that rekindled her creative spark and set her on an entirely new course. Within weeks, she had gathered a collection of vintage Polaroid cameras, immersing herself in the unpredictable beauty of analog photography. She quickly embraced expired film, drawn to its imperfections—each flaw a mark of time, each frame a singular, unrepeatable moment. A pivotal moment arrived in September 2016, during a trip to visit family in Utah. Armed only with her Polaroids, she documented the vast, otherworldly landscapes, unknowingly setting the stage for her defining project. The following May, she returned, road-tripping through Utah and California with an art nude model, juxtaposing the rawness of the human body against the untamed grandeur of the desert. It was there, along endless sun-bleached highways and under boundless skies, that Polaroad: A Polaroid Road Trip was born. Not content with a single journey, she ventured back in September 2017, this time alone, a tent in the back of her rented Jeep, chasing light and solitude. She completed Polaroad with hauntingly beautiful pack film portraits of a local model, merging memory and landscape in a way that feels both intimate and mythic. Since then, Polaroad has been exhibited in Brussels, Ogden (Salt Lake City), and Barcelona, earning international recognition for its striking fusion of nostalgia and adventure. Yet Kirsten’s dreams remain refreshingly simple: to circle the globe—twice, if possible—camera in hand, and to one day own a fridge spacious enough to house her ever-expanding archive of instant film.

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