Photographic Paper Black and White Photography

Charles Aznavour by Pietro Pascuttini is a vintage photographic print on single coated paper. Photograph by famous portraitist Pietro Pascuttini. P...

Vintage Photo. A scene from the movie "La donna di cuori" by Mario Casacci and Alberto Ciambricco. Lightly damaged in the upper and lower left angles.

Elvis Presley in Jailhouse Rock is a vintage photographic print on single-coated paper. Photograph is an official picture from the set of 1957 MGM's fi...

Portrait of Gene Pitney during a Show is a vintage photographic print on baryta paper. Photograph probably shooted during Festival Della Canzone Italiana. Typographical hand-writte...

Sottovuoto is a b/w photographic print realized by Plinio Martelli in the 1990s. Very good conditions. Hand signed and titled by the artist on the back of the photograph. Plinio Martelli (1945-2016) After scientific studies he graduated from the Albertina Academy of Fine Arts in Turin with masters such as Enrico Paolucci and Mario Calandri...

Japanese Country Women is an hand-inked Albumen print with aniline applied on hardcover. Very good conditions. Cardboard cm 26 x 34; Print cm 22x 27 ...

Prince Chichibu is a b/w photographic print on polihed paper realized by Wide World Photos (England) on November 11, 1938. Stamp of agency and stereotype in German on the back.  Excellent conditions. In this photo, the prince Chichibu with two officials on the deck of a battleship during the landing at the Chinese bay of Bias. Yasuhito, better known as Prince Chichibu (1902-1953), was a younger brother of Emperor Shōwa, and a famous general in the Imperial Japanese Army.

Japanese Troops read dispatches is a b/w photographic print on polished paper by Atlantic-Photo, realized on August 3, 1938. Stamp of agency and stereotype in German on the back. Excellent conditions. Here, a group of Japanese soldiers are in front of a notice board.

This Emperor of Japan visiting air force is a photographic print on polished paper in black and white, taken on December 31, 1938. With stamp of the agency Wide World Photos (England...

This Supplies for the Japanese troops is a b/w photographic print on polished paper by Wide World Photos (England). With stamp of agency and stereotype in German on the back...

Mitsuko and Hiroyoshi Fushimi is a b/w photographic print on polished paper, dating back to March 17, 1939. Stamp of the agency Wide World Photos (England) and stereotype in German on the back. In excellent conditions. This beautiful photo shows a stroll of the Japanese royal princess...

Paramilitary procession in Shangai is a b/w photographic print on polished paper, taken on April 28, 1939 by Wide World Photos (England). Stamp and stereotype in German on the back...

Vintage View on the city of Taijuan is a b/w photographic print on polished paper, taken very likely in 1938 by Press Photo, Berlin. Stereotype in German on the back...

Vintage View on the city of Hankou is a b/w photograph by Atlantic-Photo dating back to October 27, 1938. Photographic print on polished paper with stamp of agency and stereotype in German on the back...

Views of Spina di Borgo is a lot of two vintage single-coated photographic prints. On the back a violet stamp "Fotovedo Roma..." and some hand-written notes in lapis reporting the da...

John Fitzgerald Kennedy at the meeting of the UN is a b/w photograph picturing President Kennedy at the United Nations Conference during the 1960s. Transworld Press. Print made on p...

In images such as this, the influence of Ansel Adams and the other members of the group f.64 is clearly evident. The group f.64 was intent on truth in the medium of photography, wanting to push the camera to see even more clearly than the human eye. To do this, they used the small aperture, marked by the f-stop 64, which allows the camera to have an expansive depth of field. In this image, the earthy and sensuous textures of the brick and stone walls stand in direct contrast to the clean lines and graphic finish of the Route 66 sign. Ferderbar's mastery of the camera as an instrument brings out these contrasts following the legacies of the earlier American masters. 10 x 8 inches, image 13.75 x 11.5 inches, sheet 16.13 x 13.88 inches, frame Signed lower right Framed to conservation standards using archival materials including 100 percent rag matting, Museum Glass to inhibit fading, and housed in a modern profile silver finish wood moulding. ARTIST STATEMENT: I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box Brownie camera for Christmas. (I still have that camera.) Since our family was quite poor, I built my first enlarger with an oatmeal box, while that same box camera was used as its lens. In 1947, just after graduation from high school, I had the opportunity to travel to California by car and house trailer with my uncle, aunt and mother, and in the process to shoot my first pictures along Route 66. Then, after graduation from college, a stint in the army followed by photography school, I opened an advertising photography studio in 1954. For over four decades my staff and I earned numerous local, regional and national awards for our achievements in photography, including several "best of show" honors. In 1958 I studied with renowned landscape photographer Ansel Adams at his Yosemite National Park workshop. In 1980, while still operating my advertising photography studio, I began a serious photographic study of the decaying artifacts along our country's former Mother Road, Route 66. The former national highway route from Chicago, Illinois to Santa Monica, California was not a popular subject at the time, and so I filed away my transparencies, not knowing what I might ever do with them. However, as time passed Route 66 did become a topic of national interest, and upon my retirement in 1997, I once again returned to record the Mother Road's artifacts. A number of my Yosemite series photographs are included in the Ansel and Virginia Adams collection at the Center for Creative Photography at the University of Arizona at Tucson, and several of my Route 66 photographs and other subjects have been acquired by the Milwaukee Art Museum. At this time I am preparing a book of my photographic experiences along Route 66, from 1947 to the present. -Tom Ferderbar

Slim Aarons Pulitzer on the Beach, 1955 Fiber print Estate Edition of 150 Patsy Pulitzer (nee Patsy Bartlett) at Palm Beach, Florida, circa 1955. Estate stamped and hand num...

Slim Aarons Decked in Finery, 1956 Fiber Print Estate edition of 150 An unknown guest at a New Year's Eve party held at the Romanoff Restaurant in Hollywood, Los Angeles. Taken...

ANONYMOUS. (American). Homestead Works of US Steel Munhall, Pennsylvania, Gelatin Silver print. Pouring white-hot steel for the new Carnegie Institute of Te...

"More of the Same 03" Photography 23" x 33" inch Edition 1/5 by Patricio Gonzalez Photographs intervened (1/5 ) / 300gr paper museum quality Not framed. Ships in a tube. From "Tell me how to behave" series "The simulacrum is not what hides the truth. It is the truth that conceals that there is no truth. The simulation is true " TELL ME HOW TO BEHAVE Series of photographs digitally intervened and road signs transformed (life-size), who wonder about the infinite possibilities, without losing sight of the fact that in all of them. There is the possibility of death. With this in mind, the work seeks to relate to the viewer, in terms of the experience lived, decisions in time, or personal history, which are common to all. Functioning as a counter-proposal to the expectations that the group expects from the individual. The dislocated-edited reality makes us ask about our reality and to what extent. Sample freedom of choice is influenced by external agents, mass control systems, mass media, etc. Waste, immaturity, successes, time lived. The series plays with the presentation of bad possibilities, absurd and impossible, and their relationship with time. Letting you see the paradox of memories and experience, raising its relationship with the present. Where the image of the road, as an American space of freedom, opens up to the idea of ​​a space large enough to imagine the possibility of reinvention in every second. Curriculum vitae Born on February 14, 1974, Santiago, Chile. Study at the School of Fine Arts of t he University of Chile and the University Complutense Hotels guest, Spain. He also attended workshops in painting, drawing and engraving the Circulo de Bellas Artes in Madrid. Work in the study of Guillermo Muñoz...

"Fooling Around 03" Photography 23" x 33" inch Edition 1/5 by Patricio Gonzalez Photographs intervened (1/5 ) / 300gr paper museum quality Not frame...

Artist: Robert Jansen Title: Garbo at the Astor Theater Year: 1934 Medium: Gelatin Silver Print Photograph Paper Size: 9 x 12.5 inches Frame: 16 x 20 inches

Flower - Signed limited edition archival pigment print, 1989 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then prin...

SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & **INSURANCE** DAN BUDNIK (American, b. 1933-2020 David Smith with Voltr1-Bolton XV, Terminal Iron Works, Bolton Landing, N. Y. 1963 Vintage Print on Afga Paper, Silver gelatin, March 1963, printed 1992 by Igor Bakht Paper: 24 x 20 inches Image: 16.38 x 13 inches Recto: signed in black ink in artist's hand Verso: titled, dated, signed in graphite in artist's hand, printer information in graphite State: unmounted. Dan Budnik 1933-2020 As a photojournalist, Dan Budnik is known for his photographs of artists, but also for his photo-documentation of the Civil Rights Movement and of Native Americans. Born in 1933 in Long Island, New York, Budnik studied with Charles Alston at the Art Students League of New York (1951-53) and began his photography career as Philippe Halsman’s assistant. Working at Magnum Photos (1957-64) in 1963, Budnik persuaded Life Magazine to have him create a long-term photo essay showing the seriousness of the Civil Rights Movement, documenting the Selma to Montgomery march and other historical Civil Rights moments. Budnik went on to photograph for premier publications such as Life, Fortune, Look, Newsweek, Sports Illustrated and Vogue. He has been a major contributor to eight Time-Life Wilderness and Great Cities series and received a 1973 grant from the National Endowment for the Arts for his work on the Hudson River Ecology Project and a 1980 grant from the Polaroid Foundation for Big Mountain: Hopi-Navajo Forced Relocation. Biography Pastaza, Ecuador, December 2004 Photo by Kresta King Cuther Pastaza, Ecuador, December 2004 Photo by Kresta King Cuther Dan Budnik, (b. 1933-died 2020), whose career as a photographer has spanned more than half a century, was most recent recipient, in 1998, of the prestigious American Society of Media Photographers Honor Roll Award, an accolade previously accorded to such eminent photographers as Man Ray, Edward Steichen, Walker Evans, Dorothea Lange, André Kertész, Ernst Hass...

My artistic photographic work started at the end of the 70’s. Since the beginning my art has been focused on obtaining a three dimensional experience from otherwise two dimensional i...

Black and white photography.

Framed dimensions 38.5 x 46.25 in. Woven museum quality archival print Photograph was taken by the late Fernando Bengoechea and hand-woven by br...

Framed dimensions 46.25 x 38.5 in. Woven museum quality archival print Photograph was taken by the late Fernando Bengoechea and hand-woven by br...