Maxwell Mackenzie

Large Panoramic Black & White Photograph Signed American Ruins Maxwell Mackenzie

1997

Andreas Bernhard Lyonel Feininger (December 27, 1906 – February 18, 1999) was an American photographer and a writer on photographic technique. He was noted for his dynamic black-and-...

Vintage hand signed and stamp signed with the photographers stamp and numbered photo of trilliums. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...

Vintage hand signed and stamp signed with the photographers stamp and numbered photo of Moccasin Flower. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...

Pyramids in Egypt. a photo of a pyramid in a desert landscape. (from an email by the artist) This one is one of a series taken in 1984, in Egypt. They are numbered in series of 7. This one seems to be one of the original set of prints. The Musée du Louvre and the Musée Carnavalet, here in Paris, have acquired similar prints last year. Born in 1951 in Thann (Alsace, France) Paul Maurer starts photographing as an autodidact. He lives and works in Paris, France, since 1974. His main series cover natural and urban landscapes, architecture, plants or still lives. Paul Maurer finds his primary inspiration in the Alsatian landscapes and natural spaces, where he makes his first prize-winning shot. His encounter with French architect Paul Andreu determined his move from natural to urban landscapes: he pictures the streets and all that is happening in the town. His eye first captures general views, then concentrates on buildings. 1979 FNAC / Paris - France : “Basel’s Carnival” 1980 Photo Art / Basel - Switezerland : “Basel’sCarnival” 1983 Théatre du Rond-Point / Paris - France : “Hommage à James Joyce” 1984 Mois de la Photo / Paris - France : “Trianon” 1985 Photo Art / Basel - Switzerland : “Masks”Stockereg Gallery / Zurich - Switzerland : “Beaches” Museum of Modern Art / Miami (Flo.) - USA : “On Atget’s Footsteps” 1989 Cartier’s Foundation for Contemporary Arts / Paris -France: “Lights,Hazard and Reflection” 1999 Galerie Lahune-Brenner / Paris - France: " Jardin d’Erik GROUP EXHIBITIONS 1979 International Art Fair / Basel - Switzerland : “Natures” 1980 J. Briance Gallery / Paris - France : “Masks” 1981 Charmy l’Envers Gallery / Paris - France : “Trianon” 1982 FIAC / Paris - France : “Hennesy’s dreams” 1983 G. Pompidou Museum / Paris - France : “Imaginary Images” R.I.P. / Arles - France : “Natures” Paris Photo Gallery / Paris - France : “Natures” 1985 Museum of historical Monuments / Paris - France : “ Workshops” 1996 Pavillon de l’Arsenal / Paris - France : “ Seine’Embankments” Museum of Photography / Charleroi - Belgium : “The 3 great Egyptians” Hotel de Sully / Paris - France : “ The 3 great Egyptians” 1998 Galerie Zabriskie / Paris “Au revoir Paris” Paris Photo / Paris “Crossed Photos” 2005-2007 Galerie Esther Woerdehof / Palm Beach Photo...

Michael Dweck Surfing, Montauk, 2002 selenium toned gelatin silver 49 x 60" ed. of 5

'Guys on Shoreline under Brooklyn Bridge' is a black and white photographic print on Hahnemuhle paper by Michael Ormerod in a limited edition of 10. Featured in the 2024 posthumous ...

Title: Flag House Also available in 20"x30" Edition of 10 $725 *Photography: U Wash Truck, Death Valley and Mulford Lane, Amagansett 2012 have been featured in the June 2019 issue of Black & White Magazine and the photograph Boat...

This finely framed black and white photograph captures the iconic Eiffel Tower from a unique ground-level perspective, showcasing its grandeur and intricate details in stunning clari...