Michael Kenna

Dakekanba and Snow Barriers, Hokkaido, Japan by Michael Kenna, 2020

2020

Branding, Deep Creek by Adam Jahiel is a 13 x 13 inch silver gelatin print, available in an edition of 50. This photograph is dry mounted onto a 24 x 20 inch mat board. It is signe...

Signed, titled and dated by Mario Algaze Gelatin silver print, 20 x 16 in. Mario Algaze was a contemporary Cuban-American photographer whose work celebrated the culture of Latin Ame...

Sunrise, YP Ranch by Adam Jahiel is a 13 x 13 inch silver gelatin print, available in an edition of 50. This photograph is dry mounted onto a 24 x 20 inch mat board. This photograp...

Artillery Barrage, Suez Canal, Yom Kippur War by Micha Bar-Am depicts soldiers amidst a battle. The men are laying on the ground, ducking for cover in the...

Open Hand, 2004 Gelatin silver print, Paper size: 16 x 20 in., Image size: 15 x 15 in. Signed, titled, dated and numbered in pencil on print verso by Keith ...

No Edition Selenium toned print Signed, titled and dated in pencil on verso by Mario Algaze Printed 1996 Paper size: 14 x 11 in. Image size: 9 1/2 x 9 1/2 in. Mario Algaze is a contemporary Cuban-American photographer whose work articulates the counter-culture of Latin America, the Caribbean and Cuba. In 1960, at only thirteen years old, Algaze was exiled from Cuba. He relocated to America and settled in Miami, Florida. Miami offered a rich cultural mecca that encouraged Algaze to travel throughout Central and South America. These trips allowed him a glimpse of belonging within a familiar culture. In finding his identity after exile, he began photographing Latin America in the 1970’s while reconnecting with the feeling of home. His photographs embody the everyday of Latin life. Between his travels in the late 70’s, Algaze studied visual art at Miami Dade College. Algaze’s masterful command of light illuminates his street scenes that detail the struggles and victories of Latin culture. The vision Algaze has made him an award-winning photographer and in 1985 was the recipient of the Individual Florida Artist Fellowship and in 1989, received the Cintas Foundation Fellowship in Visual Arts. A retrospective collection of his work from 1974-2008 is showcased in his book A Respect for Light: The Latin American...

Rare one of a kind silver gelatin lith print on foma paper of a Cuban man grinding coffee in a tree stump. Contemporary documentary photograph, taken in Santiago De Cuba. Shot on medium format film and printed by hand in a traditional photo darkroom. Cuban coffee...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

Larry Fink (American, born 1941). "Lovers in Doorway" - late 20th century, silver gelatin photograph print, signed "Larry Fink" to lower right and numbered ...

The history of photography has always included the genre of the nude. In the last decade, there is a new perspective in considering the female form. Women photographers are able to c...

The history of photography has always included the genre of the nude. In the last decade, there is a new perspective in considering the female form. Women photographers are able to c...