Michael Kenna

Fontaine due Palmier, Study 3, Paris, France, 2010

2010

Signed on the front. Contact gallery for prices and available sizes.

Signed on the front. Contact gallery for prices and available sizes.

Signed on back of print with artist's stamp. Printed in the 1950's.

From the 50th Anniversary Portfolio (1902 - 1952). Printed circa early 1950s by Brett Weston under Edward's supervision.

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Cole Weston from the original negative now housed and retired at the Center for Creative Photography in Tuscon, Arizona. From the Estate of Cole Weston through inheritance with the Weston Gallery...

Director, Glenn Lowry: This image of a pepper is one of Weston’s most iconic photographs. Assistant Curator, Esther Adler: Peppers often curve in on themselves and can kind of twist ...

Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Lora Webb Nichols Sweet Peas, 1907 15 x 12 inch gelatin silver print Image Size: 14 x 8.5 inches Frame size: 22.5 x 17.5 x 2 Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...

A pair of gold toned silver gelatin prints of butterflies. The prints are 5.5 x 6.5 inches each and framed as a diptych with 8 ply museum mattboard. Framed dimension are 12.5x18 inc...

Paul Caponigro, Nautilus Shell, Ipswich, Massachusetts, 1960 (Printed 1961). vintage gelatin silver print. 10 x 8", signed on mount recto.

Paul Caponigro, Dried Sunflower, Winthrop MA, 1965. 10 x 8". Vintage gelatin silver print. Signed mount recto.

Paul Caponigro, Two Pears, Cushing, ME, 1999. Signed on mount recto.

Paul Caponigro. Galaxy Apple, New York City, 1964. Gelatin silver print. Signed on print mount recto.