Michal Cala

Slagheaps, Silesia - Graphic Black and White Landscape, Silver Gelatin Print

THE LANDSCAPE AROUND THE MARCEL MINE, RADLIN, 1978 Vintage Gelatin Silver Print 47.5 x 32.5 cm Series: Silesia Signed, titled and dated on verso; Artist's stamp Using a basic 35mm Exa 500 camera, Cała managed to produce images of lyrical beauty, emphasised by a dark graphic printing style that gave the landscape an apocalyptic, otherworldly look. More print information: A little tape marks in the back corners of the print. Nr 61 noted in the middle on the back of the print. The front of the photograph in a very good condition. Hand printed by the photographer on gloss paper. A rare vintage gelatin silver print from the Silesia series. Michal Cala was born in Toruń, Poland in 1948 and studied aircraft construction in Warsaw at the University of Technology in the early 1970's. From 1974 to 1983 he worked as an engineer in various companies in Silesia, and began photographing in the area. In 1977, he moved to Tychy in Upper Silesia, where he co-founded the photographers' association KRON and become a member of the ZPAF - the Union of Polish Art Photographers. Publications on his work include The Anthology of Polish Photography 1839 - 1989, The Masters of Polish Landscape...

Kabool, 'Avenue of Trees’, 2001 by John Reardon Edition of 15 Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piece is part of (after) ...

This vintage print of the The Lagisza Power Station is extremely rare as it has been printed on warm tone paper giving a slight sepia effect. It is one of the last remaining vintage prints of this image available and it's a large print (40 x 58 cm) The Lagisza Power Station print is one of those most iconic industrial photographs...

Mark of Esteem, ‘Silhouette’, 2001 by John Reardon This Print is part of the Hermès Collection of Contemporary Photographs since November 2023 A few mor...

"Forest at the bottom of the Slagheaps", Walbrzych, Silesia, Poland, 1978 Silver Gelatin Print, Signed and dated in pencil on verso Printed in 2008 by the Photographer, hand printed darkroom print. 17 3/10 × 12 1/5 in 44 × 31 cm 50 x 37 cm paper size with white border , 44 x 31 cm (image size) "My fascination started when I first saw industrial centres of Upper and Lower Silesia,’ says Cała. ‘The landscape was terrifying and beautiful at the same time. It did not change for the whole period from the 19th century to the end of communism in Poland." - Michal Cala Exhibition frame as seen on additional picture available upon request - please contact gallery for further details or purchase unframed print with a free shipping worldwide. About the Artist: "Cala become relatively well known in Poland but he is still little known in the West, despite the fact that his work bears comparison with masters such as Bill Brandt and Robert Frank." - Bill Kouwenhoven, British Journal of Photography, 2007 Michal Cala was born in Toruń, Poland in 1948 and studied aircraft construction in Warsaw at the University of Technology in the early 1970's. From 1974 to 1983 he worked as an engineer in various companies in Silesia, and began photographing in the area. In 1977, he moved to Tychy in Upper Silesia, where he co-founded the photographers' association KRON and become a member of the ZPAF - the Union of Polish Art Photographers. Relatively unknown outside of his native country, his work is in several museum collections in Poland; in the Silesian Museum of Katowice, the Silesian Library in Katowice, the Upper Silesian Museum in Bytom, the Coal Mining Museum in Zabrze as well as local government building in Duisburg in the Ruhr (Germany) and MAST Foundation (Bologna) and various international private collections. His work has received much acclaim and won numerus awards; among which are the Grand Prix at the Polish Landscape...

A stand of spinous silver birch gather, shining white against the inky night... Over a three-year period, Goodall has visited areas of British forest and moorland to make images that he refers to as being 'more akin to fairytale than documentary'. There is indeed an unreal quality to the images, and this is perhaps a result of using artificial lighting; it reminds one of those spooky, unnaturally lit forests we see in the movies. In the absence of any natural illumination (save for a few that include the moon), scenes are lit as if they are in a studio setting. This results in imagery that feels eerily unfamiliar; transporting the viewer from the recognisable landscape into a kind of liminal netherworld - it's the landscape, but not as we are used to seeing it. Goodall responds to this observation by speaking about the possibility of the darkness being seen as a metaphor for the unconscious mind; the 'light' of consciousness illuminates the known forms of tree and rock, but beyond these certainties lies the unknown. When your eyes have little information, your imagination takes over and fills in the gaps." - Jasper Goodall...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

Palm trees slowly moving in the breeze. Abstract black and white landscape photograph of palm trees, printed by hand in a traditional darkroom on fiber based gelatin silver paper. Si...

A magical and mysterious black and white landscape photograph taken in the Armenian highlands. In the distance, where the mist and mountains are you see rainfall. Photographed with a medium format Hasselblad camera and a red filter to darken the sky. A limited edition of five prints sized at 25x25 inches, printed by hand in a traditional darkroom on gelatin silver paper. There are only two left in the edition at this size. Framed with wide, antique black stained...

Sir Roger Deakins, Cinematographer and Photographer. Byways, Damiani Books. The Car Window, New Mexico, available in several sizes, please inquire.

Sir Roger Deakins, Cinematographer and Photographer. Byways, Damiani Books. The Wind Blown Tree, Dartmouth, 2015, available in several sizes, please inquire.

Vivian Maier. Chicago, Illinois, March 31, 1970, selenium toned gelatin silver, 12 x 12", framed 21 x 21", Stamped with John Maloof Collection, signed by ...