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Miguel Winograd Monolito Sumpaz, Pigment Prints2019
2019
$2,000
£1,484.08
€1,728.75
CA$2,784.01
A$3,100.25
CHF 1,613.51
MX$38,225.72
NOK 20,549.28
SEK 19,314.33
DKK 12,898.60
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About the Item
What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with dynamic and fleeting cycles: from the geological time of formation of those mountains, through the recurring periods of flowering and decay of plant life, to the immediate oscillation of a climate that oscillates between extremes: all stations in a day, sometimes in an hour or less. And at the same time, traces of many pasts persist in a spectral present. Ghosts. Melancholic friars wandering in the fog. Land of deities and demons.
Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His work, which occasionally includes portraits of trees, captures the essence of nature through a documentary lens.
From the Series Bruma
Pigment Prints
Sheet Size: 43.3 in H x 36.2 in W
Image size: 37.8 in H x 30.7 in W
Edition 1/5
- Creator:Miguel Winograd (1984, Colombian)
- Creation Year:2019
- Dimensions:Height: 43.3 in (109.99 cm)Width: 36.2 in (91.95 cm)Depth: 0.1 in (2.54 mm)
- More Editions & Sizes:Medium: 24 in H x 20 in W. Edition of 7Price: $900
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami Beach, FL
- Reference Number:1stDibs: LU45337733542
Miguel Winograd
Miguel Winograd is a Colombian photographer. After years of graduate study in Latin American History, he completed the documentary photography program at the International Center of Photography (ICP) in New York. His personal work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. Occasionally, he prefers to make portraits of trees. His work has been exhibited in New York, Berlin, Mexico City, and Bogotá, and published in different media, including The New York Times and The New Republic.
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