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Nicholas Taylor
BASQUIAT Gray photograph 1979 (Basquiat Gray 1979)

printed later

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Jimi Hendrix photograph Detroit, 1968
By Leni Sinclair
Located in NEW YORK, NY
Jimi Hendrix, Detroit, 1968, photographed by legendary music photographer Leni Sinclair, 2016's Kresge Foundation's Eminent Artist. Hand signed, titled & dated in ink within the low...
Category

1960s Pop Art Black and White Photography

Materials

Inkjet

FELA KUTI photograph Detroit 1986 (Leni Sinclair Fela Kuti)
By Leni Sinclair
Located in NEW YORK, NY
“Fela in Detroit” by Leni Sinclair: This much iconic Fela Kuti photograph was captured by legendary Detroit counter cultural photographer Leni Sinclair, 2016’s Kresge Foundation's Eminent Artist of the year. Of recent note, this image has been featured in The New York Times article 'The Legacy of Fela Kuti’s Music of Resistance: Hear 15 Essential Songs'. This photo is perhaps the most famed concert of Fela ever taken. Shot by Sinclair at Detroit's historic Fox...
Category

1980s Pop Art Black and White Photography

Materials

Inkjet

Leni Sinclair Charles Mingus photo Detroit 1974 (photographer Leni Sinclair)
By Leni Sinclair
Located in NEW YORK, NY
Charles Mingus by Leni Sinclair: This elegant, well-defined photo of Jazz legend, Charles Mingus was shot by legendary Detroit photographer Leni Sinclair in 1974; Sinclair was 2016’...
Category

1970s Pop Art Black and White Photography

Materials

Inkjet

PRINCE Photograph Detroit 1980 (Leni Sinclair Prince photograph)
By Leni Sinclair
Located in NEW YORK, NY
Prince Detroit 1980 by Leni Sinclair: A standout & timeless photograph of the late great Prince, shot by legendary Detroit photographer Leni Sinclair, 2016's Kresge Foundation's Emi...
Category

1980s Pop Art Figurative Photography

Materials

Inkjet

BASQUIAT Dancing at The Mudd Club, 1979 (Basquiat Mudd Club Boom for Real)
By Nicholas Taylor
Located in NEW YORK, NY
'Jean Michel Basquiat Dancing at The Mudd Club', New York City, 1979: This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. Archival inkjet print. 18 x 24 inches (including borders). Hand signed & numbered from an edition of 10. Provenance: Nick Taylor. Shipped flat using protective materials. Sold unframed. Lot 180 gallery is an authorized dealer rep of Nick Taylor. Taylor’s insightful photographs of a young Basquiat have been featured in numerous world renown publications, exhibits and documentaries surrounding Basquiat, among these: "How Music Powered Basquiat," The New York Times, 9/22/17 Sotheby's "Untitled, 1982;" catalog, May, 2017 Artnet, 9/18/17: Debunking Basquiat’s Myths The Mudd Club: Richard Boch, 2017 Jean-Michel Basquiat: 1981, The Studio of the Street; Diego Cortez King for a Decade: Jean Michel Basquiat; Taka Kawachi Recent Exhibitions featuring Taylor's work: Basquiat: Boom For Real, The Barbican, London, 2017/2018. New York, New Music 1980-86: Museum of the City of New York (2021). Nicholas Taylor: Further Background: Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the No Wave band “Gray” before Taylor launched a successful career as a DJ famous for track-looping. His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Circa 1981, Basquiat payed homage to Taylor by incorporating "Nick Taylor" and "DJ High Priest" (a title anointed him by Basquiat) into two separate drawings. While everyone else in the downtown tries to take credit, it was in fact Taylor who first introduced Jean-Michel to Madonna - at the Mudd Club - the very place this one of a kind image was captured. More on The Mudd Club: In the 1970s New York City, uptown had the glitz of Studio 54 and downtown had the Mudd Club: a legendary, downtown art scene venue known for pushing the boundaries of nightlife. The space became a natural collision of fashion, art, music, and literature. And the list of guests who walked through the front door reflected that scene: musicians like Grace Jones, Madonna, David Bowie, Mick Jagger, Debbie Harry, Fab Five Freddy, Marianne Faithfull, The Ramones, The Talking Heads, and Nico; fashion luminaries such as, Anna Sui, Betsey Johnson, and Gia Carangi...
Category

1980s Pop Art Black and White Photography

Materials

Inkjet

David Bowie photograph New York City 1999 (Bowie photo)
By Fernando Natalici
Located in NEW YORK, NY
A rare, intimate photo of the legendary David Bowie taken at New York's Kit Kat Club in 1999 during a private VH1 event, by celebrated downtown photographer, Fernando Natalici. Dime...
Category

20th Century Pop Art Black and White Photography

Materials

Inkjet

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