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Nine FrancoisZebra II
About the Item
Signed by the artist. This piece is available at least four different sizes so contact us as availability is subject to change. ARTIST'S STATEMENT: I use photography to express selective truths. My images start off in the realm of the objective, as do all photographic records, but frequently don’t stay there. At some point in their creation, I tweak them to make them mine – to take them out of fact and reportage and place them into the service of expression and exploration. The Animalia series follows this trend by dint of the picture-taking process. These images are all photographed using film and a medium format camera, which is slow, bulky, loud and left/right reversed. I get physically very close to my subjects, sometimes close enough to touch them (there are no bars or screens between us), and have to devise all sorts of mechanisms for being able to stay this close without alarming them. My reward for attempting this process is that sometimes I catch the animal in exactly the right place in a way that eliminates the context and concentrates on the iconic shapes and essences of the animals. Hopefully, the intimacy of the process translates to the viewer when looking at these magnificent creatures. Making discoveries, exploring and sparking conversation through visual language is my passion, and makes the photographic experience meaningful and rich for me.
- Creator:Nine Francois (American)
- Medium:
- Period:
- Condition:
- Gallery Location:Carmel-by-the-Sea, CA
- Reference Number:1stDibs: LU1151314463
Nine Francois
NINE FRANCOIS produces close-up photographs of animals which are presented against a stark white background. The artist shoots up close – very close – with a wide angle lens, and frequently from below to get unusual perspectives. In describing this Francois says, “By isolating the subject against a nearly-bare background, and presenting these animals out of context, the innate power and beauty of their form becomes the subject of the photograph. In this way, these images can become iconic and transcendent. At the same time, photographing from such close proximity also brings particularity and individuality to the animal, especially if the animal makes eye contact with the viewer. At this point, the animal goes beyond being a removed, iconic presence and becomes a palpable unique spirit as individualistic and valuable as any human counterpart. For me, it is important that both aspects of the creature be accessible to the viewer in my photographs as I feel that animals play a critical double role as inspiring archetype and sacred friend.”
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