Olha Stepanian

"Around the World" Photography 31" x 31" inch Edition of 7 by Olha Stepanian

2022

"Look at Me" Black & White Photography 39" x 39" in Ed. of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube....

"Look at Me" Black & White Photography 16" x 16" in Ed. 3/24 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube....

April 6, 1961 - Contemporary Black and White Photography Print 30" x 24" (HxW) Inkjet print on Epson lustre paper 1" white margins on top and bottom; 1/2" white margins on either sid...

The Gentleman Caller (Nick Simpson Sepia Victorian Styled Theatrical Photograph) 12 x 16 inches, 21 x 26 inches framed in unique, vintage frame, anti-reflective glass, 8 ply off-white mat board. C-type archival print, edition of 7 This antique style figurative photograph was created by London based photographer, Nick Simpson, in 2013. This scene depicts 4 characters in period dress including a blindfolded man touching a woman's leg as two others peek on. Simpson's aesthetic is enhanced by his playfulness and nostalgia for the Victorian era. Simpson includes a slight patina around the sepia toned photograph's edge to accentuate its antique inspired quality. The Duratran print is paired with a dark wood frame. About the work: London based artist, Nick Simpson, is celebrated for his fictional series entitled The Bumforth Man Collection. The series consists of archival prints inspired by a mythical story concerning a quantity of glass photographic plates discovered in an old oak chest on the Bumforth Manor estate in rural England, the family home of the Gascoigne-Simpson's for over nine generations. These plates, which had laid gathering dust for over a hundred years, were supposedly the work of Simpson’s great grandfather, Samuel Heracles Gascoigne-Simpson, a disciple of William Henry Fox Talbot, commonly considered to be the father of photography. To bring this story to life, Simpson starts by building a set, authentically styled and dressed to re-create the Victorian photographic salons of the late 1900s. This becomes the stage upon which he places his eclectic choice of models and actors, all following his original tight narrative to create a richly detailed tableau. The scene is then captured in a single sitting using an original 1867 'Petzval' lens mounted on a mahogany plate camera...