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Rebecca Skinner"The Root of the Problem", abandoned, black, white, tree, interior, photograph2020
2020
$795
£591.35
€692.35
CA$1,109.29
A$1,241.33
CHF 648.17
MX$15,260.89
NOK 8,177.35
SEK 7,694.85
DKK 5,165.45
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About the Item
Rebecca Skinner’s “The Root of the Problem” was photographed in the interior of an abandoned hospital. The 16 x 30 inch black and white metal print is of a tree root that has seemingly been tossed through an open window. The print has a satin finish and is infused directly into metal making it waterproof and easy to clean. This frameless metal print hangs easily with a float mount. The artist’s signature and edition number is located on the back. With breathtaking depth and amazing detail “The Root of the Problem” makes an excellent addition to your home or office. Edition of 6.
This image is also available upon request as an acid-free, archival, paper print. Traditional prints are done on Hahnemuhle Photo Rag Baryta Paper featuring a 100% cotton base with a very finely textured gloss surface finish.
Abandoned buildings serve as the focus of Boston-based Rebecca Skinner’s most recent series of photographs. Skinner studied at the Rhode Island School of Design, RI. Artscope, BostonVoyager and Upworthy are just a few publications that have featured her widely shown work. Skinner is represented by Fountain Street Gallery in Boston, MA.
- Creator:Rebecca Skinner (1974, American)
- Creation Year:2020
- Dimensions:Height: 16 in (40.64 cm)Width: 30 in (76.2 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Natick, MA
- Reference Number:Seller: Skinner_The Root of the Problem1stDibs: LU50038959192
Rebecca Skinner
Rebecca Skinner photographs abandoned spaces throughout the United States. She is a modern-day urban explorer seeking unique neglected structures and desolate places. Her subject matter ranges from large, cavernous spaces to minute details such as peeling paint and rust. Her locations are often dangerous to photograph in, whether because of rotten floors, falling plaster or asbestos (requiring a respirator), so she never goes alone. Skinner brings to her work a strong ethic of leaving a location exactly as found. She does not stage her photographs—there is a story there to be told and she does not alter it. She uses natural light and a tripod for the images. Texture, color and light all play important parts in her image making. Skinner is a core artist member of Fountain Street Gallery in Boston and a graduate of Rhode Island School of Design. Artscope and Upworthy are among the publications that have featured her work.
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