Robert Doisneau

Le Derniere Valse de 14 Julliet, 1949 - Robert Doisneau (Black and White)

1949

Young Mujahideen on Swing, 1980 - Steve McCurry (Colour Photography) Signed and numbered on photographer's edition label on reverse Digital c-type print 20 x 24 inches From an edit...

Mujahideen Leader Speaks to Fighters, Afghanistan, 1980 - Steve McCurry Signed and numbered on photographer's edition label on reverse Digital c-type print 20 x 24 inches From an ed...

Animal Locomotion: 671 (Ox Walking), 1887 - Eadweard Muybridge Inscribed with Muybridge's Letterpress credit, series title, plate number and date. Stamped with Museum of Edinburgh's ...

Gathering Clouds, Casoli, Abruzzo, Italy, 2016 - Michael Kenna (Black and White) Signed, dated and numbered on mount Signed, dated, inscribed with title and stamped with photographer...

Animal Locomotion: Plate 749 (Baboon Climbing), 1887 - Eadweard Muybridge Inscribed with Muybridge's letterpress credit, series title, plate number and date Stamped with Museum of Ed...

Persimmon Tree, Sulmona, Abruzzo, Italy, 2015 - Michael Kenna (Black and White) Signed, dated and numbered on mount Signed, dated, inscribed with title ...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

“It was shot on a grey misty day on Dungeness Beach in Sussex. Charlie Wood lit the sky rocket and stood to attention, and I fired the flashgun that was stuffed into his trousers to ...

I began making photograms with alternate light sources in 2020, due to having an unfinished darkroom at the time of the shutdown. (Fortunately, the wet side was nearly complete just ...