Shane Russeck

Black & White Photography Wild Horses, 36x48 "Chasing the Light" Signed AP

2018

This is a contemporary photograph of an African Lion. Printed on archival paper using archival inks. 40x60 Unsigned Print Printed on archival paper and using archival inks Framing ...

This is a contemporary black and white photograph of North American Wild Horses Photography by Shane Russeck Printed on archival paper Framing available. Inquire for rates. Shane...

This is a contemporary photograph of a Mountain Lion. 80x40 Edition of 5. Singed and numbered by Shane on the bottom corners Printed on archival paper using archival inks Framing ...

This is a contemporary black and white photograph of a Costal Wolf. Printed on archival paper using only archival ink. Edition of 12 Singed and numbered Framing available. Inquire ...

Pebble Beach Alaska, USA - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edi...

Archival pigment print Signed in pencil, verso 9 x 9 inches, image (Edition of 15) 18 x 18 inches, image (Edition of 15) From the series, "Allowed to Grow Old" This artwork is off...

Archival pigment print (Edition of 15) Signed in pencil, verso 9 x 9 inches, image From the series, "Allowed to Grow Old" This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Isa Leshko writes: “For nearly a decade, I have visited farm animal sanctuaries across America to create photographic portraits of geriatric animals. I began this series shortly after caring for my mom who had Alzheimer’s disease. The experience had a profound effect on me and forced me to confront my own mortality. I am terrified of growing old and I started photographing geriatric animals in order to take an unflinching look at this fear. As I met rescued farm animals and heard their stories, though, my motivation for creating this work changed. I became a passionate advocate for these animals and I wanted to use my images to speak on their behalf. “For each image, I strive to reveal the unique personality of the animal I photograph. Rescued farm animals are often wary of strangers, and it can take several days to develop a comfortable rapport with the animals I photograph. I often spend a few hours lying on the ground next to an animal before taking a single picture. This helps the animal acclimate to my presence and allows me to be fully present as I get to know her. I also work only with natural light to minimize the amount of gear I am carrying in order to be as unobtrusive as possible. “For this series I have also photographed elderly companion animals. I juxtapose these images with my farm animal portraits...

My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s land in the United Kingdom as far as I can remember. I have heard them calling to...