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Steve Miller
"World Cup", 1999

1999

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item

In this specific use of X-ray, Miller creates a collage-like composition that renders 3-D objects into 2-D space. The soccer ball floats as light as an orb or bubble, suspended amongst a group cleats that look equally as light and transparent. By using this technique, Miller renders everyday objects almost unrecognizable and forces us to rethink how we see certain objects. While all photography arrests motion, it is only the X-ray that allows us to climb inside a particular moment and subject and parse the structure of its beauty from within. Miller’s work lifts the lid off a hidden domain, revealing the stilled and remarkable innards of things we pass by every day. Orchid bulbs perch on lacy roots, music thrums from a plucked string, a foot punches a ball into the air. Miller removes plants, musical instruments, and soccer balls from their usual context and fixes them under the omniscient, scrutinizing eye of the digital X-ray. The inner world rises to the outer. Smoky, ethereal tulips bend, mid-wilt; seeds nestle within nearly invisible pods; the guitar’s translucent body rests in its case, snug as if in an ancient sarcophagus. Miller distills all action, feeling, and process so that only the essential remains, and in carefully rendered black, white, and film-noir gray, the essential is both clinical and glamorous. What was hidden is now revealed, and the empty space within his subjects speaks to their potential fullness. At the same time, that new vision brings with it an unsettling awareness of our own inner workings, our fundamental material essence, and ultimately, our human susceptibility to the processes of time. In the past 25 years, Steve Miller has presented 31 solo exhibitions at major institutions in the United States, China, France, and Germany. His exhibitions have been reviewed in Le Monde, Süddeutsche Zeitung, The New York Times, The Boston Globe, ArtForum, ARTnews, and Art in America. Miller was one of the first artists to experiment with computers in the early 1980’s, and his work today continues to integrate science and technology with fine art. This is his first solo show of photography. Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 21. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Black & white, sports, foot, ball, football, soccer, still life, x-ray
  • Creator:
    Steve Miller (1951, American)
  • Creation Year:
    1999
  • Dimensions:
    Height: 23.75 in (60.33 cm)Width: 20 in (50.8 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Hudson, NY
  • Reference Number:
    1stDibs: G11012711129

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Futebol, 2006
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ABOUT After 30 years of only exhibiting fine art photography, the Robin Rice Gallery is pleased to present a group exhibition featuring a selection of her gallery photographers and three visual artists new to the space: Erica Hauser, and Matt Kinney. The selected works of these well-established Beacon, NY artists blend with the gallery’s fine art photography. Upon entering the gallery, viewers will encounter figurative sculptures, abstract paintings, and ink wash drawings alongside fine art photography. Since Robin Rice’s move to Beacon, NY, this concept developed organically; the group exhibition is a fusion of artistic mediums inspired by chance encounters between Rice and friends at art events in Beacon. After spending time with creatives who've spent lockdown in studios, Rice carefully chose works most apropos with her edited inventory of framed photography. Through these chance encounters Rice found inspiration to create this exhibition unlike anything seen before at the gallery and curated an immersive experience. Maintaining her expert aesthetic, Rice has brought together a mosaic of mediums that seamlessly fit together like pieces of a puzzle. Kinney's collection of ink wash paintings in Japanese Sumi ink and watercolor paintings on hand-torn paper render fleeting glimpses of figures and animals as well as primal symbols. Tasmania Spiral is a hypnotic work that resembles a gyre. Also in focus is Hauser’s collection of abstract paintings featuring an alluring vintage color palette...
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Roots, 2008
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"Glass", 2008
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In this X-Ray photograph, Miller gives viewers an interior view of orchard bulbs. The use of X-ray allows for a stark contrast between light, transparency and dark, solid objects. ...
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"Sunflower", 1995
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