Terry O'Neill 'Paul McCartney at Ringo Starr’s Wedding'
View Similar Items
Terry O'NeillTerry O'Neill 'Paul McCartney at Ringo Starr’s Wedding'1963 (printed later)
1963 (printed later)
About the Item
- Creator:Terry O'Neill (1938, British)
- Creation Year:1963 (printed later)
- Dimensions:Height: 72 in (182.88 cm)Width: 48 in (121.92 cm)
- More Editions & Sizes:40 x 30 inchesPrice: $5,60072 x 48 inchesPrice: $14,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU32612431452
Terry O'Neill
Terry O’Neill was one of the world’s most collected photographers, with work hanging in national art galleries and private collections worldwide. From presidents to pop stars, he photographed the frontline of fame for over six decades.
O’Neill began his career at the birth of the 1960s. While other photographers concentrated on earthquakes, wars and politics, O’Neill realized that youth culture was a breaking news story on a global scale and began chronicling the emerging faces of film, fashion and music who would go on to define the Swinging Sixties. By 1965 he was being commissioned by the biggest magazines and newspapers in the world.
No other photographer embraced the span of fame as O'Neill had, capturing the icons of our age from Winston Churchill to Nelson Mandela, from Frank Sinatra and Elvis to Amy Winehouse, from Audrey Hepburn and Brigitte Bardot to Nicole Kidman, as well as every James Bond from Sean Connery to Daniel Craig.
O’Neill photographed The Beatles and The Rolling Stones when they were still struggling young bands in 1963 and pioneered backstage reportage photography with David Bowe, Elton John, The Who, Eric Clapton and Chuck Berry. His images have adorned historic rock albums, movie posters and international magazine covers.
Find a collection of authentic Terry O’Neill photography on 1stDibs.
(Biography provided by Hilton Asmus Contemporary)
- Director And Star, Orson Welles on set of OthelloBy Slim AaronsLocated in New York, NY1952: Orson Welles (1915 - 1985) in Venice during a break from filming 'Othello' which he directed and starred in. Slim Aarons (1916-2006) worked mainly for society publications ph...Category
1950s Modern Black and White Photography
MaterialsSilver Gelatin
- Slim Aarons 'Jazz Scooter'By Slim AaronsLocated in New York, NYSlim Aarons Jazz Scooter 1949 (printed later) Silver gelatin print estate signature stamped edition of 150 with certificate of authenticity Lucille Brown takes control of the Vespa...Category
1940s Modern Black and White Photography
MaterialsSilver Gelatin
- Slim Aarons 'The King of Jazz'By Slim AaronsLocated in New York, NYSlim Aarons King of Jazz 1949 (printed later) Silver gelatin print estate signature stamped edition of 150 with certificate of authenticity 1949: Photographers taking pictures of A...Category
1940s Modern Black and White Photography
MaterialsSilver Gelatin
- Patsy Pulitzer, Private TransportBy Slim AaronsLocated in New York, NYSlim Aarons Patsy Pulitzer, Private Transport 1955 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Patsy Pulitzer rummag...Category
1950s American Modern Black and White Photography
MaterialsSilver Gelatin
- Slim Aarons 'Soho Waiters Race'By Slim AaronsLocated in New York, NYSoho Waiters Race, 1955, Printed Later Waiters carrying half bottles of champagne set off on the annual waiters' race from Soho Square to Greek Street, i...Category
1950s Modern Black and White Photography
MaterialsSilver Gelatin
- Slim Aarons 'Venetian Play, Orson Welles'By Slim AaronsLocated in New York, NYVenetian Play, 1952 Silver gelatin print Estate edition of 150 Signature stamped and hand numbered with Certificate of authenticity 1952: Orson Welles (1...Category
1950s Modern Black and White Photography
MaterialsSilver Gelatin
- New York City Skyscrapers, July 1931, Silver Gelatin B and W Photography FramedBy Press Agency Keystone View CompanyLocated in Atlanta, GAAn original silver gelatin black and white photograph by Press Agency Keystone View Company. New York City skyscrapers, July 7th, 1931. Features: Original Silver Gelatin Print Photog...Category
1930s Modern Black and White Photography
MaterialsSilver Gelatin
- New York City by Night, circa 1950, Silver Gelatin B and W Photography FramedLocated in Atlanta, GAAn original silver gelatin black and white photograph with framing. New York City by night, circa 1950. Features: Original Silver Gelatin Print Photography framed. Press Photography....Category
1950s Modern Black and White Photography
MaterialsSilver Gelatin
- USS Roosevelt, New York Navy Day 1945, Silver Gelatin B and W Photography FramedBy Associated PressLocated in Atlanta, GAAn original silver gelatin black and white photograph by Associated Press Photo. The USS Roosevelt aircraft carriers on the Hudson River, New York, during Navy Day...Category
1940s Modern Black and White Photography
MaterialsSilver Gelatin
- Sign 77, San FranciscoBy Nenad Samuilo AmodajLocated in Hudson, NYAmodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...Category
21st Century and Contemporary Modern Black and White Photography
MaterialsSilver Gelatin
- Sign 82, San FranciscoBy Nenad Samuilo AmodajLocated in Hudson, NYAmodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of N...Category
21st Century and Contemporary Modern Black and White Photography
MaterialsSilver Gelatin
- Bow, San FranciscoBy Nenad Samuilo AmodajLocated in Hudson, NYAmodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...Category
21st Century and Contemporary Modern Black and White Photography
MaterialsSilver Gelatin