Associated Press

USS Roosevelt, New York Navy Day 1945, Silver Gelatin B and W Photography Framed

1945

An original silver gelatin black and white photograph with framing. New York City by night, circa 1950. Features: Original Silver Gelatin Print Photography framed. Press Photography....

An original silver gelatin black and white photograph by Press Agency Keystone View Company. New York City skyscrapers, July 7th, 1931. Features: Original Silver Gelatin Print Photog...

An original silver gelatin black and white photograph by Wide World Photos - New York Times, Paris. Policemen in Paris circa 1930. Features: Original Silver Gelatin Print Photography...

An original silver gelatin black and white photograph by Wide World Photos, Paris. A street view of Boulevard Montmartre in Paris, circa 1930. Features: Original Silver Gelatin Print Photograph Unframed. Press Photograph. Press Agency: Wide World Photos - The New York Times S.A. in Paris. Photographer: Anonymous. Title: busy street view of Boulevard Montmartre in Paris, circa 1930. Provenance: Private collection. Image Size: 6.54 in. high (16.6 cm) x 6.65 in. wide (11.8 cm) - Archivally matted in a 17 x 13 mat. The ink stamp at the back read: "Wide World Photos - The New York Times S.A. - 106 rue Réaumur, 100 - Paris - Tel: GUT 65-46 or 65-47 - Adr. Télég: TIMWIT-PARIS". A caption was probably glued to the back but has been removed. We will ship this piece in a mat (17 x 13 in.) that fits a standard-sized frame. About: Le Petit Casino, at 12 Boulevard Montmartre, is a show restaurant built in 1893 on the former site of the Oriental Bazaar and the Séraphin Theater. It closed its doors in 1948. On the left side of the photograph, you can see the front of La Maxeville brasserie-restaurant. La Grande Maxéville was founded in 1901. The architect Joachim Richard (1869-1960) designed the new Grande Maxéville. His son-in-law, Georges Roehrich, designed an establishment in a pure "Art Deco" style. Imagine the rooms covered with engraved mirrors, one story high - including the ceiling and we'll get a little idea of ​​what this superb restaurant was like. Elves were dancing in swarms, on the blinds, on the walls, and on the ceiling. They symbolized the Parisian party and the joy of living and brought an undeniable touch of fantasy to this place. The "Grands Boulevards" at that time were still flourishing. Luxury shops were spreading out there. A nighttime activity allowed the restaurants to fill up very often. The theaters, including that of the variety show located on the opposite sidewalk, attracted a share of the clientele. During the day, people would come and sip a drink while listening to the orchestra. Many famous artists performed as "guest stars" at La Maxéville. The Grands Boulevards and mainly the Boulevard Montmartre have always been one of the centers of Paris, which exert the most attraction with tourists, Provincials, and Parisians. It is indeed the central artery of the capital. Many varied shops, cafes, restaurants, and shows throng the famous Boulevard. As soon as night falls, one by one, the signs light up, the facades light...

An original silver gelatin black and white photograph by Press Agency New York Times office in Paris (Wide World Photos.) Sled race in Central Park, New York, 1934. Features: Original silver gelatin print photography framed. Press Agency New York Times Office in Paris - Wide Wolrd Photos. Photographer: unknown. Title: Sled Race in Central Park, 1934. Provenance: Private collection. Frame Size: 20.63 in high (52.5 cm) x 16.75 in wide (42.5 cm) x 1.57 in deep (4 cm). Image Size: 5.51 in high (14.2 cm) x 7.48 in wide (19.8 cm). French typed legend, copyright credit, and ink stamp at the back that read: "Course de traineaux dans un parc a New York. Sur la neige qui recouvre les allées du Central Park Casino a new York, un groupe d'artistes a eu l'idée d'organiser une course de traineaux - voici une vue de la course - Photos NYT - NY 5/1/34 - SP." (Sled race in a New York park. On the snow covering the paths of the Central Park Casino in New York, a group of artists had the idea of ​​​​organizing a sled race - here is a view of the race - Photos NYT - NY 5/ 1 /34 - SP.) Note: The Central Park Casino, originally the Ladies' Refreshment Salon, was a restaurant in Central Park, near East 72nd Street in Manhattan, New York City. The name of the building came from the Italian for "little house," but the Casino itself was never a gambling business. Originally, Calvert Vaux designed the building in 1862 as part of the Greensward Plan for Central Park. The original plan was a wooden chalet-style structure with a broad hip roof. Before construction began, however, Vaux decided that a more permanent building was needed. The following year, with the assistance of Edward C. Miller and Jacob Wrey Mould, the Casino was redesigned as a Gothic Revival stone structure. The building opened in early 1864 as a restaurant planned for unaccompanied female visitors to Central Park and was one of Central Park's three original restaurants. Soon, it was patronized by both men and women. The building that housed the Casino belonged to the City of New York, and the City often leased the Casino to independent operators. In the early 1920s, the Casino was rundown and renovated during the winter of 1921–1922. Jimmy Walker, mayor of New York City during the late 1920s, frequented the Casino and reportedly spent more time there than in New York City Hall. Besides entertaining elite guests in the restaurant, Walker had an office in the Casino and conducted city administration there while meeting with political cronies. In 1929, Walker terminated the lease of C.F. Zittel and allowed a friend, Sidney Solomon, to transform the Casino into one of New York's most expensive nightclubs. In February 1929, they released the new project. Solomon changed the Casino's interior using a design from Viennese designer Joseph Urban, though he kept the exterior mostly the same. The renovated Casino reopened on June 4, 1929. When the Great Depression hit four months after the Casino reopened, the nightclub faced increasing criticism for operating on city land while maintaining prices only the wealthiest New York residents could afford. In 1930, as part of the enforcement of Prohibition, the United States government raided the Casino and seized alcoholic beverages. Walker's successor, Fiorello H. La Guardia, and his parks commissioner Robert Moses, who held a vendetta against Walker, wanted to tear down the Casino to build a playground on the site. In 1934, Moses served an eviction order on the Casino's management. When the Parks Association of New York City objected...

An original silver gelatin black and white photograph by Associated Press Photo. The Hudson River in New York during Navy Day in October 1945. Features: Original Silver Gelatin Print...

Vintage photograph of an unknown abstract sculptor. In metal frame.

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

The work offered for sale here is an original vintage silver gelatin print hand created by Halsman in 1944 and exhibited at the International Center for Photography. Philippe Halsman was at one point considered the best photo-portraitist in France. He had an incessant interest in faces: “Every face I see seems to hide—and sometimes fleetingly reveal—the mystery of another human being.” Halsman’s photographs of politicians, celebrities, and intellectuals were featured widely in magazines like LIFE and Vogue. His more famous subjects included the likes of Marc Chagall, Le Corbusier, Audrey Hepburn, and Albert Einstein. He also had a 37-year collaboration with Salvador Dalí, which resulted in several famous surrealist series including the “Dalí’s Mustache” portraits...

Edward Quigley Crowd Scene, 1931 Vintage gelatin silver print Artist's stamp on the back of the photograph Frame Included Frame bears labels from: Joel Soroka Gallery, Co Ota House, CA Measurements: Frame: 13 x 11.25 x 0.5 inch Photograph: 4.5 x 3.5 inches About Edward Quigley: Edward Quigley was a leading American modernist who became known in the 1930s for his experimental photographic work with light. Quigley acquired his first camera at age twelve, joined the Photographic Society of Philadelphia in1929, and opened his own studio a year later. He supported himself with innovative advertising and editorial work published regularly in magazines such as U.S. Camera and Photographie, while winning prizes in numerous salons for his experimental light abstractions, captured with the aid of prisms and lenses to startling affect. Today, photographs by Edward Quigley are housed in the permanent collections of The San Francisco Museum of Modern Art, The Museum of Fine Arts, Boston, The Cleveland Museum of Art, and the Philadelphia Museum of Art. Biography Courtesy Robert Koch Gallery

Signed in black ink on print margin by Jesse Alexander Paper size: 16 x 20 in., Image size: 11 1/2 x 17 in. "The Mercedes W196 of Stirling Moss practices in the rain on one of the fastest road racing circuits in Europe. Moss teamed with the Argentine champion, Juan Manuel Fangio, as the two drivers spearheaded the Mercedes effort in 1995, dominating the season. This is the open-wheeled version of the W196, a car that Mercedes uses today at historic events around the world to promote its racing heritage." -Caption from "Driven: The Racing Photography...

No Edition Signed in black ink on print margin by Jesse Alexander Gelatin silver print Paper size: 14 x 11 in. Image size: 9 1/2 x 9 1/2 in. "Soon-to-be World Champion Phil Hill is in his first Grand Prix drive for Ferrari. The car is a single seater Formula Two machine, and he is seen rushing downhill through the infamous "Fuchsröhre" section of the Ring. The image is unusual for several reasons: it was taken with a Rolleiflex camera...