Wide World Photos

Policemen in Paris circa 1930 - Silver Gelatin Black and White Photography

circa 1930

An original silver gelatin black and white photograph by Wide World Photos, Paris. A street view of Boulevard Montmartre in Paris, circa 1930. Features: Original Silver Gelatin Print Photograph Unframed. Press Photograph. Press Agency: Wide World Photos - The New York Times S.A. in Paris. Photographer: Anonymous. Title: busy street view of Boulevard Montmartre in Paris, circa 1930. Provenance: Private collection. Image Size: 6.54 in. high (16.6 cm) x 6.65 in. wide (11.8 cm) - Archivally matted in a 17 x 13 mat. The ink stamp at the back read: "Wide World Photos - The New York Times S.A. - 106 rue Réaumur, 100 - Paris - Tel: GUT 65-46 or 65-47 - Adr. Télég: TIMWIT-PARIS". A caption was probably glued to the back but has been removed. We will ship this piece in a mat (17 x 13 in.) that fits a standard-sized frame. About: Le Petit Casino, at 12 Boulevard Montmartre, is a show restaurant built in 1893 on the former site of the Oriental Bazaar and the Séraphin Theater. It closed its doors in 1948. On the left side of the photograph, you can see the front of La Maxeville brasserie-restaurant. La Grande Maxéville was founded in 1901. The architect Joachim Richard (1869-1960) designed the new Grande Maxéville. His son-in-law, Georges Roehrich, designed an establishment in a pure "Art Deco" style. Imagine the rooms covered with engraved mirrors, one story high - including the ceiling and we'll get a little idea of ​​what this superb restaurant was like. Elves were dancing in swarms, on the blinds, on the walls, and on the ceiling. They symbolized the Parisian party and the joy of living and brought an undeniable touch of fantasy to this place. The "Grands Boulevards" at that time were still flourishing. Luxury shops were spreading out there. A nighttime activity allowed the restaurants to fill up very often. The theaters, including that of the variety show located on the opposite sidewalk, attracted a share of the clientele. During the day, people would come and sip a drink while listening to the orchestra. Many famous artists performed as "guest stars" at La Maxéville. The Grands Boulevards and mainly the Boulevard Montmartre have always been one of the centers of Paris, which exert the most attraction with tourists, Provincials, and Parisians. It is indeed the central artery of the capital. Many varied shops, cafes, restaurants, and shows throng the famous Boulevard. As soon as night falls, one by one, the signs light up, the facades light...

An original silver gelatin black and white photograph by Press Agency Keystone View Company. New York City skyscrapers, July 7th, 1931. Features: Original Silver Gelatin Print Photog...

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A unique original silver gelatin black and white photograph. View of a bridge over the Rhone River in Lyon, France, March 1927. The view of the Pont de l'Université in Lyon, France,...

A unique original silver gelatin black and white photography. The International Autumn Fair in Lyon, France, March 19, 1927. Aerial view of the International Autumn Fair in Lyon, Ma...

Vintage photograph of an unknown abstract sculptor. In metal frame.

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

Rare one of a kind silver gelatin lith print on foma paper of a Cuban man grinding coffee in a tree stump. Contemporary documentary photograph, taken in Santiago De Cuba. Shot on medium format film and printed by hand in a traditional photo darkroom. Cuban coffee...

This work is an artist proof, archival silver gelatin, handprinted by the artist and signed on verso. Directly acquired from the artist. The framing is 100% archival, with the use of only acid frame materials. Glazing, Optium non glare museum plexi. Hand carved wooden hand finished frame. Hunter Barnes is a documentary photographer whose work captures aspects of culture and communities ignored by the mainstream and often misrepresented in the modern American narrative. Hunter trained in photochemistry and traditional photographic techniques. At a young age, he began a nomadic life on the road. In his early twenties, Hunter self published his first book, Redneck Roundup, documenting the dying communities of the Old West. Other projects followed: four years spent with the Nez Perce tribe; months with a serpent handling congregation in the Appalachain mountains; bikers, lowriders, and street gangs...

Hunter Barnes has documented his stay when joining the Tamkaliks Powwow in Wallowa, Oregon. This work is an artist proof, archival silver gelatin, handprinted by the artist and signed on verso. Directly acquired from the artist. The framing is 100% archival, with the use of only acid frame materials. Glazing, Optium non glare museum plexi. Hand finished wooden frame. Hunter Barnes is a documentary photographer whose work captures aspects of culture and communities ignored by the mainstream and often misrepresented in the modern American narrative. Hunter trained in photochemistry and traditional photographic techniques. At a young age, he began a nomadic life on the road. In his early twenties, Hunter self published his first book, Redneck Roundup, documenting the dying communities of the Old West. Other projects followed: four years spent with the Nez Perce tribe; months with a serpent handling congregation in the Appalachain mountains; bikers, lowriders, and street gangs...