Tim Flach

Ji Li Lucky - Contemporary British Photography, Pandas, Tim Flach

Edition of 50. David Steen recalls: “Ringo was becoming known for character spots in feature films, in Blindman as a vicious kidnapper – he had tired of pl...

Edition of 10. Black & White print on Hahnemuehle Paper. The body of work, States of America, is the photographic legacy of one of the UK’s leading photographic talents whose untimely death in 1991 ended prematurely the highly promising career of a distinctive and powerful photographic voice. Michael Ormerod was born in Cheshire in 1947. He lived in Newcastle, but spent many years travelling America. Fascinated by the American image, and following in the footsteps of Robert Frank, Ormerod took to the American West to find a washed out dream of capitalism. His images capture a strange juxtaposition of an American beauty tainted by a hidden sense of menace and corruption. The photographs are understated, but show an unseen America, where the industrial heartland is decaying, highways stand empty and towns are deserted. The subjects of Ormerod’s work are the disenfranchised. A teenager cycles through her neighbourhood wearing a Halloween-style hockey mask, a Native American man stands in a graveyard, their expressions are unreadable. The work subverts traditional American icons. A white picket fence is staved in, a huge billboard for Miss Teen Dakota USA stands next to an empty highway. Inverting the famous Hollywood sign, Ormerod photographs a Texaco sign...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. A dramatic Black & White print on Hahnemuehle Paper available in this size in an Edition of 10. The body of work, States of America, is the photographic legacy of one of the UK’s leading photographic talents whose untimely death in 1991 ended prematurely the highly promising career of a distinctive and powerful photographic voice. Michael Ormerod was born in Cheshire in 1947. He lived in Newcastle, but spent many years travelling America. Fascinated by the American image, and following in the footsteps of Robert Frank, Ormerod took to the American West to find a washed out dream of capitalism. His images capture a strange juxtaposition of an American beauty tainted by a hidden sense of menace and corruption. The photographs are understated, but show an unseen America, where the industrial heartland is decaying, highways stand empty and towns are deserted. The subjects of Ormerod’s work are the disenfranchised. A teenager cycles through her neighbourhood wearing a Halloween-style hockey mask, a Native American man stands in a graveyard, their expressions are unreadable. The work subverts traditional American icons. A white picket fence is staved in, a huge billboard for Miss Teen Dakota USA stands next to an empty highway. Inverting the famous Hollywood sign, Ormerod photographs a Texaco sign...

Sandwich Board in Street is a stunning Black & White print on Hahnemuehle Paper available In this size of 24” x 34” in an edition of 10. Michael Ormerod was a British photographer w...

Signed limited edition print of Debbie Harry, lead singer of US band Blondie, photographed by Brian Aris in London in 1978 wearing an Andy Warhol "Bad" t-shirt. Brian Aris limited e...

Turmi in southern Ethiopia is one of the largest Hamer settlements. Turmi’s size is due to its dirt road to the outside world, and its location near to water: an ephemeral river floo...

For the Mumuhuila hair indicates social status. Hairstyles, like necklaces, change throughout a lady’s adolescent and adult life. For an adult like Mynga, the number of dreadlock str...

Nambuele illustrates the hair craft of the Mumuhuila of southern Angola, whose women take an obsessive pride in their hairstyle. Although it may change as a girl enters different st...