Unknown

Mussolini and Badoglio - Original Vintage Photo - 1934

1934

Tightrope Walkers- Vintage b/w Photo realized in the Late 1980s. With the handwriting on the rear. Good conditions. The photograph is captured aesthetically, in an interesting mom...

Akio Morita - Vintage b/w Photo realized in the 1970s. With the handwitting on the rear. Good conditions.

Women Manifestation - Vintage b/w Photo realized in the 1970s. Copyright by Giancolombo News Photo. In the photo: Women Manifestation for the divorce right in piazza Repubblica of R...

Akio Morita - Vintage b/w Photo realized in the 1970s. With the handwitting on the rear. Good conditions.

Rooftops View - Vintage b/w Photo realized in the 1970s. Copyright by Inno Munto. With the handwriting on the rear. Good conditions.

Tightrope Walkers- Vintage b/w Photo realized in the Late 1980s. With the handwriting on the rear. Good conditions. The photograph is captured aesthetically, in an interesting mom...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

Rare one of a kind silver gelatin lith print on foma paper of a Cuban man grinding coffee in a tree stump. Contemporary documentary photograph, taken in Santiago De Cuba. Shot on medium format film and printed by hand in a traditional photo darkroom. Cuban coffee...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

“It was shot on a grey misty day on Dungeness Beach in Sussex. Charlie Wood lit the sky rocket and stood to attention, and I fired the flashgun that was stuffed into his trousers to ...