William Dey

I, PHILIP Palm Springs CA, Photograph, Archival Ink Jet

2022

El Chaltén (Monte Fitz Roy) in Southern Argentina (Patagonia). I was leaving a high mountain perch where I was photographing rays of light piercing a cloudy sky at dawn. While leavi...

This pin-up image is rooted in time-honored photographic celebrations of beauty. With a genre that has been endlessly explored, the goal is to be imaginative and original. The lighth...

Building on the tradition of black and white nude photography, Aaron Knight employs a technique that uses faint hints of color throughout the image to impart either warm or cool tone...

Building on the tradition of black and white nude photography, Aaron Knight employs a technique that uses faint hints of color throughout the image to impart either warm or cool tone...

El Pulpo Mechanico (Black Rock City), Edition 1/10, 20x30cm, 2010, digital Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. Published in Tao Ruspoli's Monography 'Midway on our Life's Journey’, 2018 The Exaltation of Imagination Photographs and Musings in Defense of Burning Man by Tao Ruspoli The press around Burning Man had gotten so bad that I almost felt embarrassed to be going this year. Even Daniel Pinchbeck, famed psychonaut and burner par excellence, had written a thoughtful piece explaining why, after 15 consecutive years, he wasn’t going back this year: the festival had changed too much--the rich had taken over, it had gone from a relevant and fascinating social experiment to epitomizing the worst elements of capitalist excess. Besides, he seemed to be saying, the world is going through too many crises, both ecological and humanitarian, to justify the extravagance of an event like this. Two burners heading to Temple, one of the massive temporary structures in Black Rock City The burning of the Temple which happens every year the night after the man burns. Keith Spencer...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Adama Sylla Untitled (2 Girls), c.1960s Archival inkjet print on dibond 24 x 16 inches (61 x 40.6 cm) 1 AP, Edition 1/3

Black and white fine art long exposure waterscape - landscape photography. Giant rocks on the sandy beach of the Atlantic coast in France. Archival pigment ink print as part of a lim...