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Christopher FelverRobert Rauchenberg
Christopher Felver is a photographer and filmmaker. His work has been exhibited internationally with solo photographic exhibitions at the Arco d’ Alibert, Rome (1987); the Art Institute for the Permian Basin, Odessa, Texas (1987); Torino Fotografia Biennale Internazionale, Italy (1989); Centre Georges Pompidou, Paris (1994); Roosevelt Study Center, Middelburg, Netherlands (1998); Fahey/Klein Gallery, Los Angeles (2002); the Maine Photographic Workshop (2002); Robert Berman Gallery, Los Angeles (2007), and other galleries and museums. His works have also appeared in major group exhibitions, including The Beats: Legacy & Celebration, New York University (1994); Beatific Soul: Jack Kerouac on the Road, New York Public Library (2007); and the Poetry Society of America’s 100th anniversary Portraits of Poets 1910-2010, National Arts Club (2010). He participated in the 53rd Venice International Film Festival, and has screened films in festivals and museums around the globe, including presentations at the San Francisco International Film Festival (2009), the Library of Congress (2006), the Pan African Film Festival, Los Angeles (2006), Lincoln Center, New York (2005), the Mill Valley Film Festival (1996, 2002), Santa Fe Film Festival (2001, 2005), Northwest West Film Festival, Portland Art Museum (2001), Walker Museum of Art, Minneapolis (2000), Hirshhorn Museum, Washington D.C. (2000), KQED San Francisco (1984, 1999), and WGBH Boston (1984). The National Gallery of Art in Washington D.C., New York Public Library, and the Museum of Fine Art in Boston has presented retrospectives of his films: Cecil Taylor: All the Notes (2005), Donald Judd’s Marfa Texas (1998), The Coney Island of Lawrence Ferlinghetti (1996), Tony Cragg: In Celebration of Sculpture (1993), John Cage Talks About Cows (1991), Taken by the Romans (1990), West Coast: “Beat & Beyond” (1984), and California Clay in the Rockies (1983). Christopher Felver’s books are Beat (Last Gasp, 2007) an intimate memoir of image, text, and reminiscence; The Late Great Allen Ginsberg (Thunder’s Mouth Press, 2002); The Importance of Being (Arena Editions, 2001), 400 portraits of eminent figures in American arts, letters, music, and politics; Ferlinghetti Portrait (Gibbs Smith Publisher,1998); Angels, Anarchists & Gods (Louisiana State University Press, 1996), featuring the American avant-garde; The Poet Exposed (Alfred Van der Marck Editions, 1986), a monograph of contemporary American poets; and Seven Days in Nicaragua Libre (City Lights Books, 1984), co-authored with Lawrence Ferlinghetti, based on a week together in Nicaragua with Minister of Culture Ernesto Cardenal.
H 20 in. x W 16 in.
H 50.8 cm x W 40.64 cm
- Gallery locationSanta Fe, NM
- Reference numberLU128882533
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