Claude Cahun

Le Coeur de Pic.

1937

ERNST, Max. Rêve d'une Petite Fille qui voulut entrer au Carmel. 176 pp. Illustrated with reproductions of 79 collages by Max Ernst. 8vo., 265 x 200 mm, bound in original illustrated wrappers, slightly faded in a new light blue cloth folding box, gilt black leather spine label. Paris: Éditions du Carrefour, 1930. Ernst's rare second collage novel about an adolescent girl who loses her virginity on the day of her first communion and so commits herself to a religious vocation as a Carmelite nun. Ernst includes a line of ironically pretentious text with each image. This is number 232 of the edition of 1000 copies on Velin, inscribed by Paul...

Engraving of Veduta della Piazza di S. Marco, verso L'Horologio by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.

Additional sizes and pricing available upon request. Artist commentary: There is an incredible world that exists at the tide line. This piece recalls the mix of broken shells, sea weeds and tiny organisms that wash up...

Jack Mitchell (September 13, 1925 – November 7, 2013) was an American photographer. He photographed American artists, dancers, film and theatre performers, musicians and writers.[1] His portraiture, lighting skill, and ability to capture dancers in what he termed "moving stills" made him one of the most important dance photographers of the 20th century. He photographed the Alvin Ailey American Dance Theater for three decades, producing a body of work that includes over ten thousand images. He was the official photographer of the American Ballet Theatre for a decade and also photographed dancers for other top ballet companies in the US and Canada. His work appeared in major newspapers and on the cover of major magazines, including over 160 covers of Dance Magazine. Arts Magazine called him the first photographer to treat creative individuals as characters outside of their works. Smithsonian called him the benchmark by which other dance photographers assessed their own work. Early life Mitchell was born in Key West in 1925, and he was raised there and in New Smyrna Beach, Florida, where his family moved in 1931.[2][3] His father worked for the railroad.[2] He became interested in photography, and when he was twelve his parents bought him a Kodak Baby Brownie for $54.[2][3][4] Career By age 15 he had met Florida's licensing standards to obtain a press pass, by age 16 he was working as a commercial photographer,[1][5] and his first published photograph was of Veronica Lake, who was visiting Florida while on a war bonds tour.[2] Mitchell was an Army photographer during World War II, working in Italy.[2] In 1946, after returning home from the army, he set up his first studio in New Smyrna Beach.[1] In 1949, when he was 24, at the invitation of Ted Shawn, he visited Jacob's Pillow Dance and became interested in dance photography, which became a specialty.[2][5] He moved his studio to New York City in 1950.[6] He was the American Ballet Theatre's official photographer.[2] Starting in the 1961 he spent decades photographing the Alvin Ailey American Dance Theater, producing over 10,000 images of the company;[2][5] Ailey's biographer Jennifer Dunning credited Mitchell's work for "help[ing] to sell the company early on".[5] Mitchell also photographed dancers of the Boston Ballet, Les Grands Ballets Canadiens, Pennsylvania Ballet, Houston Ballet, and San Francisco Ballet.[6] Mitchell shot over 160 covers for Dance Magazine;[2] his 168th cover was published in July 2003.[4] His term for what he was attempting to capture with dance photography was "moving stills."[5] He was known as a lighting expert.[2][5] Mitchell also photographed other artists, entertainers, musicians, and writers, including John Lennon and Yoko Ono just a month before Lennon was murdered.[2] Other subjects included Leonard Bernstein, David Byrne, Truman Capote, Anthony Quinn, Jack Nicholson, Patti LuPone, Keith Haring, Neil Simon, Angela Lansbury, Twyla Tharp, Ned Rorem, Leontyne Price, Alfred Hitchcock, Spalding Gray, Ann Reinking, Andy Warhol, and Natalie Wood.[2] He spent a decade photographing Gloria Swanson.[5] His work appeared in The New York Times, Elle, Harper's Bazaar, Life, Newsweek, People, Rolling Stone, Time, Vanity Fair and Vogue, among others.[2][4][6] Mitchell was the subject of a 2006 documentary, My Life is Black and White, directed by Craig Highberger.[2] His books include Icons & Idols (1998), for which Edward Albee wrote the foreword,[2][4] and a book of his Alvin Ailey photography...