Albert Watson

Double Exposure Through Windshield – Albert Watson, Skye, Tree, Nature, Abstract

2013

Jung LEE (*1972, South Korea) You #2, 2019 C-Type Print, Diasec Sheet 185 x 148 cm (72 7/8 x 58 1/4 in.) Frame 188,5 x 151,5 x 3,7 cm (74 1/4 x 59 5/8 x 1 1/2 in.) Edition of 5, plus...

Jung LEE (*1972, South Korea) Promise me, 2018 C-Type Print, Diasec Sheet 160 x 200 cm (63 x 78 3/4 in.) Frame 166,9 x 207 x 3,5 cm (65 3/4 x 81 1/2 x 1 3/8 in.) Edition of 5, plus 2...

Jung LEE (*1972, South Korea) The End #2, 2020 C-Type Print, Diasec Sheet 160 x 200 cm (63 x 78 3/4 in.) Frame 167 x 206,9 x 3,5 cm (65 3/4 x 81 1/2 x 1 3/8 in.) Edition of 5, plus 2...

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-769 2017 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 3/5 Framed ‘Water Mirror’is a condensation of ...

Blue Sky Palm Trees (Sidewinder) - 2005 80x80cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and Certificate. Artist Inventory No. 3026. Not mounted. Exhibitions for this piece: 2008 Sidewinder / 29 Palms, CA, c.art-Galerie, Dornbirn, Austria (S), Sidewinder, Galerie Robert Drees, Hannover, Germany (S), Sidewinder, Galerie Thierry Librati, Paris, France (S), Sidewinder, Städtische Galerie am Mozartplatz, Salzburg, Austria (S) ("Frenzy", Poster Image Salzburger Festspiele // 2007 Sidewinder, Scalo Guye, Los Angeles, USA (S), the gallery is now located in Zurich // 2006 Sidewinder, Artwalk Amsterdam, Amsterdam, Netherlands, curated by Frans Oomen (G) publications of this piece: STRANGER THAN PARADISE published by Hatje Cantz Verlag, 2006 (monograph) // movie: 2005 SIDEWINDER - Director / Artist / Camera / Editing - starring JD Rudometkin, Stefanie Schneider, music by JD Rudometkin
 "private history turned into an intimate mythology of elemental fantasies where reality is perceived through a veil of psychedelic memories and unconscious projections. such is a collection of passions and dreams, an uncanny diary of ephemeral narratives and mental intensities in Stefanie Schneider’s painterly photographs where subjectivity of an ontological doubt uses a poetics of pastische as a vehicle for an intertextual journey towards the truth and the authenticity of primary emotions. here time is immersed in a nostalgic suspense of oneiric dimension, a sort of ambiguous coma of silence and comfort, and open space embraces a psychotic landscape of solitude and accidental pleasure. fetishized surface of extreme feelings gives a stage for an unsolicited promise of unconditional love and unlimited freedom, a promise framed by sensual tension between fulfillment and expectation." Adam Budak, Kusthaus Graz, 2005 Sidewinder
 There’s blood on the dress that hangs in the Airstream trailer outside 29 palms. With the pistol in her sweat palm touching his temple. Tell me what god’s gonna do for me and you know Stevie’s saying while Brother John Baptiste looks there across to where her cat seems weak and fed. All the good that comes to me from my believing man, I wanna hear about it said to me like that. Just the way you breathed it like you did 10 minutes ago when I was wrapped so well around your head. Silence then. A baby screams his mother out in the desert night...

The End (Sidewinder) - 2005 80x80cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 3447. ...

A seemingly candid c-print photograph of a man in a suit wearing a white fedora walking down the street by Houston, TX artist Amy Blakemore. The composition is expertly balanced betw...

Leaving Town (Sidewinder) - 2005 80x80cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 345...