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Brian DuffySet of 2 David Bowie Aladdin Sane album cover prints "Eyes Open" & "Eyes Closed"1973
1973
About the Item
Set of 2 prints, both pre-matted with black mats. David Bowie by Brian Duffy from the 1973 Aladdin Sane album cover sessions. One print is the original cover, the second is the "eyes open" version, released for the first time to celebrate the opening of "David Bowie Is"
Museum quality fine art print of the cover Aladdin Sane by David Bowie from the official Duffy Archive.
Taken from the original 1973 negatives, these official Duffy Archive prints are open edition, authenticated with the official Duffy Archive estate stamp. Available in one size only, prints are pre-mounted to the highest quality.
Official Duffy Archive Estate : David Bowie prints:
* One size only - Mount size 19.75” x 19.75” (50cm x 50cm) - Image size 10.5” x 10.5” (27cm x 27cm)
* Open edition, unsigned mounted museum quality prints, printed by the Duffy Estate from the original negatives on archival heavyweight paper using Epson K3 Ultrachrome inks
* Handmade in the archive with an embossed Duffy Archive stamp and rear stamped with information sticker
* Ink rubber stamped on reverse with a replica of Duffy’s original studio logo
- Creator:Brian Duffy (1934-2010, British)
- Creation Year:1973
- Dimensions:Height: 19.69 in (50 cm)Width: 19.69 in (50 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Austin, TX
- Reference Number:1stDibs: LU1812213472392
Brian Duffy
Photographer Brian Duffy had an eight-year working relationship with David Bowie shooting five key sessions over this period, providing the creative concept as well as the photographic image for three album covers. First came the iconic 1973 shoot for the cover of Aladdin Sane, often nicknamed 'the Mona Lisa of pop', when Duffy interpreted Bowie's original title of 'A Lad Insane’ as “Aladdin Sane”. Duffy the went on to shot the cover for 'Lodger' in 1979 and in 1980, the cover for Scary Monsters (and Super Creeps). Duffy's input had a significant influence on the creation of Bowie's chameleon-like public persona and his continual pioneering reinvention.
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