Gina Soden

Orchestral by Gina Soden - Abandoned place, urbex photography, forest, chairs

2023

Radios in Lounge is a limited-edition photograph by contemporary artist Gina Soden. It is part of the “How Long Is Now?” series. This photograph is sold unframed as a print only. It...

Tower is a limited-edition photograph by contemporary artist Gina Soden. It is part of the “Emergence” series. This photograph is sold unframed as a print only. It is available in o...

Care Home by contemporary artist Gina Soden. Prints are available in two dimensions: 44.64 cm × 44.64 cm, edition of 15 + II AP 80.2 cm × 80.2 cm, edition o...

Engrenages is a limited-edition photograph by contemporary artist Gina Soden. It is part of the “Distanza” series. This photograph is sold unframed as a print only. It is available ...

Salle d'étude is a limited-edition photograph by contemporary artist Gina Soden. It is part of the “How Long Is Now?” series. This photograph is sold unframed as a print only. It is...

Care Home is a limited-edition photograph by contemporary artist Gina Soden. It is part of the “Retrogression” series. This photograph is sold unframed as a print only. It is availa...

Horse 3 - Signed limited edition archival pigment print, Edition of 5 Horse photographed on location using studio lighting. This is an Archi...

" Macaw #4 ” - Signed limited edition archival pigment print - Edition of 10 Green-Winged Macaws are monogamous and pair for life. They mate once in a lifetime, remaining and travelling together even out of the breeding season. Their beaks are powerful, allowing them to easily crack hard shelled nuts like the Brazil nut. The beak of the Green-Winged macaw can generate a pressure of 2000 pounds per square inch. Animal photography is about being ready for the split-second moment when it happens. This takes a certain amount of production. The studio set-up, the lighting and the camera settings can all be planned but the magic moment is seldom planned. It just happens naturally and you need to be prepared. Whether you capture it will depend on patience, concentration and reflex. This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and lignin-free, Museum quality for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Please note that prices increase as editions sell. Archival pigment print available sizes : 106 x 69 cm / 41.5 x 27” - Edition of 10 152.4 cm x 101.63 cm / 60 x 39,76 in - Edition of 3 Tim Platt specialises in creating minimal stylised studio portraits of birds and animals, which he describes as beauty shots. A frozen moment in time allows us to observe the world in suspension and will often reveal a graphic beauty that might otherwise flash by in the blink of an eye and remain unnoticed. Whether observing the magnified eye of a bullfrog, or an eagle captured at several thousandths of a second in mid-flight, he is fascinated by the level of detail that can be revealed in a large format print. It is the stillness of a photograph that gives us time to pause and marvel at the myriad levels of detail in Nature’s grand design and allows us to reflect on the wonderful diversity of life on Earth. Styles: Color photography, 21st century, Archival pigment print, Animal, Portrait, Beauty, Fine Art , Parrot, Colourful, Red, Black, animal photographer, animal photography, bird, bird photography...

Known for her photographic portraits of interior spaces, Shani Mootoo reveals the curious and often emotive personal narratives of her subjects.  This giclee print by Shani Mootoo is editioned, 1/5. The work is matted, framed. Unframed size is 21 x 31.5 inches. It is also available in two other sizes, 12 x 28 (framed 21 x 27 inches, edition of 10, $2,000); and 16 x 24 inches (25 x 33 inches framed, edition of 8, $2,600.). Mootoo describes how this image was created: "I was at my printer's studio working on a body of photographs when we were interrupted by a customer who needed his attention for a few minutes. I agreed on a pause so that that customer could be accommodated, and my printer suggested I roam the garden, as there was a lot to see there. Just before the exit to the garden was a room crammed with pastel knick-knacks. A glass sliding door stood closed between me and this room, which seemed to be a combination of very special private space and a storage room. I immediately had the sense that I was seeing a photograph waiting to be taken and, as I had my Sony Rx100m7 camera around my neck, I ran back to my printer and asked if I could go into the room. He generously said, 'By all means, go wherever you'd like".  On entering, there wasn't much room to negotiate, but I was struck by the carefully...

Rebecca Skinner’s “Spools” was photographed at an abandoned mill and is part of a series documenting the loss of industry in America. The color photograph is of vintage wooden spools...

Persephone VIII by Erik Pawassar 62 x 48 inches (157 x 122cm) edition of 7 signed 40 x 31 inches (102 x 79cm) edition of 25 signed archival fine art pigment print signed & number...

Persephone V by Erik Pawassar 62 x 48 inches (157 x 122cm) edition of 7 signed 40 x 31 inches (102 x 79cm) edition of 25 signed archival fine art pigment print signed & numbered...