Greg Lotus

Spaghetti

2014

Karma (paintings for race horses) suite, 2013 Archival pigment prints 16 x 20 inches each Suite of ten prints in custom archival box Edition of 10 Sign...

A celebration of Life is symbolized by a rooftop Black Jazz Musician hitting the high note just as a fireworks display lights up the New York sky. Signed ...

Street Dance 2 is a contemporary color photograph by artist Elliott Kaufman. Kaufman describes New York City as “a laboratory in constant movement." In hi...

A young woman expresses an internal moment of joy and free expression as she strikes a spontaneous dance pose in Central Park. The scene is a captured moment by street photographer M...

In Bloom - 2020 Edition of 10 plus 2 Artist Proof, 50x40cm Digital Print based on an original Polaroid on Hahnemühle photo rag paper. Signature label and certificate. Not mounted. ...

"Shannon", Edition 1/10, 20x30cm, 2017, digital Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. Published in Tao Ruspoli's Mon...

Sunglasses - 2016 - Edition of 10, 20x30cm, 2016, Print on Velvet Watercolor, 310gsm, Bright White, Acid Free. Signature label and Certificate. Published in Tao Ruspoli's Monogra...

Altstadt Rêveries #06, 2008 [From the series Goldenbogen & Zouzou] Digital color print based on original Polaroid on beautiful PHOTO RAG ULTRA SMOOTH 305gsm - 100% cotton by HAHNEMÜHLE, Hand signed & numbered by the artist, edition of 7 - nr 02 Unmounted. Carmen De Vos - Artist statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...

Rachel Nichols Edition 1/10, 20x30cm, 2011, digital C-Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free. Signature label and Certificate. Published in Tao Ruspo...

Lucia at Sixteen ( A Crack in the Mirror) 

 50 x 40 cm, Edition of 7 +2 Artist Proofs. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on the original reclaimed Fu...