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Jason Chen"Like Nobody’s Watching" Hand-woven archival print2021
2021
$3,750
£2,848.22
€3,290.63
CA$5,255.76
A$5,882.18
CHF 3,070.05
MX$71,732.33
NOK 39,292.44
SEK 37,195.33
DKK 24,557.55
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About the Item
Framed, Hand-woven photography print.
This piece is an original artwork by Jason Chen titled "Like Nobody’s Watching". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 40.5”h x 30”w and ships framed in the pictured 44.75”h x 34”w frame.
In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his first solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time.
Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography. He is the Co-Founder of Paradigm Gallery + Studio and Juggling Wolf (a film and animation production studio). Jason’s work has been displayed in galleries and venues including: Paradigm Gallery + Studio, Crane Arts, The Light Room Gallery, Trust Gallery, Kimmel Center, and Commerce Square.
- Creator:Jason Chen (1986, American, Chinese)
- Creation Year:2021
- Dimensions:Height: 44.75 in (113.67 cm)Width: 34 in (86.36 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Philadelphia, PA
- Reference Number:1stDibs: LU18829666882
Jason Chen
Jason Chen is from Guangzhou, China. He is a Photographer specializing in Fashion, Editorial, and Alternative Process Photography. After he received his BFA in Animation from the University of Arts in 2008, he Co-founded Paradigm Gallery + Studio and Juggling Wolf. In 2012, Jason shifted his dry plate tintypes practice to photo weaving. He began using two images taken within seconds of each other, then cut and wove them together. Because of his background in film and animation, Jason explores ways to incorporate the “Fourth Dimension” - Time - into his work. Photo weaving allows him to do this by exploring movement and mutation.
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