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Jay WolkeView of N. FR. Rubin Bros, Large Scale Chicago Color Photograph
About the Item
Jay Wolke lives and works in Chicago, Illinois. He has had solo exhibitions at the Art Institute of Chicago, the St. Louis Art Museum, Harvard University and the California Museum of Photography. His photographs are in the permanent collections of the Museum of Modern Art, New York, the Whitney Museum of American Art, New York, the Art Institute of Chicago and the San Francisco Museum of Modern Art. Three monographs of his work have been published: All Around the House: Photographs of American-Jewish Communal Life (Art Institute of Chicago, 1998), Along the Divide: Photographs of the Dan Ryan Expressway (Center for American Places, 2004) and Architecture of Resignation: Photographs from the Mezzogiorno (Center for American Places, 2011). Kehrer Verlag will publish his fourth monograph, Same Dream Another Time, in 2017.
Wolke received his B.F.A. in Printmaking / Illustration at Washington University, St. Louis, and an M.S. in Photography at the Institute of Design, Illinois Institute of Technology, Chicago. Since 1981 he has taught photography and art at various universities. From 1992-1999 he was Coordinator of Graduate Documentary Photography at the Institute of Design (IIT). In 1999-2000 he was Head of Art and Graduate Studies at Studio Art Centers International, Florence, Italy. He is currently a Professor of Photography at Columbia College Chicago, where he also served as Chair of the Art and Design Department from 2000-05 and again from 2008-14. Wolke has received grants and awards from the National Endowment for the Arts, the Illinois Arts Council, Focus Infinity Fund and the Ruttenberg Arts Foundation. His photographs have appeared in numerous publications including Geo France, New York Times Magazine, Financial Times Magazine, Village Voice, Exposure and Architectural Record.
- Creator:Jay Wolke (1954)
- Dimensions:Height: 24 in (60.96 cm)Width: 20 in (50.8 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38211105722
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View AllAfrican American Large Vintage Color Photograph Dandy C Print Photo Ike Ude
By Iké Udé
Located in Surfside, FL
BEYOND DECORUM, CLOSED AND OPEN Series,
I am selling each individually. they are pairs of open and closed jackets. I will include the second photo for reference. This listing is just for the closed jacket photograph.
Vintage C-print on Fuji crystal archive paper.
Image size is 40 x 30", sheet measures 50 X 36
Provenance: printed by Muse X, Los Angeles.
I believe these were test, proof prints. They are not signed or editioned
The work of Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, African/post-nationalist, mainstream/marginal, individual/everyman and fashion/art.
Iké Udé (born 1964) is a Nigerian-American photographer, performance artist,
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Udé's paintings and drawings are less well known than his photography, though critics and art historians have recognized his early work. The late Henry Geldzahler, said of Udé's paintings and works on paper: "I am touched and amazed at the ways in which he manages to blend invisibly the modernist tradition with his own Nigerian roots. There is never anything forced in the conjunction; air and light seem to be his media."
Udé began his Cover Girls series in 1994. Each photograph imitates the cover of a popular fashion or lifestyle magazines, in which the artist himself is featured as the model. (ala the work of Cindy Sherman) The photographs were consciously stylized, posed, photographed and then paired with type matching that of the respected magazine. At first glance, each photograph appears to be an authentic magazine cover. Udé used the magazine cover as a stage to critique the fetishism of the upper class white model and the effects of popular culture on today's consumerist society. The series was exhibited in 1994 in the New York City gallery Exit Art.
Udé's black and white series of photographs, Uli, references both high fashion and Uli body art, wall motifs from Udé's Igbo heritage. The photographs explore the anonymity of the inscribed and disembodied self. Udé's dynamic use of light, namely the chiaroscuro effect, serves as a critical compositional element in the series.
Udé's Beyond Decorum series, begun in 1999, juxtaposes photographs of men's shirts and women's pumps with suggestive personal advertisements in place of the clothing tags.
With its accompanying book, Beyond Decorum: Photographs by Iké Udé, the series traveled across the United States and Canada. The exhibition was shown at the Institute of Contemporary Art in Portland, Maine; OBORO in Montreal, Canada; Sert Gallery; Carpenter Center at the Harvard University Art Museum; and MAK Museum in Vienna, Austria before traveling for two more years internationally.
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African American Large Vintage Color Photograph Dandy C Print Photo Ike Ude
By Iké Udé
Located in Surfside, FL
BEYOND DECORUM, CLOSED AND OPEN Series,
I am selling each individually. they are pairs of open and closed jackets. I will include the second photo for reference. This listing is just for the open jacket photograph.
Vintage C-print on Fuji crystal archive paper.
Image size is 40 x 30", sheet measures 50 X 35
Provenance: printed by Muse X, Los Angeles.
I believe these were test, proof prints. They are not signed or editioned
The work of Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, African/post-nationalist, mainstream/marginal, individual/everyman and fashion/art.
Iké Udé (born 1964) is a Nigerian-American photographer, performance artist,
Ike Ude was born in 1964 in Lagos, Nigeria where he was raised. The eldest son of a wealthy family, he was exposed to photography and portraiture at an early age by dressing up for biweekly family portraits. Udé knew he was an artist by the age of six, when he developed a habit of firing a catapult at passers-by when he disapproved of their walk or the way they were dressed. As an adolescent, Udé attended the Government Secondary School, a British boarding school in Afikpo Nigeria. He was a habitué of London before he moved to New York in 1981 to study Media Communications at Hunter College, CUNY. He began his art career in the late 1980s with abstract painting and drawing. Since the 1990s, photography has been his primary medium. Udé is a dual citizen of the United States and Nigeria.
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Udé began his Cover Girls series in 1994. Each photograph imitates the cover of a popular fashion or lifestyle magazines, in which the artist himself is featured as the model. (ala the work of Cindy Sherman) The photographs were consciously stylized, posed, photographed and then paired with type matching that of the respected magazine. At first glance, each photograph appears to be an authentic magazine cover. Udé used the magazine cover as a stage to critique the fetishism of the upper class white model and the effects of popular culture on today's consumerist society. The series was exhibited in 1994 in the New York City gallery Exit Art.
Udé's black and white series of photographs, Uli, references both high fashion and Uli body art, wall motifs from Udé's Igbo heritage. The photographs explore the anonymity of the inscribed and disembodied self. Udé's dynamic use of light, namely the chiaroscuro effect, serves as a critical compositional element in the series.
Udé's Beyond Decorum series, begun in 1999, juxtaposes photographs of men's shirts and women's pumps with suggestive personal advertisements in place of the clothing tags.
With its accompanying book, Beyond Decorum: Photographs by Iké Udé, the series traveled across the United States and Canada. The exhibition was shown at the Institute of Contemporary Art in Portland, Maine; OBORO in Montreal, Canada; Sert Gallery; Carpenter Center at the Harvard University Art Museum; and MAK Museum in Vienna, Austria before traveling for two more years internationally.
Udé's Paris Hilton: Fantasy and Simulacrum is a conversation between his alter ego, Visconti, and the celebrity Paris...
Category
1990s Conceptual Color Photography
Materials
Photographic Paper, C Print, Color
African American Large Vintage Color Photograph Dandy C Print Photo Ike Ude
By Iké Udé
Located in Surfside, FL
BEYOND DECORUM, CLOSED AND OPEN Series,
I am selling each individually. they are pairs of open and closed jackets. I will include the second photo for reference. This listing is just for the closed jacket photograph.
Vintage C-print on Fuji crystal archive paper.
Image size is 40 x 30", sheet measures 50 X 32
Provenance: printed by Muse X, Los Angeles.
I believe these were test, proof prints. They are not signed or editioned
The work of Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, African/post-nationalist, mainstream/marginal, individual/everyman and fashion/art.
Iké Udé (born 1964) is a Nigerian-American photographer, performance artist,
Ike Ude was born in 1964 in Lagos, Nigeria where he was raised. The eldest son of a wealthy family, he was exposed to photography and portraiture at an early age by dressing up for biweekly family portraits. Udé knew he was an artist by the age of six, when he developed a habit of firing a catapult at passers-by when he disapproved of their walk or the way they were dressed. As an adolescent, Udé attended the Government Secondary School, a British boarding school in Afikpo Nigeria. He was a habitué of London before he moved to New York in 1981 to study Media Communications at Hunter College, CUNY. He began his art career in the late 1980s with abstract painting and drawing. Since the 1990s, photography has been his primary medium. Udé is a dual citizen of the United States and Nigeria.
Udé's paintings and drawings are less well known than his photography, though critics and art historians have recognized his early work. The late Henry Geldzahler, said of Udé's paintings and works on paper: "I am touched and amazed at the ways in which he manages to blend invisibly the modernist tradition with his own Nigerian roots. There is never anything forced in the conjunction; air and light seem to be his media."
Udé began his Cover Girls series in 1994. Each photograph imitates the cover of a popular fashion or lifestyle magazines, in which the artist himself is featured as the model. (ala the work of Cindy Sherman) The photographs were consciously stylized, posed, photographed and then paired with type matching that of the respected magazine. At first glance, each photograph appears to be an authentic magazine cover. Udé used the magazine cover as a stage to critique the fetishism of the upper class white model and the effects of popular culture on today's consumerist society. The series was exhibited in 1994 in the New York City gallery Exit Art.
Udé's black and white series of photographs, Uli, references both high fashion and Uli body art, wall motifs from Udé's Igbo heritage. The photographs explore the anonymity of the inscribed and disembodied self. Udé's dynamic use of light, namely the chiaroscuro effect, serves as a critical compositional element in the series.
Udé's Beyond Decorum series, begun in 1999, juxtaposes photographs of men's shirts and women's pumps with suggestive personal advertisements in place of the clothing tags.
With its accompanying book, Beyond Decorum: Photographs by Iké Udé, the series traveled across the United States and Canada. The exhibition was shown at the Institute of Contemporary Art in Portland, Maine; OBORO in Montreal, Canada; Sert Gallery; Carpenter Center at the Harvard University Art Museum; and MAK Museum in Vienna, Austria before traveling for two more years internationally.
Udé's Paris Hilton: Fantasy and Simulacrum is a conversation between his alter ego, Visconti, and the celebrity Paris...
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Photographic Paper, C Print, Color
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The original receipt included with this item is only available in the digital form. I only have the copy of it, not the original.
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