Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

John Griebsch
Plowed Fields, Hannibal, MO (Minimalist Aerial Landscape Photograph)

2006

About the Item

Contemporary minimalist aerial landscape photograph of a plowed yellow field with dark blue shadow Archival digital print, Edition of 25 (#013) Image size 31 x 39 inches unframed, made to order (printing lead-time of roughly two weeks) Additional sizes available (listed below) The aerial photographs of pilot and photographer John Griebsch capture natural and man-made land forms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs a plow at work. He takes advantage of the way the color of the field changes in the plow's wake, resulting in a lightning bolt shape that cleverly divides the composition. Additional sizes available (unframed, made to order): Image size 23.5 x 29 inches with two inch border, $2000 Image size 31 x 39 inches with two inch border, $3200 Image size 38.5 x 48 inches with two inch border, $4500 Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS.

More From This Seller

View All
Autumn Tamaracks & Sunset (Framed Aerial Lanscape Photograph of Green Forest)
By John Griebsch
Located in Hudson, NY
Framed aerial landscape photograph of pine green forest and warm yellow sunset ''Autumn Tamaracks & Sunset' Archival digital print, Edition of 25 Image size 18 X 12 inches unframed ...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Ink, Archival Paper, Digital Pigment, Acrylic

Soft Mountain Sunset (Archival Digital Aerial Landscape Photograph)
By John Griebsch
Located in Hudson, NY
Contemporary minimalist aerial landscape photograph of orange summer sunset against blue mountains Archival digital print, Edition of 25 (#369) Image size 19.3 x 29 inches with 2 inc...
Category

2010s Contemporary Color Photography

Materials

Archival Ink, Archival Paper, Digital Pigment

Poplar Corner (Aerial Winter Landscape Photograph of Trees in a White Field)
By John Griebsch
Located in Hudson, NY
Minimalist aerial landscape photograph of trees in a snowy white field Archival digital print, Edition of 25 (#121) Image size 23.5 x 29 inches with 2 inch border, made to order Also available in the following sizes: Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs a barren orchard and popular trees in a snowy white field above Sodus, New York. The shadows from the trees cast a dramatic shadow against the white field while the brown colored paved road provides a striking contrast in composition. When seen from above, the aerial landscape photograph looks like a minimalist abstract canvas. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...
Category

Early 2000s Contemporary Landscape Photography

Materials

Archival Ink, Archival Paper, Digital Pigment

Apple Orchard & Shadows (Framed Archival Digital Aerial Landscape Photograph)
By John Griebsch
Located in Hudson, NY
Framed minimalist aerial landscape photograph of apple trees and shadows against bright white snow 'Apple Orchard and Shadows Near Sodus, NY', 2011 Archival digital print, Edition of 25 (#153) Image size 19.3 x 29 inches with 2 inch border 27.5 x 36.5 inches in black frame with 8-ply mat and non-glare glass Also available in the following sizes (unframed): Image 19.3 x 29 inches with 2 inch border $2000 Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 Image size 40 x 60 inches with 2 inch border $6800 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made land forms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs an apple orchard from above near Sodus, NY. The trees cast dramatic shadows on the bright white snow, creating beautiful contrast. When seen from above, the shadows and tree's stark black forms against the white snow can be likened to a minimalist abstract painting. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...
Category

Early 2000s Contemporary Landscape Photography

Materials

Archival Ink, Archival Paper, Digital Pigment

Trailer Yard, Port of Tacoma, Washington (Industrial Aeiral Photograph)
By John Griebsch
Located in Hudson, NY
Contemporary aerial photograph of industrial truck field Archival digital print, edition of 25 (#253) Image size 23.5 x 29 inches with 2 inch border $2000 Image size 31 x 39 inches ...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Ink, Archival Paper, Digital Pigment

Trailer Yard, Washington (Colorful Industrial Aerial Landscape Photograph)
By John Griebsch
Located in Hudson, NY
Contemporary aerial landscape photograph of colorful shipping containers, shot from the photographer's plane over the Port of Tacoma, Washington Archival digital print, edition 4 of ...
Category

2010s Contemporary Color Photography

Materials

Archival Ink, Archival Paper, Digital Pigment

You May Also Like

Japan, Contemporary Color Japanese Landscape Photography, Blue Lotus
By Tadayuki Naito
Located in New york, NY
Blue Lotus, 2003 is a contemporary color photograph by Japanese artist Tadayuki Naito. Naito created a series on the blue lotus, a flower of peace and hope. The artist’s desire was t...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Ink, Archival Paper, Rag Paper, Digital, Archival Pigment, Digi...

Paris, France, L’Arc de Triomphe Wrapped by Christo, Contemporary Photography
By Jean-Michel Voge
Located in New york, NY
Jean-Michel’s L’Arc de Triomphe Wrapped, 2021 is a contemporary experimental color photograph of the Arc de Triomphe in Paris wrapped in fabric in Paris by Christo. The art duo Chr...
Category

2010s Contemporary Color Photography

Materials

Archival Ink, Archival Paper, Rag Paper, Digital, Archival Pigment, Digi...

Cypress Hill Panorama, Trees, Tuscany, black and white photography, landscape
By Gerald Berghammer
Located in Vienna, Vienna
Black and white fine art panorama landscape photography print. Cypresses tree circle in the hills of Tuscany, Italy. Archival pigment ink print, edition of 7. Signed, titled, dated a...
Category

2010s Contemporary Color Photography

Materials

Archival Ink, Archival Paper, Digital Pigment, Archival Pigment

David Burdeny - Paris from the Arc de Triomphe, Paris, 2010, Printed After
By David Burdeny
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 13” x 16" Edition of 15 21” x 26" Edition of 7 32” x 40” Edition of 7 44" x 55" Edition of 7 While the spaces themse...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

Twenty Cherry Trees, Avenue, Austria, black and white art photography landscapes
By Gerald Berghammer
Located in Vienna, Vienna
Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...
Category

2010s Contemporary Color Photography

Materials

Archival Ink, Archival Paper, Digital Pigment

Tyler Shields - Girl Running From Plane, Photography 2015, Printed After
By Tyler Shields
Located in Greenwich, CT
Series: Historical Fiction Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Arti...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Digital, Archiv...

Recently Viewed

View All