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Jose SierraSelf Portrait #10. La Piedra Sustituta, Series. Limited edition color photograph2020
2020
About the Item
Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being 'pointed at' or rather as self-pointing. The stone is taken by the body that is unprotected as a metaphor for the weakness that seeks protection, and the body is taken by the stone as a consequence of an insecure state, how can a stone take a body? If this is the one that ""institutionally"" does it.
Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge traditional norms. His art often merges personal identity with broader cultural commentary, as seen in his notable works like 'Anti-Personnel Grids' and 'Self-Portrait.' Sierra's pieces are a bold fusion of urban art and intimate self-exploration, reflecting his dynamic engagement with contemporary culture.
From "La Piedra Sustituta" Series
Edition of 10 + 2AP
- Creator:Jose Sierra (1991)
- Creation Year:2020
- Dimensions:Height: 40 in (101.6 cm)Width: 23.02 in (58.48 cm)Depth: 0.1 in (2.54 mm)
- More Editions & Sizes:Small, 24 in. H x 13.81 in. W Edition of 10 + 2/2APPrice: $1,300
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami Beach, FL
- Reference Number:1stDibs: LU45336334912
Jose Sierra
Jose Sierra was born in 1991 in Cartagena de Indias, Colombia. He obtained his Master’s degree in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIVAC) in 2012 with a body of work titled, Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, “La Muerte Se Va de Vacaciones” (“Death is Going on Vacation”) that was executed as a reaction to the traditionalism of Cartagena. In 2014, Sierra exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, Sierra was nominated for the International Luxembourg Art Prize for his recent work, Self-Portrait. Sierra’s ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as a subject of aesthetic creation.
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