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Kevin KragToo much confusion. Color Photograph of a Assembled Sculpture2019
2019
About the Item
In the mid 1970s, Chuck Taylor sneakers started showing up on the feet of underground rock bands. As much as jeans and guitars, Chucks became part of the rock and roll look. They had a powerful allure and became a fashion icon for anyone with arock and roll sensibility. This piece is an homage to the simple,
cheap, and let’s be honest rubber and canvas Chucks.
Photography helps Kevin Krag to freeze in time his one-of-a-kind sculptures capturing the spiritual dimension, vulnerability, and mortality of his ephemeral pieces. Using ethically sourced archival photography cotton paper integrates another organic and sensual piece to the puzzle, standing the test of time and having the least possible adverse impact on the environment. Working across different media, his productions incorporate nature in a controlled and ritualistic manner, often focusing on life and death, sound and silence, feminine and masculine. For Krag, a guitar is a tool to create an encounter with nature, to spark a dialogue about beauty, to reveal the rapture of a silent music score. Pushing physical limits with the works —by adhering paint or plants or submerging guitars underwater — is part of a personal process that rushes spiritual and emotional limits to discover his sense of self.
- Creator:Kevin Krag (1984, Argentinian)
- Creation Year:2019
- Dimensions:Height: 32 in (81.28 cm)Width: 48 in (121.92 cm)Depth: 0.1 in (2.54 mm)
- More Editions & Sizes:15 in H x 22 in W Edition of 10 + 1APPrice: $2,00024 in H x 36 in W Edition of 10 + 1APPrice: $3,50048 in H x 72 in W Edition of 10 + 1APPrice: $7,500
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami Beach, FL
- Reference Number:1stDibs: LU45337038112
Kevin Krag
Photography helps Kevin Krag to freeze in time he's one-of-a-kind sculptures capture the spiritual dimension, vulnerability, and mortality of his ephemeral pieces. Using ethically sourced archival photography cotton paper integrates another organic and sensual piece to the puzzle, standing the test of time and having the least possible adverse impact on the environment. For this body of works, Krag incorporates live and dry flowers,
vines, moss, air plants, and ocean driftwood create botanical
instruments that seem to touch on contrasting themes of vitality
and decay. He creates breathing and dying objects deeply
connected to the passing of time, stilled lives contemplating
mortality and the brevity of beauty and life. -------------------------------------------------------------------------------------------------------------------------------------------------------
Kevin Krag grew up surrounded by music, having a father in the
music business and an uncle musician. From a very young age, he
displayed a strong predilection for music and soon became a
passionate guitar player and an avid collector of the instrument.
In 2012, he moved to Miami, where he developed a practice that
incorporates the activities of an artist, a musician, a fetishist, and
a scientist. Working across different media, his productions
incorporate nature in a controlled and ritualistic manner, often
focusing on life and death, sound and silence, feminine and
masculine. For Krag, a guitar is a tool to create an encounter
with nature, to spark a dialogue about beauty, to reveal the
rapture of a silent music score. Pushing physical limits with the
works —by adhering to paint or plants or submerging guitars
underwater — is part of a personal process that rushes spiritual
and emotional limits to discover his sense of self.
Born in 1984, Kevin Krag graduated in Business Administration
in his native city Buenos Aires, Argentina. He is based in Miami,
where he has worked extensively and developed his identity as
an artist and musician.
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