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Leah OatesNatural Dots 32014
2014
$800
£599.45
€702.73
CA$1,120.39
A$1,255.77
CHF 657.41
MX$15,495.45
NOK 8,258.33
SEK 7,773.71
DKK 5,242.43
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About the Item
Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the notion of stasis in the natural and even man-made worlds. Challenging the proverbial idea that a click of the camera freezes a moment, Oates offers us stunning, lyrical landscapes in constant flux, shifting and becoming. As time never stands still, neither do the scenes and subject matter through which we experience the march of the clock.
Oates finds transient beauty on the shoreline of McNabs Island, Canada and on the sun-speckled surfaces of various ponds in Prospect Park and Nova Scotia, rendering her experiences as fleeting moments on a continuum of space and time. She spends a great deal of time in Prospect Park, her backyard in Brooklyn, where her ongoing fascination with the balletic shapes of trees and the sway of their recalcitrant branches never cease to amaze and inspire her in every season and in various light.
- Creator:Leah Oates (Scottish)
- Creation Year:2014
- Dimensions:Height: 11 in (27.94 cm)Width: 14 in (35.56 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1681425033
About the Seller
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Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...
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2010s Contemporary Color Photography
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Digital Pigment
Island Dots #56
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Transitory Space #23
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Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...
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Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...
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