Lisa Creagh

Floriculture 1 - Lisa Creagh, Digital, Floral, Flowers, Contemporary

2009

Please be aware that all prints are produced to order and lead times are between 15-20 days. Edition of 9 plus 2 Artists’ Proofs. 30x30cm Digital Print on 50x50cm Cotton Paper. ...

Please be aware that the US recently imposed an import duty on photographs printed in the last 20 years which may apply if you are purchasing and importing this to the US. Floriculture 2 is a vibrant Lightjet Print in an Edition of 10 in this size by contemporary photographer Lisa Creagh. All prints are produced to order. Lead times between 5-10 days. Please contact the gallery for more information. Lisa Creagh graduated from Goldsmiths in 1994, and more recently, with a Masters in Photography from Brighton University. Between 1997 and 2001 she lived and worked as an artist in New York, teaching digital imaging and curating exhibitions. Upon her return she founded The Brighton Photo Fringe in 2003, a network of photographers, still running in conjunction with the Brighton Photo Biennial. As a producer and curator she has delivered large-scale photographic projects for international artists and delivered talks at various colleges. In 2006 she received critical acclaim for the originality and collaborative nature of ‘Tidy Street’ where she transformed a street in Brighton in to a series of light-boxes utilizing the windows of small terraced houses. Prior to her MA she was awarded two Arts Council England Individual Artists Awards. Her current ongoing project, ‘The Instant Garden’ was begun in 2008 and is inspired by Dutch Flower paintings, in particular those by Rachel Ruysch...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. Stars 7 is a stunning Digital C-Type print on Fuji Maxima Matte Paper. This is Edi...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. Stars 11 is a stunning Digital C-Type print on Fuji Maxima Matte Paper. This is Edi...

Please be aware that all prints are produced to order and lead times are between 15-20 days. Mirando al Cielo 1 is a beautiful 80cm x 80cm Digital Print on 100cm x 100cm Cotton Pap...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. Stars 4 is a stunning Digital C-Type Print on Fuji Maxima Matte Paper. This is Edi...

QV 3 Cents, from the Heidler & Heeps Stamp Collection. Following on from the hugely successful ‘Vinyl Collection’, Natasha Heidler & Richard Heeps have collaborated again, drawing from the childhood past time of stamp collecting...

Heidler’s seductive images are a playful collection of contradictions. Ghostly outlines collide with vibrant colours. Their black backgrounds give them the appearance of neon signs l...

Heidler’s seductive images are a playful collection of contradictions. Ghostly outlines collide with vibrant colours. Their black backgrounds give them the appearance of neon signs l...

Heidler’s seductive images are a playful collection of contradictions. Ghostly outlines collide with vibrant colours. Their black backgrounds give them the appearance of neon signs l...

SLAVES WE WERE, 1982, color photograph, signed and dated and titled in ink, numbered 3/50, sheet 12 x 16”. Hand signed, titled and has the edition number on the recto. Gerard Allon, photographer, born 1949, Casablanca, Morocco. Immigrated to Israel in 1974. In 1985 Allon left Israel and established himself in Canada. He became interested in holography and developed a patent for the "holoposter" .Gérard Allon (Moroccan, Israeli) was born in 1949 in Morocco, grew up in Algiers, then in France. He learned French literature at the Lille University and worked as director assistant for the cinema and the French television. At age 24 he went to Israel and made a movie on the first Jewish settlement on the Golan Heights. From 1975 he has developed an Artist photographer career. The transformation of the camera arts in Israel began in the summer of 1975 with a juried exhibition in Tel Aviv entitled Through the Lens of Immigrant Photographers. Held under the auspices of the Ministry Of Education and Culture, the exhibition included six artists selected by a jury: one of them, the then-unknown Gérard Allon. To include him was an act of almost prophetic clairvoyance, since both as an artist and a photographer, Allon was destined to play a most important role in the renewal of the art in Israel, above all in the field of commercial and fashion photography. Together with a handful of other young photographers active at the time (among them the immigrants Yosaif Cohain and Neil Folberg, and Israelis educated abroad, such as Hanan Laskin, Avi Ganor, and Micha Kirshner), Allon was instrumental in bringing much-needed foreign influences into the insular bubble of local photography. He belongs to the younger generation of camera artists who have established new standards and have brought Israel Photography...

PROJECT 12:31 [ HOUSE ] by Frank Schott long exposure light drawings using motion graphics of scientific scans to recreate the human form 48" x 69" / 122cm x 175cm edition of 7 ...