Massimo Listri

Castello di Rivoli III - Torino

2007

1961: Actress Tania Mallet relaxes on a red-curtained four poster in Eleuthera, in the Bahamas. She is best known for her role as the unfortunate Tilly Ma...

Caption:A group of young women in their bathing suits on the Nevada side of Lake Tahoe, 1959. Slim Aarons worked mainly for society publications, taking pictures of the rich and fa...

Lady Daphne Cameron (Mrs George Cameron) on a tiger skin rug in the trophy room at socialite Laddie Sanford's home in Palm Beach, Florida. Estate stamped and hand numbered edition o...

A stand-up fondue picnic for skiers at Snowmass-at-Aspen, Colorado which has more than fifty miles of trails and snowfields. The village was opened in 1967. Estate stamped and hand...

Beauty and the Beast 1959 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Lady Daphne Cameron (Mrs George Cameron) on a ti...

Steve McCurry Afghan Girl 1984 (printed later C-print on Fuji Crystal archival paper 24 x 20 inches Signed and dated Steve McCurry has been one of the mos...

" Life inmitates art… Faces are arguably one of the most informative and significant visual stimuli in human perception. A brief glimpse of a person’s face readily reveals their iden...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

An Ode to Donald Judd. Photography. Limited Edition. Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood wh...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections. Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart...