C Print Color Photography

Soul Flower Evolution Collection 44.5 x 40.5 in 8 + 2 Artist Proofs, 10 left 62.2 x 56.7 in 3 + 2 Artist Proofs, 5 left C-print on Fuji Paper 2021 Cecilia studied Social Studies and...

Untitled (Oilfields) - 2004 50x50cm, Edition of 10, Digital C-Print, based on the Polaroid Certificate and Signature label, artist Inventory # 1222. Not mounted. OILFIELDS, 2004 ...

Fairytales (dyptych) - 2006 Edition of 30, 38x36cm each, 38x85cm installed, including gaps. 2 Archival Prints based on 2 Polaroids. Signature label and Certificate. Artist Inv...

Whisky and Water (Sidewinder) - 2005 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist Inventory 3292....

*Framed and free shipping within the US* Malibu, California, 1963. Chromogenic Digital Print 40 x 30 inches Edition size: 15 *Please inquire for additional sizes* Lawrence Schiller is an American producer, screenwriter, and photographer best known for his candid photos of Marilyn Monroe. For almost 35 years, Schiller collaborated with Norman Mailer to create several films together, including Executioner's Song (1982), for which Mailer received the Pulitzer Prize. “I never considered myself a good photographer. I still don't,” he has said. “I thought of myself as a hard worker. My camera was a sponge and I had an instinct that athletes have—anticipation.” Born on December 28, 1936 in Brooklyn, NY, was raised in San Diego and attended Pepperdine College in Los Angeles. After graduating, he held photojournalist positions at Time, The Sunday Times, The Saturday Evening Post, and Newsweek. The artist later broke into the world of film by directing part of Butch Cassidy and the Sundance Kid in 1969 and Lady Sings the Blues in 1972. Over the course of his career, Schiller has captured images of several important and notorious figures in American history including Lee Harvey Oswald...

Life and how to live it, 2016 Edition 1/7 plus 2 Artist Proofs Digital C-print, Based on Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2016-791...

In Other Words (Till Death do us Part) - 2005 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Invent...

'Telephone V' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography combines a softened monochrome palette and a mid-century modern nostalgic v...

'Utopian Foyer III', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturin...

Circle of Magic - Shazam (29 Palms, CA) - 2009 50x60cm, Edition of 10 plus 2 Artist Proofs. Digital C-Print, based on the original Polaroid. Artist Inventory No. 2823. Signature lab...

A Million Dead End Streets (Stage of Consciousness) - 2007 40x40cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. ...

Photographed at El Mirage Lake, where the Southern Californian Timing Association, Land Speed Racing event, tracks in the ground from the previous days racing, adding a beauty to th...

"Rhapsody: an instrumental composition irregular in form and suggestive of improvisation. I couldn’t imagine a more perfect name for this gorgeous blend of breeds. The palomino gold ...

Ferguson Racing Streamliner, photograph taken in the iconic home of speed, Bonneville Salt Flats, just as the mountains contrast with the flatness, Richard Heeps captured this racing...

Tincture of Myrrh, part of Richard Heeps' 'Forward to the Past' series, he was commissioned to photograph Preston Hall Museum before it went through regeneration. The works captured ...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006, 20x20cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on the Polaroid. Signatu...

Santa Maria delle Grazie, religious icon church architecture interior photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in November 20...

Miles ALDRIDGE (*1964, Great Britain) Dinner Party #2, 2009 Chromogenic print Print only Medium: 68 x 101.5 cm (26 3/4 x 40 in.) Edition of 10, plus 2 AP; Ed. 2/10 A fiercely origi...

Trickle (Stage of Consciousness) - 2007 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature label. Artist In...

Hut, White Sands, New Mexico is a stunning C-Type Print by contemporary photographer Samuel Hicks. It is available in this size in an Edition of 25, and is sold unframed. A small ...

Chalk Streams 10, 2023 - Biodiversity Ecosystem English Woodland New Forest by Ellie Davies Chalk Streams 10 is a stunning Digital C-Type Print on Fuji Maxima Matte Paper. This size...

Stardust Dreams, from Richard Heeps Dream in Colour series. This cool picture has a classic Americana feel. Richard's pictures beautifully capture parts of Las Vegas which are no lon...

This stylish artwork, 'Red Polka Dot Dress' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a ...

Washeteria - Looking In, vintage interior photograph from Richard Heeps series, A Short History of London. "I discovered this launderette while London was in lockdown during the pand...

'Untitled' Oilfields) - 2004, 60x60cm, Edition 4/10. Analog C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventory #1212.04. Not mounted. ...

I Am I C Print On Fuji Paper Collection: Camouflaged Beauty One size: 44.5 x 40.5 Edition of 7 + 3 Artist Proofs, 9 left "CAMOUFLAGED BEAUTY COLLECTION Van Zeijl's love for nature ...

Beached Roller Coaster, photograph from Richard Heeps' series, Jersey Shore. There is something peaceful about the sleeping structure on the beach, contrasting with your mind as it t...

Primula, botanical pressed flower photograph by Martin Parker. Martin's innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A ...

"FLOWER EVOLUTION The most highly coveted of ornamental plants, the delicate, and graceful orchid represents love, feminity, beauty and strength. The orchids have a magical quality. ...

Playgirl (Heavenly Falls) 2016, 50x50cm, Edition of 10. Archival C-Print based on the Polaroid. Certificate and signature label. Artist inventory number: 19598. Not mounted. ...

Thirst (Bombay All Day) - 2019 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid, not mounted. Signature label and certificate. Artist inventor...

Richard Heeps became well-known for his Burlesque Photography after he spent 2003 capturing performances in Britain & America. He spent a lot on time with his subjects on a number of...

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

Seascapes 6, 2020 - Grassy Marshland in Ancient Forest Nature and Woodland by Ellie Davies Seascapes 6 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte paper,...

Utopian Foyer from Richard Heeps series A Short History of Milan, which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has be...

Fanari II (2018) Edition of 10 - 40 x 40 cm Digital C-Print based on a on a Polaroid, not mounted. Signed on back and certificate. Artist: This was shot on a lighthouse of the Dor...

The Visit, 2018, Edition of 10 - 40 x 40 cm - Digital C-Print based on a Polaroid, Not mounted. Signed on back and certificate. Clare's work is presented in...

As physical books are beginning to disappear in the modern digital life, we crave to bring books back into our home and this picture is the perfect way to do so. Shot in Hanoi in 201...

Photographed in Atlantic City your eye takes you past the Boardwalk Empire facade down the atmospherically misty boardwalk. This artwork is a limited edition of 25, gloss photograph...

Museum quality fine art print of Iman by photographer Markus Klinko taken in New York, 2004 This print is available in the following sizes, signed and numbered by Markus Klinko 24" ...

'Brutalist Symphony', photograph by Richard Heeps from the London's Barbican Estate. There is a subtle beauty in the light and colour of this conceptual architectural photograph of t...

San Giovanni Stained Glass, brutalist architecture interior photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in November 2018 for a sp...

Craig y Don Pool, looking across the bay of Llandudno, Wales in the United Kingdom. Blue symmetry guides your eyes out to sea in this photograph by Richard Heeps. This artwork is a limited edition of 25 gloss photographic print from negative, dry-mounted to aluminium presented in a museum board white window mount and a choice of black or white box framed fitted with anti-reflective UV70% glass. It is signed and numbered on reverse accompanied by a certificate of authenticity. Handmade to order. This artwork is available in other sizes and it pairs well with Richard Heeps artworks in our 1stdibs store. "Richard Heeps' seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter - be it cool descriptive interiors, still life or landscape. His distinctive style pushes the limits of photography." He is a film-based photographer, using a range of vintage analogue cameras. He considers himself to have three studios, the external studio of whichever location he may be shooting, his darkroom where I make my master prints and his home studio where he does the postproduction where the artworks are mounted framed and finished. He aims to make accessible artwork without compromising on quality and making everything in house he is in control of each step to achieve that. Although he was brought up in East Anglia (England), he was heavily influenced by America. he visited American bases, kept magazine cuttings and followed drag racing. The speed, lifestyle and technicolour is reflected in his imagery. 'American' colour is a major aspect in his work, it drives his equipment and material choices. At age ten he began participating in art shows and became comfortable with showing his work and the praise and criticism which is part of an artists development. In his early paintings Manhattan was reoccurring theme, fascinated with New York. Throughout his professional career he has been lucky enough to exhibit in Museums and Public Galleries since the 1980's. Since 2008 his gallery Bleach Box...

Cabazon Dinosaurs (Drive to the Desert) - 2000 44x59cm, Edition 5/5. Analog C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #155.05. Not mount...

Oleander (Life on Mars) - 2024 20x20m, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 22313....

Catherine D'Lish, Tease-o-Rama, photograph capturing her champagne coupe Burlesque performance in Hollywood. Richard Heeps became well-known for his Burlesque photography as he captu...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

Available Sizes: 37.5" x 30" Edition of 15 50" x 40" Edition of 10 60" x 48" Edition of 5 Luna: Luna was adorable. I mean c’mon look at her, only 2 weeks old when I photographed her...

Part of Richard Heeps 'Man's Ruin' Series, this was shot in Bakersfield, California two years after, he photographed Wendy Resting, they make a great pair. This artwork is a limited...

From Richard Heeps Dream in Color series a cinematic scene, a doorway in a motel in Nevada on an American road trip. Warm evening sunlight glows casting shadows across the picture. ...

Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interio...

"4 Corners I" (Last Picture Show) - 2005 58x57cm, Edition of 5. Analog C-Print, hand-printed and enlarged by the artist on Archive Fuji Chrystal Paper, based on a Polaroid, Not m...

Afar II is a limited-edition diptych photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 sizes: *76.2 cm × 152.4...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Aliens - triptych - 1998 Edition of 5, plus 2 Artist Proofs. 48x59cm each, 48x190 installed including the gaps. analog C-Print, hand-printed by the artist on Fuji Crystal Archive P...

Catherine D'Lish, Tease-o-Rama, photograph capturing her champagne coupe Burlesque performance in Hollywood. Richard Heeps became well-known for his Burlesque photography as he captu...

M (Immaculate Springs) - 1998 - 20x20cm, Edition of 5, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature Label and Certificate. Artist inventory...

'Lilac Gloves' by Richard Heeps, taken at the glamorous retro event Goodwood Revival, perfectly captures the fine details in vintage fashion, a time of sophistication. This artwork f...

"Dairy cows are the quintessential animals of the American farm. Because we are so familiar with this particular breed and see them frequently grazing along roadside pastures, painte...

The greenfinch is an infrequent visitor to my garden, but with their glorious colours and strong, rounded shapes they are a sight to behold. The fan-like shape of the wings frames th...