Paper Color Photography
59
to
645
7,212
2,586
1,347
1,982
4,657
2,915
2,311
3,047
1,908
1,360
1,449
2,150
Overall Height
to
Overall Width
to
9,919
587
556
382
139
126
117
42
34
25
13
7
2
1
3,091
1,868
1,637
1,618
1,385
1,301
900
759
621
533
504
499
422
398
362
355
349
347
326
317
791
9,128
1
6
4
52
29
21
90
523
2,727
923
451
306
302
10,523
9,919
9,143
8,892
7,651
Style: Contemporary
Medium: Paper
David Burdeny - Cava Bianco II, Carrara, IT, Photography 2018, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The raw immediacy and lived experience of taking a photograph matters as much to me as how I compose the frame. It is my private personal connection to these places and the emotional or intellectual intrigue that grips me through the process that I hoperesonates in the print. I seek to capture the mood and promise, silence and solitude in that extended moment of awareness. In my earlier architectural practice and now my photography career, I'm fascinated by the opportunity to invest symbols and narrative into built form or see the metaphor in a material space. I have an abiding interest in thresholds and liminal spaces-places that seem somehow a bridge between the concrete and the ephemeral, elevated above time, hallowed. The sublime resides even in an ordinary space. And while the wondrous capabilities of the digital process permits an extraordinary level of clarity, detail and sensuality to be ingrained into an image, I like to
think that there is a mystery at the heart of all my photographs, an appeal for the viewer to keep looking and see more.Salt–Plottings, Fields and ExtractsIn 1858, Gaspard-Felix Tournachon -known with a flourish as ‘Nadar’ -mounted a wet-plate camera to a giant gas-powered balloon becoming the first to take photography aerial. Jules Verne called Nadar “an Icarus with replaceable wings.” As it had been in the classical era, the spirit of the age was once more animated by the potential for height. But the noted caricaturist Honore Daumier -typically the century’s most incisive social chronicler -doubted that there was anything aesthetically beneficial to be gained from such a lofty perspective. Daumier’s famously satirical lithograph, Nadar Raising Photography to the Height of Art, was intended as a mockery of aerial photography’s artistic pretense and as a warning against its surveillance purpose. Daumier’s print shows Nadar rising high above Paris with his camera pointed down and every building below target-marked by the word “PHOTOGRAPHIE”. Already, the utility of panoptic vision was thought to trump its sublime allure or transcendental opportunity. And it would take another 50 years before this fundamentally new visual perspective would upend artistic representation of space.That tension between utilitarian purpose and artistic inspiration is the unexpectedly compelling strength of David Burdeny’s mesmerizing series of aerial abstractions called Salt. His large-format and luminously intriguing photographs of salterns occupy the hazy border zonebetween the prosaic and the poetic. In our hyper-connected age of GPS, Google maps and instant information, the instinctual reaction to these scenes might first be to determine the where and the why of them -their ground-level location or biological/environmental fact. To see first the service roads and draining ditches or to puzzle out how the chemical balance in the salt ponds creates these particular blooms of colour. Such readings serve to root vision in the commonplace and the established order -the here and now -and downgrade the sublimity in the aerial experience. But Burdeny’s Salt photographs aim to be more evocative and exalted than pedestrian. They seek to elevate our experience of the world in more ways than one.From the startof his fine art photography career -certainly aided by his earlier architectural practice -Burdeny has always had a deft appreciation for the artistic potential of pure space and how it can be purposefully structured to appeal to the senses. He has become a
master of the photographic moment made in service of a sublime sensibility. His early black-and-white long-exposure work created a minimalist monumentality out of spare landscapes that felt privately spiritual and seemed to exist outside time. And thestark awesome force of the icebergs in his North/South series crackled with a similar terrifying majesty as the Romantic poets and artists of the nineteenth century regarded them. Even the docents sitting alone and attentively in the Hermitage in Burdeny’s recent Bright Future series seem to be keenly aware of the profound privilege of sensuous perception. What Salt adds to this conversation is its cunning use of the artistic heritage and sublime intrigue of abstract art to further Burdeny’s interest inliminal spaces. In their use of amorphous shapes, elongated fields of colour and vertical, jagged and sinuous lines, Burdeny’s images suggest the painterly expressiveness of Rothko, Still, Newman, Diebenkorn and late career Willem de Kooning. The effect is less intentional than it is available -Modernism’s abstracted reordering of the visual landscape (which essentially got going in pre-WWI Paris...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Red Chairs, Havana, Cuba, Photography 2014, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
What makes Burdeny’s Cuba serie...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
Pier - Contemporary, Color, Photography, Polaroid
Located in Morongo Valley, CA
'Pier' - 2017,
48x60cm.
Edition of 7 plus 2 Artist Proofs.
Archival C-print, based on the original Polaroid, not mounted.
Signature label and certificate.
Artist inventory PL2017...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Eclipse Diptych, Galaxy Landscape in Black and White, Black Hole, Space Print
Located in Barcelona, ES
Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Film, Archival Ink, Photographic Paper, C Print, Digital, G...
Girl Nude (29 Palms, CA)
Located in Morongo Valley, CA
Girl Nude (29 Palms, CA) - 1999
Edition of 10, plus 2 Artist Proofs,
20x20cm,
Archival C-Print,
not mounted,
based on a Polaroid,
Signature label and Certificate,
Artist inven...
Category
1990s Contemporary Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
David Burdeny - Cava Bianco V, Carrara, IT, Photography 2018, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The raw immediacy and lived experience of taking a photograph matters as much to me as how I compose the frame. It is my private personal connection to these places and the emotional or intellectual intrigue that grips me through the process that I hoperesonates in the print. I seek to capture the mood and promise, silence and solitude in that extended moment of awareness. In my earlier architectural practice and now my photography career, I'm fascinated by the opportunity to invest symbols and narrative into built form or see the metaphor in a material space. I have an abiding interest in thresholds and liminal spaces-places that seem somehow a bridge between the concrete and the ephemeral, elevated above time, hallowed. The sublime resides even in an ordinary space. And while the wondrous capabilities of the digital process permits an extraordinary level of clarity, detail and sensuality to be ingrained into an image, I like to
think that there is a mystery at the heart of all my photographs, an appeal for the viewer to keep looking and see more.Salt–Plottings, Fields and ExtractsIn 1858, Gaspard-Felix Tournachon -known with a flourish as ‘Nadar’ -mounted a wet-plate camera to a giant gas-powered balloon becoming the first to take photography aerial. Jules Verne called Nadar “an Icarus with replaceable wings.” As it had been in the classical era, the spirit of the age was once more animated by the potential for height. But the noted caricaturist Honore Daumier -typically the century’s most incisive social chronicler -doubted that there was anything aesthetically beneficial to be gained from such a lofty perspective. Daumier’s famously satirical lithograph, Nadar Raising Photography to the Height of Art, was intended as a mockery of aerial photography’s artistic pretense and as a warning against its surveillance purpose. Daumier’s print shows Nadar rising high above Paris with his camera pointed down and every building below target-marked by the word “PHOTOGRAPHIE”. Already, the utility of panoptic vision was thought to trump its sublime allure or transcendental opportunity. And it would take another 50 years before this fundamentally new visual perspective would upend artistic representation of space.That tension between utilitarian purpose and artistic inspiration is the unexpectedly compelling strength of David Burdeny’s mesmerizing series of aerial abstractions called Salt. His large-format and luminously intriguing photographs of salterns occupy the hazy border zonebetween the prosaic and the poetic. In our hyper-connected age of GPS, Google maps and instant information, the instinctual reaction to these scenes might first be to determine the where and the why of them -their ground-level location or biological/environmental fact. To see first the service roads and draining ditches or to puzzle out how the chemical balance in the salt ponds creates these particular blooms of colour. Such readings serve to root vision in the commonplace and the established order -the here and now -and downgrade the sublimity in the aerial experience. But Burdeny’s Salt photographs aim to be more evocative and exalted than pedestrian. They seek to elevate our experience of the world in more ways than one.From the startof his fine art photography career -certainly aided by his earlier architectural practice -Burdeny has always had a deft appreciation for the artistic potential of pure space and how it can be purposefully structured to appeal to the senses. He has become a
master of the photographic moment made in service of a sublime sensibility. His early black-and-white long-exposure work created a minimalist monumentality out of spare landscapes that felt privately spiritual and seemed to exist outside time. And thestark awesome force of the icebergs in his North/South series crackled with a similar terrifying majesty as the Romantic poets and artists of the nineteenth century regarded them. Even the docents sitting alone and attentively in the Hermitage in Burdeny’s recent Bright Future series seem to be keenly aware of the profound privilege of sensuous perception. What Salt adds to this conversation is its cunning use of the artistic heritage and sublime intrigue of abstract art to further Burdeny’s interest inliminal spaces. In their use of amorphous shapes, elongated fields of colour and vertical, jagged and sinuous lines, Burdeny’s images suggest the painterly expressiveness of Rothko, Still, Newman, Diebenkorn and late career Willem de Kooning. The effect is less intentional than it is available -Modernism’s abstracted reordering of the visual landscape (which essentially got going in pre-WWI Paris...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Diamond Saw, Micelangelo Quary, Carrera IT, 2018, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The raw immediacy and lived experience of taking a photograph matters as much to me as how I compose the frame. It is my private personal connection to these places and the emotional or intellectual intrigue that grips me through the process that I hoperesonates in the print. I seek to capture the mood and promise, silence and solitude in that extended moment of awareness. In my earlier architectural practice and now my photography career, I'm fascinated by the opportunity to invest symbols and narrative into built form or see the metaphor in a material space. I have an abiding interest in thresholds and liminal spaces-places that seem somehow a bridge between the concrete and the ephemeral, elevated above time, hallowed. The sublime resides even in an ordinary space. And while the wondrous capabilities of the digital process permits an extraordinary level of clarity, detail and sensuality to be ingrained into an image, I like to
think that there is a mystery at the heart of all my photographs, an appeal for the viewer to keep looking and see more.Salt–Plottings, Fields and ExtractsIn 1858, Gaspard-Felix Tournachon -known with a flourish as ‘Nadar’ -mounted a wet-plate camera to a giant gas-powered balloon becoming the first to take photography aerial. Jules Verne called Nadar “an Icarus with replaceable wings.” As it had been in the classical era, the spirit of the age was once more animated by the potential for height. But the noted caricaturist Honore Daumier -typically the century’s most incisive social chronicler -doubted that there was anything aesthetically beneficial to be gained from such a lofty perspective. Daumier’s famously satirical lithograph, Nadar Raising Photography to the Height of Art, was intended as a mockery of aerial photography’s artistic pretense and as a warning against its surveillance purpose. Daumier’s print shows Nadar rising high above Paris with his camera pointed down and every building below target-marked by the word “PHOTOGRAPHIE”. Already, the utility of panoptic vision was thought to trump its sublime allure or transcendental opportunity. And it would take another 50 years before this fundamentally new visual perspective would upend artistic representation of space.That tension between utilitarian purpose and artistic inspiration is the unexpectedly compelling strength of David Burdeny’s mesmerizing series of aerial abstractions called Salt. His large-format and luminously intriguing photographs of salterns occupy the hazy border zonebetween the prosaic and the poetic. In our hyper-connected age of GPS, Google maps and instant information, the instinctual reaction to these scenes might first be to determine the where and the why of them -their ground-level location or biological/environmental fact. To see first the service roads and draining ditches or to puzzle out how the chemical balance in the salt ponds creates these particular blooms of colour. Such readings serve to root vision in the commonplace and the established order -the here and now -and downgrade the sublimity in the aerial experience. But Burdeny’s Salt photographs aim to be more evocative and exalted than pedestrian. They seek to elevate our experience of the world in more ways than one.From the startof his fine art photography career -certainly aided by his earlier architectural practice -Burdeny has always had a deft appreciation for the artistic potential of pure space and how it can be purposefully structured to appeal to the senses. He has become a
master of the photographic moment made in service of a sublime sensibility. His early black-and-white long-exposure work created a minimalist monumentality out of spare landscapes that felt privately spiritual and seemed to exist outside time. And thestark awesome force of the icebergs in his North/South series crackled with a similar terrifying majesty as the Romantic poets and artists of the nineteenth century regarded them. Even the docents sitting alone and attentively in the Hermitage in Burdeny’s recent Bright Future series seem to be keenly aware of the profound privilege of sensuous perception. What Salt adds to this conversation is its cunning use of the artistic heritage and sublime intrigue of abstract art to further Burdeny’s interest inliminal spaces. In their use of amorphous shapes, elongated fields of colour and vertical, jagged and sinuous lines, Burdeny’s images suggest the painterly expressiveness of Rothko, Still, Newman, Diebenkorn and late career Willem de Kooning. The effect is less intentional than it is available -Modernism’s abstracted reordering of the visual landscape (which essentially got going in pre-WWI Paris...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Parralex, Great Salt Lake, UT, Photography 2017, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The te...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Blue Bedroom, Havana, Cuba, Photography 2014, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
What makes Burdeny’s Cuba serie...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
Cyndi Lauper - Contemporary, 21st Century, Polaroid, Figurative Photograph
Located in Morongo Valley, CA
'Gelsomina II' "Bring Ya to the Brink" (Cyndi Lauper record Album) - 2016
70x90cm,
sold out Edition of 3, Artist Proof 1/3,
Analog C-Print, hand-printed and enlarged by the artist...
Category
Early 2000s Contemporary Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
David Burdeny - Map Room, Caprarola, Italy, Photography 2016, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
This ...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...
Childhood Memories (Paris), analog, Contemporary
Located in Morongo Valley, CA
Childhood Memories (Paris) - 1995
Edition of 5,
50x60cm including white borders.
Analog C-Print, hand-printed by the artist and based on the Polaroid,
Signature label and Certif...
Category
Early 2000s Contemporary Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
David Burdeny - Palazzo del Te, Mantua, Italy, Photography 2016, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While ...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...
David Burdeny-Galleria degli Antichi, Sabbioneta MN, Italy, 2016, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While ...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...
David Burdeny - Palazzo Madama, Torino, Italy, Photography 2016, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While ...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...
David Burdeny - Galleria, Palazzo Colonna, Rome, Italy, 2016, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While ...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...
David Burdeny - Cava Bianco III, Carrara, IT, Photography 2018, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The raw immediacy and lived experience of taking a photograph matters as much to me as how I compose the frame. It is my private personal connection to these places and the emotional or intellectual intrigue that grips me through the process that I hoperesonates in the print. I seek to capture the mood and promise, silence and solitude in that extended moment of awareness. In my earlier architectural practice and now my photography career, I'm fascinated by the opportunity to invest symbols and narrative into built form or see the metaphor in a material space. I have an abiding interest in thresholds and liminal spaces-places that seem somehow a bridge between the concrete and the ephemeral, elevated above time, hallowed. The sublime resides even in an ordinary space. And while the wondrous capabilities of the digital process permits an extraordinary level of clarity, detail and sensuality to be ingrained into an image, I like to
think that there is a mystery at the heart of all my photographs, an appeal for the viewer to keep looking and see more.Salt–Plottings, Fields and ExtractsIn 1858, Gaspard-Felix Tournachon -known with a flourish as ‘Nadar’ -mounted a wet-plate camera to a giant gas-powered balloon becoming the first to take photography aerial. Jules Verne called Nadar “an Icarus with replaceable wings.” As it had been in the classical era, the spirit of the age was once more animated by the potential for height. But the noted caricaturist Honore Daumier -typically the century’s most incisive social chronicler -doubted that there was anything aesthetically beneficial to be gained from such a lofty perspective. Daumier’s famously satirical lithograph, Nadar Raising Photography to the Height of Art, was intended as a mockery of aerial photography’s artistic pretense and as a warning against its surveillance purpose. Daumier’s print shows Nadar rising high above Paris with his camera pointed down and every building below target-marked by the word “PHOTOGRAPHIE”. Already, the utility of panoptic vision was thought to trump its sublime allure or transcendental opportunity. And it would take another 50 years before this fundamentally new visual perspective would upend artistic representation of space.That tension between utilitarian purpose and artistic inspiration is the unexpectedly compelling strength of David Burdeny’s mesmerizing series of aerial abstractions called Salt. His large-format and luminously intriguing photographs of salterns occupy the hazy border zonebetween the prosaic and the poetic. In our hyper-connected age of GPS, Google maps and instant information, the instinctual reaction to these scenes might first be to determine the where and the why of them -their ground-level location or biological/environmental fact. To see first the service roads and draining ditches or to puzzle out how the chemical balance in the salt ponds creates these particular blooms of colour. Such readings serve to root vision in the commonplace and the established order -the here and now -and downgrade the sublimity in the aerial experience. But Burdeny’s Salt photographs aim to be more evocative and exalted than pedestrian. They seek to elevate our experience of the world in more ways than one.From the startof his fine art photography career -certainly aided by his earlier architectural practice -Burdeny has always had a deft appreciation for the artistic potential of pure space and how it can be purposefully structured to appeal to the senses. He has become a
master of the photographic moment made in service of a sublime sensibility. His early black-and-white long-exposure work created a minimalist monumentality out of spare landscapes that felt privately spiritual and seemed to exist outside time. And thestark awesome force of the icebergs in his North/South series crackled with a similar terrifying majesty as the Romantic poets and artists of the nineteenth century regarded them. Even the docents sitting alone and attentively in the Hermitage in Burdeny’s recent Bright Future series seem to be keenly aware of the profound privilege of sensuous perception. What Salt adds to this conversation is its cunning use of the artistic heritage and sublime intrigue of abstract art to further Burdeny’s interest inliminal spaces. In their use of amorphous shapes, elongated fields of colour and vertical, jagged and sinuous lines, Burdeny’s images suggest the painterly expressiveness of Rothko, Still, Newman, Diebenkorn and late career Willem de Kooning. The effect is less intentional than it is available -Modernism’s abstracted reordering of the visual landscape (which essentially got going in pre-WWI Paris...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Yellow Kitchen, Havana, Cuba, Photography 2014, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
What makes Burdeny’s Cuba serie...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
David Burdeny - Trompe-l’oeil Napoli, Italy, Photography 2016, Printed After
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Digital, Pigment
David Burdeny - Pantheon (Interior), Rome, Italy, 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While the spaces them...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...
David Burdeny - Saltern Study 06, Great Salt Lake, UT, 2015, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 21" Edition of 7
32” x 32" Edition of 7
44” x 44” Edition of 10
59” x 59” Edition of 5
The tens...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Blue Quadrilateral , Great Salt Lake, UT, 2017, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The te...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Photosynthetic 1, Great Salt Lake, UT, 2017, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 21" Edition of 7
32” x 32" Edition of 7
44” x 44” Edition of 10
59” x 59” Edition of 5
The tens...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Piano Player, Havana, Cuba, Photography 2014, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
What makes Burdeny’s Cuba serie...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
David Burdeny - Galleria Vittorio Emanuele II, Milan, Italy, 2016, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While ...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
David Burdeny - Vestibule, Racconigi, Italy, Photography 2016, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While ...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...
David Burdeny-Reggia di Caserta, Caserta, Italy, Photography 2016, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While the spaces them...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...
David Burdeny - Reggia di Caserta Theatre, Caserta, Italy, 2016, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While ...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...
David Burdeny - Library, Napels, Italy, Italy, Photography 2016, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While ...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...
David Burdeny - Piazza del Duomo, Milano, Italy, Photography 2016, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph:
21” x 21" Edition of 7
32” x 32" Edition of 7
44” x 44” Edition of 10
59" x 59" Edition of 5
While the spaces themse...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Digital Pigment, Archival Pigment, Pigment, Digital, Pigment, Pho...
David Burdeny - Torii Gate, Koyasan, Japan, Photography 2012, Printed After
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Digital, Pigment
David Burdeny - Polignano A Mare (mid-day) Bari, Italy, 2016, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While the spaces them...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
Stefanie Schneider Polaroid sized Minis - 'Her last Call' - signed, loose
Located in Morongo Valley, CA
Stefanie Schneider's Mini
Her last Call (The Girl behind the white Picket Fence) - 2013 - featuring Heather Megan Christie
signed in front, not mounted.
Digital Color Photographs ba...
Category
Early 2000s Contemporary Paper Color Photography
Materials
Archival Paper, C Print, Color, Lambda, Polaroid
David Burdeny - Saltern Study 11, Great Salt Lake, UT, 2015, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 21" Edition of 7
32” x 32" Edition of 7
44” x 44” Edition of 10
59” x 59” Edition of 5
The tens...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Tangents 2, Great Salt Lake, UT, 2017, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 21" Edition of 7
32” x 32" Edition of 7
44” x 44” Edition of 10
59” x 59” Edition of 5
The tens...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - River Loire, Blois, France, Photography 2009, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph:
13” x 16" Edition of 15
21” x 26" Edition of 7
32” x 40” Edition of 7
44" x 55" Edition of 7
While the spaces themse...
Category
Early 2000s Contemporary Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
Cola-Thor. From the series Ser Cosa, Color Photograph
Located in Miami Beach, FL
Cola-Thor, 2010 by Rodrigo Etem
From the series Ser Cosa
Archival pigment print on fine art paper
Size: 40 H x 26 W inches.
Edition of 7
Unframed
…this ...
Category
2010s Contemporary Paper Color Photography
Materials
Archival Pigment, Photographic Paper
Pluri-Bol, From the series Ser Cosa, Color Photograph
Located in Miami Beach, FL
Pluri-Bol, 2010 by Rodrigo Etem
From the series Ser Cosa
Archival pigment print on fine art paper
Size: 26 H x 40 W inches.
Edition of 7
Unframed
…this ...
Category
2010s Contemporary Paper Color Photography
Materials
Archival Pigment, Photographic Paper
Red Sea, Abstract Diptych, Giclée Print Golden Pink, Blue Mediterranean Seascape
Located in Barcelona, ES
Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Film, Archival Ink, Photographic Paper, C Print, Digital, G...
David Burdeny - Nets Study 5, China, Photography 2017, Printed After
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Digital, Pigment
David Burdeny - Tokoname Harbour, Japan, Photography 2009, Printed After
Located in Greenwich, CT
Pigment Print
Additional Sizes:
13" x 16" - Edition of 15
21" x 26" - Edition of 7
32" x 40" - Edition of 7
44" x 55" - Edition of 7
David Burdeny (b. 1968. Winnipeg, Canada) gradua...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Digital, Pigment, Digital Pigment
David Burdeny - Saltern Study 05, Great Salt Lake, UT, 2015, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 21" Edition of 7
32” x 32" Edition of 7
44” x 44” Edition of 10
59” x 59” Edition of 5
The tens...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Saltern Study 04, Great Salt Lake, UT, 2015, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 21" Edition of 7
32” x 32" Edition of 7
44” x 44” Edition of 10
59” x 59” Edition of 5
The tens...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Saltern Study 07, Great Salt Lake, UT, 2015, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The te...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Saltern Study 02, Great Salt Lake, UT, 2015, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The te...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Chlorine Plant, Great Salt Lake, UT, 2017, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The te...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Red Canal, Great Salt Lake, UT, Photography 2017, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The te...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Berm Break, Great Salt Lake, UT, Photography 2017, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The tension between u...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Pont Royal, Paris, France, Photography 2012, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph:
13” x 16" Edition of 4
21” x 26" Edition of 4
32” x 40” Edition of 7
44" x 55" Edition of 10
While the spaces themse...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
David Burdeny - Saltern Study 08, Great Salt Lake, UT, 2015, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 21" Edition of 7
32” x 32" Edition of 7
44” x 44” Edition of 10
59” x 59” Edition of 5
The tens...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Saltern Study 01, Great Salt Lake, UT, 2015, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The te...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Halogens 1, Great Salt Lake, UT, 2017, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The te...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Digital, Pigment, Digital Pigment
David Burdeny - Spiral Jetty 1 Great Salt Lake, UT, 2017, Printed After
Located in Greenwich, CT
Pigment Print
All available sizes & editions for each size of this photograph:
21” x 21" Edition of 7
32” x 32" Edition of 7
44” x 44” Edition of 10
59” x 59” Edition of 5
The tens...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Pigment, Color, Digital, Pigment, Digital Pigment
David Burdeny - Rotunda, Stupinigi Palace, Piedmont, Italy, 2016, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
While the spaces them...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
David Burdeny - Red Leaves, Paris, France, Photography 2018, Printed After
Located in Greenwich, CT
All available sizes & editions for each size of this photograph:
21” x 21" Edition of 7
32” x 32" Edition of 7
44” x 44” Edition of 10
59" x 59" Edition of 5
While the spaces themse...
Category
2010s Contemporary Paper Color Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...
Firestorm/Time for Change by Marcy Palmer, 2020, 24k gold leaf on vellum
Located in Dallas, TX
Firestorm/Time for Change by Marcy Palmer presents a collection of golden seed pods, bursting out from a black background. This photograph is made of 24k ...
Category
2010s Contemporary Paper Color Photography
Materials
Gold Leaf
Addisonjones artwork, Rise Up contemporary artwork
Located in Delaware , OH
Addisonjones artwork, Rise Up contemporary artwork
A R T I S T S T O R Y:
“As I walked back through the fields of my grandparents' farm before we sold it, a sense of nostalgia washed over me. Memories of my childhood flooded back, reminding me of the simpler times when I would visit Grandpa in his cabinet wood shop or swing on the porch with Grandma, watching the hummingbirds feed. Life was all about the simple moments, and while I often got bored, it forced me to contrast constant stimulation with a state of peace and freedom.
This boredom expanded my creativity in different ways.”
This stunning print printed on acrylic is a piece that captures the essence of the beauty of used material. These pieces have hardware on the back and ready to be hung.With only 25 prints available, this is an opportunity to add a truly unique piece to your collection. You can purchase individually or as a collection.
ADDISON'S FINE ART PHOTOGRAPHY HISTORY:
Addison’s earliest expedition into fine art photography was through her inspiration of adding prints to create depth and drama in showroom booth designs. These images were captured during her deeply personal journeys of exploration and were never meant to become a collection, but as interior designers expressed...
Category
2010s Contemporary Paper Color Photography
Materials
Rag Paper, Color
David Burdeny - St Joseph’s, Mandalay, Burma, Photography 2011, Printed After
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
2010s Contemporary Paper Color Photography
Materials
Photographic Paper, Digital, Pigment
Paper color photography for sale on 1stDibs.
Find a wide variety of authentic Paper color photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add color photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Stefanie Schneider, Tyler Shields, Richard Heeps, and Chad Kleitsch. Frequently made by artists working in the Contemporary, Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Paper color photography, so small editions measuring 0.1 inches across are also available