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Style: Contemporary
Medium: Plastic
Part 1: Silver Lining
Located in New York, NY
Mixed Media art installation and photography
Category
21st Century and Contemporary Contemporary Plastic Color Photography
Materials
C Print, Plexiglass
$3,600 Sale Price
20% Off
Boat line
Located in New York, NY
This is an aerial photography that was not manipulated or color corrected
Category
21st Century and Contemporary Contemporary Plastic Color Photography
Materials
C Print, Plexiglass
Red towel
Located in New York, NY
This is an aerial photography that was not manipulated or color corrected.
Category
21st Century and Contemporary Contemporary Plastic Color Photography
Materials
C Print, Plexiglass
"Reflection"
Located in New York, NY
Nicole Furman is a multimedia artist, body painter and photographer from Bogotá, Colombia. Having studied a range of art practices from body painting and performance to art history a...
Category
21st Century and Contemporary Contemporary Plastic Color Photography
Materials
C Print, Plexiglass
$3,600 Sale Price
20% Off
"Hidden"
Located in New York, NY
Nicole Furman is a multimedia artist, body painter and photographer from Bogotá, Colombia. Having studied a range of art practices from body painting and performance to art history a...
Category
21st Century and Contemporary Contemporary Plastic Color Photography
Materials
C Print, Plexiglass
$3,600 Sale Price
20% Off
Privileges
By Ejaz Khan
Located in Brooklyn, NY
Saintes-Maries-de-la-Mer. Early evening. I have been photographing white horse pictures in France for about five years or so. On location whenever I get...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper
$2,880 Sale Price
20% Off
The Giving
By Ejaz Khan
Located in Brooklyn, NY
Wild horses frolicking in the snow.
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper
$2,880 Sale Price
20% Off
Overcoming Fear
By Ejaz Khan
Located in Brooklyn, NY
Overcoming fear.
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper
Timeline Kite Surf
Located in New York, NY
Mario Arroyave
Timeline Kite Surf, 2015
C Print on plexiglass
23.50h x 79w in
59.69h x 200.66w cm
Edition 4/5 + 2 A.P.
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, C Print
Tour de France XIV
Located in New York, NY
Toure de France XIV, 2015
C Print on Plexiglass
34h x 86.50w in
Edition 2/5 + 2 A.P.
Mario Arroyave captures the innate elegance in seemingly ordinary and everyday actions. His pho...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, C Print
Remembering Gold, Limited Edition Photograph, Plexifacemount, Trees, Gold, Frame
Located in Riverdale, NY
Remembering Gold is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a plexifacemount framing. It 24" x 24". It is filled with Gold colors and white. It is $1,850. This is an edition of 30. It was originally photographed in 2019.
Nancy C. Woodward is an award winning photographic and mixed media artist.
Her shadow portraits...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Paper, Archival Pigment
Dreams City - Ltd Ed
By Dinesh Boaz
Located in New York, NY
NYC. Shot from a helicopter. Mounted on plexiglass. Floats in white frame.
About the Artist
Dinesh Boaz creates a dynamic juxtaposition between the natural landscape and our ...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
On The Rocks - Ltd ed
By Dinesh Boaz
Located in New York, NY
Shot from a helicopter. Mounted on plexiglass. Floats in white frame.
About the Artist
Dinesh Boaz creates a dynamic juxtaposition between the natural landscape and our involv...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Au Soleil
Located in New York, NY
Christophe Pouget started his artistic career in 2008, when he created his first photographic assemblages. Focused on the affective relationship of time and space, his latest works a...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Film, Mixed Media, Photographic Paper, Photogram
Timeline Operahuset II
Located in New York, NY
Timeline Operahuset II, 2015
C Print on Plexiglass
27.50h x 47w in
Edition 3/5 + 2 A.P.
Mario Arroyave captures the innate elegance in seemingly ordinary and everyday actions. His ...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, C Print
Moonlanding - Ltd Ed
By Dinesh Boaz
Located in New York, NY
Shot from a helicopter. Mounted on plexiglass\. Floats in white frame.
About the Artist
Dinesh Boaz creates a dynamic juxtaposition between the natural landscape and our invol...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Timeline Operahuset 1
Located in New York, NY
Timeline Operahuset I,
2015 C Print on plexiglass
43.50h x 71w in
Edition 2/5 + 2 A.P.
Mario Arroyave captures the innate elegance in seemingly ordinary and everyday actions. His p...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, C Print
Timeline Operahuset III
Located in New York, NY
Timeline Operahuset III, 2015
C Print on Plexiglass
27.50h x 47w in
Edition 5/5 + 2 A.P.
Mario Arroyave captures the innate elegance in seemingly ordinary and everyday actions. His...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, C Print
Ruby Woo, Classic Red Lips
Located in Brooklyn, NY
This work by James Chadwick features captivating cut-out plump lips, adorned with the vibrant and iconic shade of Ruby Woo, MAC Cosmetics' most revered red lipstick. These lips radia...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass
Desejos #18
Located in New York City, NY
Fernanda Naman
Desejos #18, 2016
40 x 40 inches
100 x 100 cm
Edition of 9
C-Print - DIASEC
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, C Print
Desejos #17
Located in New York City, NY
Fernanda Naman
Desejos #17, 2016
40 x 40 inches
100 x 100 cm
Edition of 9
C-Print - DIASEC
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, C Print
Desejos #1 YSL
Located in New York City, NY
Fernanda Naman
Desejos #1, 2016
40 x 40 inches
100 x 100 cm
Edition of 9
C-Print - DIASEC
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, C Print
Caribbean Sea, Aerials
Located in New York City, NY
Sergio Ranalli
Caribbean Sea, Aerials, 2017
60 x 82 inches
Edition of 5
Archival Pigment Print
Unframed
Ask us for framing options.
Also available in:
30 x 40 inches - Edition ...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Caribbean Sea, Aerials
Located in New York City, NY
Sergio Ranalli
Caribbean Sea, Aerials, 2017
44 x 60 inches
Edition of 10
Archival Pigment Print
Unframed
Ask us for framing options.
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #13, Heliodora (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #13, Heliodora (Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #11, Canastra (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #11, Canastra (Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #8, Heliodora (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #8, Heliodora (Color Abstract Photography)
(Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #4 (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #4
(Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #1, Joaquina
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #1, Joaquina
(Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #6, Heliodora (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #6, Heliodora (Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #5, Heliodora (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #5, Heliodora (Color Abstract Photography)
(Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Mirum
Located in New York City, NY
Raphael Macek
Mirum, 2017
Also available in other sizes. Ask for more information.
Price for the work mounted in Plexiglas. Ask us for framing options.
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
$18,000
Rainforest, Brazil
Located in New York City, NY
Rodrigo Katayama
Rainforest, Brazil, 2018
41 x 27.5 inches
Edition of 13
60 x 40 inches
Edition of 9
71 x 48 inches
Edition of 5
Archival Pigment Print
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Crowd #2
Located in New York City, NY
Cyril Porchet
Crowd #2, 2012
50 x 62 inches
125 x 156 cm
Edition of 7
C-Print
Matt Plexiglas
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, C Print
$10,500
Summer Surprise I Rose Wall Flower
Located in Brooklyn, NY
"Summer Surprise I" by James Chadwick from his Wall Flower series is inspired by the deeply saturated images of Bertram Park from the 1930's and 40's. Inc...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass
"Red Empire" Empire State Building Photograph Art Deco
Located in Brooklyn, NY
Claire Clarkson's "Red Empire" is from a series of photographs exploring the replication of the antiquated photographic and printing process through modern technologies. Her works of...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper
"Blue Ivy II" Foliage leaves photograph
Located in Brooklyn, NY
Claire Clarkson's "Blue Ivy II" is from a series of photographs exploring the replication of the cyanotype photographic process through modern technologies. H...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper
"Blue Ivy" foliage leaves photograph
Located in Brooklyn, NY
Claire Clarkson's "Blue Ivy" is from a series of photographs exploring the replication of the cyanotype photographic process through modern technologies. Her ...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper
Girl in Hong Kong by David Drebin
By David Drebin
Located in Cleveland, OH
Internationally renowned photographer and multidisciplinary artist David Drebin is celebrated for creating spectacular shots of dazzling subjects. Including photographs that tell a t...
Category
Early 2000s Contemporary Plastic Color Photography
Materials
ABS, C Print
Clouds 18
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 17
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 16
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 15
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 13
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 11
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Clouds
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
$13,800
Clouds 2
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 18
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 14
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 11
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 9
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 9
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery museum acrylic...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 8
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
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RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery museum acrylic...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 2
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Color Photography
Materials
Plexiglass, Archival Pigment
Blaasbloemen Blow Flowers Pinhole Photo on Dibond with UV Resistant Plexiglass
Located in Utrecht, NL
Blaasbloemen Blow Flowers Pinhole Photo on Dibond with UV Resistant Plexiglass
Bethany de Forest Born in Stoneham, Massachusetts, 1966 - USA Gradua...
Category
21st Century and Contemporary Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper
Tulpvlinder Idea Tulip Butterfly Pinhole Photo on Dibond UV Resistant Plexiglass
Located in Utrecht, NL
Tulpvlinder Idea Tulip Butterfly Pinhole Photo on Dibond UV Resistant Plexiglass
Bethany de Forest Born in Stoneham, Massachusetts, 1966 - USA Graduat...
Category
21st Century and Contemporary Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper
Pink Tulip Lake Pinhole Photo on Dibond with UV Resistant Plexiglass
Located in Utrecht, NL
Pink Tulip Lake Pinhole Photo on Dibond with UV Resistant Plexiglass
Bethany de Forest Born in Stoneham, Massachusetts, 1966 - USA Graduated in Phot...
Category
21st Century and Contemporary Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper
Vlindertrek 2 Butterfly Flight Pinhole Photo on Dibond UV Resistant Plexiglass
Located in Utrecht, NL
Vlindertrek 2 Butterfly Flight Pinhole Photo on Dibond UV Resistant Plexiglass
Bethany de Forest Born in Stoneham, Massachusetts, 1966 - USA Gradua...
Category
21st Century and Contemporary Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper
City Lights Pinhole Photo on Dibond Aluminium with UV Resistant Plexiglass
Located in Utrecht, NL
City Lights Pinhole Photo on Dibond Aluminium with UV Resistant Plexiglass
Bethany de Forest Born in Stoneham, Massachusetts, 1966 - USA Graduated ...
Category
21st Century and Contemporary Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper
Eyeplants Photography on Aluminium Dibond with UV Resistant Plexiglass
Located in Utrecht, NL
Eyeplants Photography on Aluminium Dibond with UV Resistant Plexiglass
Bethany de Forest Born in Stoneham, Massachusetts, 1966 - USA Graduated in ...
Category
21st Century and Contemporary Contemporary Plastic Color Photography
Materials
Plexiglass, Photographic Paper
Plastic color photography for sale on 1stDibs.
Find a wide variety of authentic Plastic color photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add color photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, pink, purple, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Paul-Émile Rioux, Stefanie Schneider, Allyson Monson, and Tyler Shields. Frequently made by artists working in the Contemporary, Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Plastic color photography, so small editions measuring 0.1 inches across are also available