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Michael McLaughlin
Hong Kong

2010

$3,000
£2,303.87
€2,640.21
CA$4,223.26
A$4,730.98
CHF 2,465.27
MX$57,708.23
NOK 31,327.97
SEK 29,540.05
DKK 19,705.79

About the Item

Listing is for UNFRAMED print. Inquire within for framing. Edition of 7. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Your Nearest Exit May Be Behind You, a reference to the traditional pre-flight instructions of airline hostesses, is fine art photographer Micheal McLaughlin's collection of the sights found universally in the act of travelling between countries and continents. From dark Hong Kong skylines shot through hotel room windows to the familiar, scratched silver buttons of a New York subway elevator, the resulting images are what McLaughlin describes as being "as much of a peripheral view as they are a direct view of the world." The minimalistic and boldly colorful images are highlighted by their size, which demonstrates a level of detail often missed by an initial glance. Some rectangular, some square, the images are each displayed in large-scale frames. A world traveler by profession, McLaughlin's new series of images is reminiscent of Ed Ruscha, Richard Diebenkorn, or Wayne Thiebaud, whom the artist cites as some of his many artistic inspirations. The invitational image, entitled "Jorf Lasfar, Morocco", centers on a brightly-colored gas station, McLaughlin's pit stop on the way to the nearby city of Casablanca. Shot miles away from civilization, the small gas station is surrounded only by a vast sky of pink and blue sunset. The soft light of the sky juxtaposed against the artificial lights of the gas station gives a surreal effect to the otherwise commonplace subject. The painterly reflection of the lighting on the glistening concrete, meanwhile, contrasts drastically against the geometric, plastic structure of the gas station. Across the ocean lies the inspiration for "Marshalltown, Iowa". The endless, grey-purple landscape of a barren cornfield peeks through a thick fog of winter. The cornfield stretches infinitely into the horizon, with only the vague trace of manicured rows of corn visible through the white frost on the ground. The muted grey sky above warns of an incoming storm, which McLaughlin was waiting to pass in his car at the time the image was captured. Shot through the car window, the soft, minimalistic image is a mysterious, other-worldly take on the farmlands of Middle America. A third-generation Brooklynite, Micheal McLaughlin's interest in photography began at the tender age of 11. He attended the Nova Scotia College of Art & Design (BFA, 1983), and now works as a New York-based advertising and editorial location photographer. Among others, his clients include IBM, Apple, and American Express. McLaughlin has received honors from Photo District News, Communication Arts, and the NY Art Directors Club. McLaughlin lists a wide array of artistic influences, from fellow photographers (Robert Frank, Harry Callahan, Diane Arbus) to the writings of authors such as William Faulkner, Graham Greene, and Eudora Welty. Color, Urban, City, Nighttime, Lights, Hong Kong, Nightlife
  • Creator:
  • Creation Year:
    2010
  • Dimensions:
    Height: 30 in (76.2 cm)Width: 40 in (101.6 cm)
  • More Editions & Sizes:
    11 x 14Price: $1,00016 x 20Price: $1,25020 x 24Price: $1,750
  • Medium:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Hudson, NY
  • Reference Number:
    1stDibs: LU11177092

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Hong Kong 00:32AM, Hong Kong
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Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 20 CURRENT EXHIBITION - runs through May 6, 2018. Any framed photographs purchased during the show will be after May 6. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. ABOUT The Robin Rice Gallery is pleased to present “episodes (without a real order)”, the first solo photographic exhibition by Leonardo Pucci. The opening reception will be held on Wednesday, March 21st from 6pm to 8pm. The show will run through May 6th, 2018. The delicate sensuality and voyeuristic feeling in Leonardo Pucci’s work allows his photographs to act as indefinite episodes, stolen moments in the lives of individuals or couples caught unaware. But the narrative Pucci is most interested in, is the stories his photographs elicit from the piece’s observers rather than the story of his subjects themselves. Shot mostly at dusk or at night, Pucci’s imagery creates a vague tension in his observer: “the idea that you are looking at something you shouldn’t be seeing provokes a feeling of curiosity and emotion, paired with a subtle discomfort or shame”. “However, this turmoil is temporary as the observer’s personal memories take over in the desire to have his/her own story told. Through the artist’s use of strong geometric compositions and his almost three-dimensional contrasting colors, the photographs reveal moments that are usually secretive and hidden eliminating the distance between the observer and the subject. The exhibition’s invitational image “Paris 9:33am” demonstrates Pucci’s synthesis of composition, color, and narrative. In essence, the fine and detailed arrangement of Pucci’s subjects and their environment - the placement and color of a distant window and the stranger therein create a theater in which the observer can play out their own dreams and impressions. Describing his episodes, which have been installed against a dark grey wall, Pucci states, “They are crystallized instants and therefore appear strangely like a canvas that everyone recognizes, adding their own meanings, tales and emotions which go beyond the image itself.” Leonardo Pucci is a self-taught photographer born in Pisa, Italy. He is currently living between Paris and Rome. He was able to nourish his eye for beauty and narrative through his work in fashion at Italian and French “Maisons”, supervising creative and development processes. Leonardo Pucci links his first memories of photography to his father, who would record every moment of their family life. Among his influences, Pucci lists Franco Fontana, Saul Leiter, Merry Alpern, and Philip-Lorca di Corcia. Color, China, Men, Architecture, Voyeur, Geometric, Hong Kong
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