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Mitchell FunkCamel Caravan1981
1981
$7,000
£5,384.87
€6,250.30
CA$9,871.67
A$11,057.93
CHF 5,808.03
MX$134,460.90
NOK 73,548.57
SEK 69,817.37
DKK 46,648.40
About the Item
Shipping should be around $100 Signed, dated and numbered lower right recto, 3/15 Unframed, printed later, other sizes available.
Mithcell Funk is a pioneer of Sci-Fi Photography and work on many projects for Omni Magazine in the 1980's
Mitchell Funk is a pioneer of " Color Photography" In 1970 he participated in one the first " Color Photography" shows at a major museum. Brooklyn Museum, show "Images en Couleur" . 1971 Included he was included in the visionary book "Frontiers of Photography" Time Life. Color ! American Photography Transformed. Amon Carter Museum. He has had more than 50 Photography Magazine Covers and has had covers on Newsweek and Life Magazine among others.
- Creator:Mitchell Funk (1950, American)
- Creation Year:1981
- Dimensions:Height: 40 in (101.6 cm)Width: 60 in (152.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU38533140023
Mitchell Funk
Mitchell Funk is a pioneer of color photography. In 1970, he participated in one of the first color photography shows at the Brooklyn Museum titled “Images en Couleur." In 1971, he was included in the visionary books Frontiers of Photography and Color (Life Library of Photography), both published by Time-Life. He has done more than 50 photography magazine covers, including covers for Newsweek and Life.

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Historically , newsstand magazines have used a standard set of practices when it came to choosing their cover image. Their goal was to use a image that people could instantly relate to. The idea being, if an image pops off the page it will attract more attention and then generate more newsstand sales. For editors, choosing a cover was first a marketing decision and then an aesthetic one. That is why most magazine covers and (that includes art magazines) pretty much looked the same. They used familiar images, mostly of celebrities, beauty people or news items of that would beckon and aggressively reach out to the prospect. In this Modern Photography Cover of August 1983, they chose a radical departure. Their cover image that was the opposite of the norm. Mitchell Funk’s Graphic Surreal Landscape...
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By Mitchell Funk
Located in Miami, FL
Historically , newsstand magazines have used a standard set of practices when it came to choosing their cover image. Their goal was to use an image that people could instantly relate to. The idea being, if an image pops off the page it will attract more attention and then generate more newsstand sales. For editors, choosing a cover was first a marketing decision and then an aesthetic one. That is why most magazine covers and (that includes art magazines) pretty much looked the same. They used familiar images, mostly of celebrities, beauty people or news items of that would beckon and aggressively reach out to the prospect. In this Modern Photography Cover of August 1983, they chose a radical departure. They used an image that was the opposite of the norm. Mitchell Funk’s Graphic Surreal Landscape breaks the rules of formula magazine cover art...
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Surreal LandScape Photograph Four Pyramids, Cover Popular Photography Magazin
By Mitchell Funk
Located in Miami, FL
Surreal LandScape with Four Pyramids
Cover Popular Photography Magazine, November, 1977
Mitchell Funk is a pioneer of Sci-Fi photography. He did wo...
Category
1970s Surrealist Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
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