Mitchell Funk

Magenta Staten Island Ferry

1971

A captured moment of Old Tug Boat as it passed under the Brooklyn Bridge and set against the 1970's lower Manhattan skyline with Twin Towers of the World Trade Center. It was shot ...

This is a classic image of the Staten Island Ferry in New York Harbor bathed in Golden light with the Statue of Liberty in semi-silhouette. The image was shot over 50 years ago but s...

Signed, dated, numbered 3/15 recto, printed later, other sizes available, unframed

Signed and dated on lower right, numbered on verso, unframed. Other sizes available, printed later, other sizes available

Since this item will be shipped directly from the publisher, the seller can only provide specific information to buyers at the actual point of sale. Please message the seller to requ...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Monochrome photo with a view of the Manhattan skyline from the Staten Island Ferry board, a delightful combination of a row of skyscrapers and a water component of New York Harbor. Christopher Bliss...

24 x 24 inch digital chromogenic print Edition 15 + 3AP Signed, titled, dated and editioned on frame label provided Neal Slavin, a native New Yorker, began photographing groups in 1972. He quickly realized that shooting in color yielded greater nuance and detail, placing him among the first generation of photographers, along with William Eggleston and Joel Meyerowitz, to fully embrace color. Over the past four decades, Slavin has recorded hundreds of groups from the most obscure to the most celebrated, both in the US and abroad: Sabrett Hot Dog vendors, NYC; The Silurian Border Morris Men, Herefordshire; the Mormon Tabernacle Choir, Salt Lake City; Elephant Keepers with Katie and Kumara, Bedfordshire; and the Mahayana Buddhist Service, NYC. He has published three books: “Portugal” (Lustrum Press, 1971), “When Two or More Are Gathered Together” (Farrar Straus Giroux, 1974); and “Britons” (Aperture, 1986). His prints have been acquired by the Metropolitan Museum of Art, New York; the Centre Pompidou, Paris; the International Center of Photography (ICP), New York; the National Portrait Gallery and the National Museum of American Art, Washington, DC; the National Media Museum, London; and the John Paul Getty...