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Stefanie Schneider
Bates Motel (The Last picture Show) - 6 pieces - analog, Contemporary, Polaroid

2005

$1,400
£1,045.58
€1,213.24
CA$1,939.01
A$2,173.61
CHF 1,133.49
MX$26,643.21
NOK 14,363.23
SEK 13,655.58
DKK 9,052.34
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About the Item

Bates Motel (The Last Picture Show) - 2005, Edition of 10 plus 2 Artist Proofs, 20x20cm each, installed 43x66cm. 6 Archival C-Prints, based on the 6 original Polaroids. Certificate and signature label Artist inventory number: 1101. Not mounted. Stefanie Schneider: A German view of the American West The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century? Born in Germany in 1968, photographer Schneider divides her time between Berlin and Los Angeles. Her process begins in the American West, in locations such as the planes and deserts of Southern California, where she photographs her subjects. In Berlin, Schneider develops and enlarges her works by hand. What is initially most striking about Schneider's images is simply the color of her expired Polaroids but her role in preserving the use of Polaroid film is one aspect of her work that has gained great respect from her contemporaries and the critics, as her work came about during a time when the Polaroid, a symbol of American photography, was on the road to extinction. This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.'' Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected. ''It is the tangible experience of ''absence'' that has inspired my work,'' explained Schneider. (Barnebys UK, May 3, 2017)

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Bates Motel III (The Last Picture Show) - Contemporary, Figurative, Polaroid
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Bates Motel III (The Last Picture Show) - 2005, 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the origin...
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2010s Contemporary Color Photography

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Bates Motel V (The Last Picture Show) - Contemporary, Figurative, Polaroid
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Bates Motel V (The Last Picture Show) - 2005, 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the original...
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Bates Motel I (The last Picture Show) - based on a Polaroid Original - Proof
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Bates Motel I (Last Picture Show) Proof b4 Printing, 38x36cm, 2005 analog C-Print, hand-printed by the artist, based on a Polaroid, signed on front. This is a raw analog C-print, h...
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'Bates Motel' part 1 - Contemporary, Figurative, Polaroid
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'Bates Motel' part 1 (The Last Picture Show) - 2005, 38x36cm, Edition 2/5, analog C-Print, hand-printed and enlarged by the artist on Fuji Crystal Archive Paper, matte finish, b...
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Bates Motel VI (The Last Picture Show) - Contemporary, Figurative, Polaroid
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