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Stefanie Schneider'Bates Motel' part 1 - Contemporary, Figurative, Polaroid2005
2005
About the Item
'Bates Motel' part 1 (The Last Picture Show) - 2005,
38x36cm,
Edition 2/5,
analog C-Print, hand-printed and enlarged by the artist on Fuji Crystal Archive Paper, matte finish,
based on a Polaroid, Certificate and signature label
artist inventory number: 1101.02.
Not mounted.
Stefanie Schneider: A German view of the American West
The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century?
Born in Germany in 1968, photographer Schneider divides her time between Berlin and Los Angeles. Her process begins in the American West, in locations such as the planes and deserts of Southern California, where she photographs her subjects. In Berlin, Schneider develops and enlarges her works by hand. What is initially most striking about Schneider's images is simply the color of her expired Polaroids but her role in preserving the use of Polaroid film is one aspect of her work that has gained great respect from her contemporaries and the critics, as her work came about during a time when the Polaroid, a symbol of American photography, was on the road to extinction.
This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.''
Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work,'' explained Schneider.
(Barnebys UK, May 3, 2017
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2005
- Dimensions:Height: 14.97 in (38 cm)Width: 14.18 in (36 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652310467202
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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Moving in Together (Till Death do us Part) - analog, mounted, Installation
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Car Wash - Contemporary, Landscape, Cityscape, expired, Polaroid, analog, Blue
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Edition 2/10.
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Dancer (Stay) - 8 pieces, analog, Polaroid, Contemporary, 21st Century, Color
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Category
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Frenzy (Sidewinder) - not mounted, analog, last Edition - Polaroid, Contemporary
By Stefanie Schneider
Located in Morongo Valley, CA
Frenzy (Sidewinder) - 2005
125x156cm, Edition 5/5,
analog C-Print, hand-printed by the artist on Fuji Crystal Archive paper,
based on the Polaroid.
Signature label and Certificate.
Artist Inventory No. 3048.05,
Not mounted.
This piece was used by the Salzburger Festspiele 2008 for the main image campaign.
Stefanie Schneider, Sidewinder
Exhibit • Galeries of the City of Salzburg • Galerie am Mozartplatz
July 16 – August 29, 2008
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